Chad Airhart Art

A scene of a Welsh woodland with wild daffodils dancing in the breeze in early spring sunshine. The composition is made up of soft pastel greens and blue-greens of the foliage agains...

A summer meadow strewn with wild flowers, re-interpreted to create an effect like a tapestry or sampler. Mixed media but mainly oil, on canvas. Framed in a white tray frame - framed ...

This work, painted in delicate summery pastel shades depicts a traditional wildflower meadow putting on its full summer show. Here are the colours of soft green grasses and the prett...

Polzeath Beach is an Original Painting by Eleanor Woolley Painted in the Artist's Gloucestershire Studio, Polzeath Beach is Inspired by a trip to Cornwall last Summer. Photographs we...

"Paynes Gray Forest" is a framed oil on canvas painting by Marshall Noice, depicting an abstracted copse of trees with gentle foliage amid a gray blue background befitting its namesa...

Polzeath Surfers is an Original Painting by Eleanor Woolley Painted in the Artist's Gloucestershire Studio, Polzeath Surfers is Inspired by a trip to Cornwall last Summer. Photograph...

Gregg Robinson, American (born 1948) Canvas mounted on wood board work of art depicts geometric shapes and forms with a lacquered high gloss finish. Hand signed lower left and dated 1995. Dimensions: 24 X 24 X 1.75 in. GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. His prints have been published by GalleryOnline, publishers of Per Arnoldi, Ricardo benaim, Pierre Marie Brisson, Simon Bull, Fanch Ledan, Claude Gaveau and Laurent Schkolnyk and more. SELECT CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska Airlines...

"Placid Morning" is an unframed oil on canvas painting by Eric Abrecht, depicting an abstracted landscape with trees and a pond (waterscape). The artist's technique of painterly, rou...

Gregg Robinson, American (born 1948) Canvas mounted on wood board work of art depicts geometric shapes and forms with a lacquered high gloss finish. Hand signed lower left and dated 1995. Dimensions: 24 X 24 X 1.75 in. GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. His prints have been published by GalleryOnline, publishers of Per Arnoldi, Ricardo benaim, Pierre Marie Brisson, Simon Bull, Fanch Ledan, Claude Gaveau and Laurent Schkolnyk and more. SELECT CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska Airlines...

In 1974, Tom Lieber attended the University of Illinois and earned his M.F.A. Lieber then moved to San Francisco to fulfill his afinity with Ba...

Purple, red, maroon, rust, brown, yellow, orange, white Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

Phenomena Winter Hart by Paul Jenkins (1923-2012) Oil and sand on canvas 66 x 122 cm (26 x 48 inches) Signed, titled and dated on verso, Paul Jenkins “Phenomena Winter Harth” 1978 T...