Bernd and Hilla Becher Art

The photograph Toshio Shibata, #189 Yunoyani Village, Nigata Prefecture, 1989 by Japanese photographer Toshio Shibata is hand-signed (on recto) by the photographer. The 13" x 19" pri...

Listing is for FRAMED print. Edition of 6 CURRENT EXHIBITION - runs through December 18th, 2016. Any framed photographs purchased during the show will be available after December ...

July 25, 1961. Singer Dean Martin and Sammy Davis, Jr. sit at a table as fellow singer and Rat Pack member Frank Sinatra pours Jack Daniels from a bottle at the Cocoanut Grove during...

Savannah Spirit Waiting Silver gelatin on Ilford multigrade paper, signed, edition of 5 Scroll for more on the artist and this series and an excerpt from the recent monograph, The Archive #6: Savannah Spirit, published by Quiet Lunch: "When I first saw Savannah Spirit’s early nudes, I felt immediately struck by their power and awareness. Of course, they were traditionally beautiful, with classical lighting and shadows from Venetian blinds. Some of them were sexy, in the way bodies are sexy. But they weren’t sexualized. Looking at them, I felt powerful. I felt good. They depicted the body of an adult woman viewing herself with love. I’ve been devoted to them ever since. To me, these portraits invoke the power of a landscape. The way the light rolls over the body evokes the body’s connection with the earth, with sunrise and its long deep shadows. The patterns of darkness can break the figure into geometry, creating a distance between the viewer and the image, as in End of An Era and Staying Abreast. Yet others, like Resist and Be The Woman You Needed When You Were Younger, create direct address, and sometimes empathy. Sometimes, the viewer takes the vantage point of the artist, and the piece becomes a further study in introspection. The titles, like The Bottom Line and Read Between the Lines, often invoke idioms, figures of speech, or stereotypes that themselves point back to the culture that produced them. As conceptual components, they are both playful and political, which, when juxtaposed against image to elicit a mood or reaction. For me, it’s different every time. I am often pricked to discover how the vernacular of Hollywood capitalism, juxtaposed to a powerful, nude self-portrait of a woman, almost always feels a bit surprising–as if I wasn’t expecting her to be there. Recent works, like Network, use both shadow and mirror to create a doubled image, the artist and her reflection, further suggesting the sense of a dialogue with the self. The two bodies are not a mirror image, though seen in a mirror: a conversation between two sides of oneself, rather than a literal twinning. Over the past decade, as this series took on greater and deeper life, Savannah and I have had countless wonderful discussions about women, bodies and art. As a former artist’s model, early in her career, she participated in the form of power that was available to her: that of the quieted muse. She knew she was being objectified, she recalls, but at least she was included in the club. I instantly recognized that message. She was still creating her own work, though, and one day, she realized she’d had enough of seeing herself through someone else’s lens. She turned the camera on herself, and began to take a very different kind of picture. During the pandemic, the feeling of being alone with oneself can sometimes feel overwhelming. These recent pieces reflect that agitation of the dialogue alone, the being with oneself, seeking connection..." - Katie Peyton Hofstadter Classic black and white silver gelatin print, signed by the artist Savannah Spirit. This is a self portrait of the artist. Categorize between self-portrait, contemporary feminism, take back control, I am my own muse, my body my choice...

Original subway poster, c. 1980, on wove paper, unsigned as issued, 28 x 71.3 cm. 'Surveillance Is Your Busywork' is an unused subway lithograph placard, produced in the early 80s b...

Savannah Spirit Waiting Silver gelatin on Ilford multigrade paper, signed, edition of 5 Scroll for more on the artist and this series and an excerpt from the recent monograph, The A...

Frank Sinatra was arrested by the Bergen County, New Jersey sheriff in 1938 and charged with seduction and adultery - a criminal offense in those times. He was tagged with 'Arrest 42799' and this notorious mug shot...

The painting is being offered with a work and authenticity certificate

Theodore, Nina and Jack, France, 2016 by Julia Gat is a 13" x 19" photograph, a black-and-white archival pigment print, in an edition of 5. The work ed 1/5 is titled, dated, signed on photo verso, and printed by the artist. Julia Gat enjoys observing everyday life and documenting photographically what she refers to as chaotic harmony. Often using her large family and circle of friends as models in her work, Julia is drawn simultaneously to heart-warming intimacy and provocative freedom. Julia Gat, based in France, was home-schooled as a child. Alternative education has played a significant role in her work. Julia is immersed in an artistic milieu in both her native Israel and adopted home in Marseille, France where she has grown up in a family of 6. Provenance: Gat Studio *** Artist’s Bio: Born in Israel in 1997 Julia Gat won the European Prize ISEM Young Photographers in 2020 and 1st Prize at the Portrait Festival 2016 (Vichy, France). In 2017 her photography was exhibited at the Maison Européenne de la Photographie (Paris), and then at the Netherlands photo museum (2021-2022). In 2022 she exhibited at Arles Photo Festival. Her first photo book with French publisher Actes Sud was released in 2022 during the annual summer photography...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Fabien Mara Stephanie Seymour and Linda Evangelista / Chanel, 1990 Silver gelatin print 40 x 60 cm Edition of 11 Signed, numbered, and dated Fa...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 15. All Gerald Berghammer prints are made to ord...