Antonio Calderera Art

Josef Albers Homage to the Square - SET OF FIVE 1983 Color silkscreen(s) on semi gloss stock Size: 7.4 × 7.2 on 9.6 × 9.0 inches (each) Framed: 12.8 x 12.8 x 0.5 inches (each) Unsign...

Variant III (from Ten Variants) Screenprint in brilliant Colors on wove paper, 1972 From “Josef Albers: Son Oeuvre et Sa Contribution à Figuration Visuelle Au Cours Du XXe Siècle” Pr...

SOL LEWITT (1928 – 2007) Grids and Color Plate #40 Silkscreen in colors on Arches 88 paper, c. 1979 Impression 8 of an edition of 10 wit...

Sol Lewitt (1928 – 2007) Five Pointed Star Color Screenprint on Arches wove paper, c. 1992 Sheet size: 32 3/4” x 22 ¼” Signed by artist and numbered Edition 104 of 250] Printed by Keizo Tasaka, Watanabe Studio, Ltd., Brooklyn Published by Puma Trading, Paris or Editiones Catalanes, Barcelona, for the International Olympic Committee, with blind stamp lower center Sol LeWitt was born on September 9th, 1928, in Hartford, Connecticut to Eastern European immigrants. LeWitt received a BFA from Syracuse University in 1949 (where he made his first prints) and then was drafted in the Korean War in 1951. During his service, he made posters for the Special Services and spent time in Japan, where he bought the first works that became the basis of a large personal art collection. In 1953, he moved to New York City, where he studied at the Cartoonists and Illustrators School (now the School of Visual Arts) and worked for Seventeen Magazine...

Edition size: 15; Signed, dated, and numbered in pencil, lower margin

Genre: Other Subject: Architecture Medium: Print Surface: Paper Country: Germany Dimensions: 19 3/4" x 15 3/4" Dimensions w/Frame: 22 3/4" x 19" Gerhard Merz Venedig 1997 1998 From the portfolio Sequences printed on Magnani rag paper. print 50 x 40 cm (19¾ x 15¾"), signed and numbered. Edition of 60. Gerhard Merz, born 1947 in Mammendorf near Munich, lives and works in Berlin and Pescia, Italy. Gerhard Merz, who has occasionally been labeled a modern classicist, uses the elements of art - measurement, form and light - in a careful reconsideration of modernism. These three prints document the idea, the architectural plan, and the realized art space at the German Pavillion of the Venice Biennale 1997: brick walls, plaster and fluorescent light - clarity and blankness. »The beautiful is mute and blank.« Gerhard Merz (born 25 May 1947 in Mammendorf , Kreis Fürstenfeldbruck ) is a German artist. From 1969 to 1973, he studied at the Academy of Fine Arts Munich and became a student in the masterclass of Rudi Tröger . Between 1964 and 1969, inspired by Francis Bacon and Uwe Lausen, expressive pictures emerged and subsequently metal sculptures. Since the beginning of the 1970s, he has been increasingly successful with spatial installations in which he drew references to the history of literature and art, as well as to political history, as well as the development of large-format, monochrome images with lines of pencil strokes. In the building of the Federal Foreign Office in Bonn, he designed a wall through a large polychromatic mosaic. Starting in 1977, he was represented at Documenta in Kassel four times in a row. In 1983 he was awarded the Arnold-Bode-Prize of the documenta – City of Kassel . In 1991 he received a reputation as a professor at the Kunstakademie Düsseldorf . In 1998/1999 he was commissioned to design the rooms within the framework of the old building renovation of the Federal Foreign Office in Berlin in a joint project with the architect Hans Kollhoff...

SOL LEWITT (1928 – 2007) Grids and Color Plate #43 Silkscreen in colors on Arches 88 paper, c. 1979 Impression 8 of an edition of 10 wit...

SOL LEWITT (1928 – 2007) Grids and Color Plate #40 Silkscreen in colors on Arches 88 paper, c. 1979 Impression 8 of an edition of 10 wit...

SOL LEWITT (1928 – 2007) "Grids and Color Plate #42" Silkscreen in colors on Arches 88 paper, c. 1979 Impression 8 of an edition of 10 w...

Intersecting Lines - Plate 3 is an original artwork realized by François Morellet in 1975. Black and white screen print. Hand-signed by the artist on the back of the artwork. Numbe...

Bridget Riley’s Dog by Mychael Barratt [2021] limited_edition Silkscreen print Edition number 30 Image size: H:21.5 cm x W:21.5 cm Complete Size of Unframed Work: H:40 cm x W:38 cm ...

Augmented (Hand painted) screenprint by Patricia A. Pearce (American, b. 1948). Presented in a new double mat of black and gray. Unsigned, but was acquired with a collection of Pearc...