Alfonso Iannelli Art

Edge of the Woods. 1916. Drypoint. 7 7/8 x 9 3/4 (sheet 10 7/16 x 13 1/8). A rich impression in printed on Japanese paper with an oak leaf watermark. Signed and annotated '3rd state'...

Untitled Color lithograph, 1966 Unsigned as issued From:Derriere le Miroir, Volume 156 Large unsigned edition Printed by Mourlot, Paris Published by Aime Maeght, Paris Condition: Usu...

Innsbruck '76 original Olympics posters. Tirol Austria 1976. Winter Games. Original Olympic poster. Linen-backed. Published by Organizat...

"Fifty Years Later" - Linocut Print on Paper 1/10 A silhouetted image of a person's profile dropping their ballot into a voting box. The simple shapes, t...

Untitled Color woodcut, 1939 Unsigned as issued Signed and dedicated by the artist on the justification page (see photo) From: Abstractions By Charles Smith Forward by Carl O. Schnie...

Untitled (Plate 2) DLM Color lithograph, 1963 Unsigned and unnumbered (as issued) From: Derriere le Miroir, No. 141 Published by A. Maeght, Paris Printer: Mourlot Freres, Paris Note...

SALE ONE WEEK ONLY "Abstract in Gold and Black" is a well-balanced calm piece. The placement of the gold and white can be read as a distant landscape giving much imagined space to the heavier black area which contains a linear element and the color blue. Semivan is a Master Printmaker and sculptor. He often breaks his surfaces and extends beyond the perimeters in his sculptures. The particular placement of the black area in this piece suggests such a breakage beyond the edge where one imagines a continuation of the strokes or linear elements. This is an altogether extraordinary print. Born in Detroit, Michigan, Douglas Semivan...

Robert Vale Faro, untitled (African Idol), serigraph, c. 1940, edition 6. Signed in pencil. A fine impression, with fresh colors, on buff wove paper; the full sheet with margins(5/8 to 1 3/8 inches), in excellent condition. Very rare. Matted to museum standards, unframed. Image size 8 3/4 x 6 inches (222 x 152 mm); sheet size 11 x 7 1/2 inches (279 x 192 mm). ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine...

Edward Landon 'Chinoiserie', color serigraph, 1947, edition 50, Ryan 36. Signed in pencil in the image, lower right. Titled, dated, and annotated '4 COLORS – EDITION 50' in the scree...

Edward Landon 'Exhortation (Priest)', color serigraph, 1957, edition 28, Ryan 72. Signed, titled, and numbered '21/28' in pencil. A superb, richly-inked impression, with strong color...

George Rogers, 'Sculpturegraph' (Black, Gray, and Silver), color sculpturegraph, edition 40, 1984. Signed, dated, titled, and numbered '25/40' in pencil. A superb, richly-inked, pain...

SALE ONE WEEK ONLY "Receiver I" is an abstract print of three diagonally placed lines. It is reminiscent of an early work by Georgia O'Keeffe, "Blue Lines X" in that both artists, Semivan and O'Keeffe, have achieved a beauty in the placement, width of, length and juxtapositions of simple lines to achieve a never ending balance and harmony for the viewer. Born in Detroit, Michigan, Douglas Semivan...