Aleardo Terzi Art
Aleardo Terzi was born into a good family. His father, Andrea was an important illustrator and his mother, Rose Engel was born in a family close to the library factory. His brother Amedeo became a drawer and collaborated with Aleardo in some periods of his career. Terzi attended the Academy of Fine Arts of Palermo and then started working with La Tribuna Illustrata as an illustrator. During this period, he started to refine his graphic style, where appeared for the first time the feminine figure. In 1898, he moved to Milan, invited by his friend Mataloni, and began working at Officine Ricordi, where he met the most important advertising poster designers such as Adolfo Hohenstein and Marcello Dudovich. In 1904, he was nominated as a director and drawer at Danesi, Rome. Since 1911, he began the important collaboration with the publisher Edoardo Chappuis (Boulogne). During this period, he also decorated majolicas for Richard Ginori and realized scenographies and costumes for the Theatre.
Early 20th Century Art Nouveau Aleardo Terzi Art
Lithograph
Early 1900s Aleardo Terzi Art
Lithograph
Early 1900s Aleardo Terzi Art
Lithograph
Early 1900s Aleardo Terzi Art
Lithograph
Early 2000s Contemporary Aleardo Terzi Art
Lithograph
1960s Surrealist Aleardo Terzi Art
Lithograph
1920s Art Nouveau Aleardo Terzi Art
Lithograph
Georges RochegrosseOriginal Antar, French Opera Theater vintage stone lithograph opera poster , 1921
1960s Modern Aleardo Terzi Art
Lithograph
1950s Impressionist Aleardo Terzi Art
Lithograph
1970s Fauvist Aleardo Terzi Art
Lithograph
1890s Art Nouveau Aleardo Terzi Art
Lithograph
1930s American Modern Aleardo Terzi Art
Lithograph
1890s Art Nouveau Aleardo Terzi Art
Lithograph
1960s Modern Aleardo Terzi Art
Archival Paper, Lithograph
The Master Smith. 1895. Lithograph. Way 84; Levy 123; Tedeschi, Stratis and Spink 120.i/ii. 4 1/2 x 5 1/2 (sheet 76 x 5 3/8). Only 15 lifetime impressions (in 2 states) were listed by Way; Goulding printed 38 impressions on 14 December 1903. The stone was erased in 1903. Printed on cream wove proofing paper. Monogrammed with the butterfly in the stone. A fine impression of this extremely rare lithograph.
Tedeschi, Stratis, and Spink write, page 366: As originally transferred to stone, the image includes trial marks made with a pointed crayon to the left of the sitter's shoulder. There is also a smudge at lower right below the image and a small stry mark upper right. Only one impression of this state has been located. Now in the Britigh Museum, London, it once belonged to Thomas Way and is illustrated in the Levy (1975) catalogue.' The impression illustrated above lacks the stray mark on the right, as the sheet is too small to accommodate it.
Tedeschi, Stratis and Spink write, page 366: 'This portrait of George Govier, was drawn ad the master smith conversed with the artist during a break from his work. Govier was born in Lyme Regis...
Late 19th Century Impressionist Aleardo Terzi Art
Lithograph
20th Century Aleardo Terzi Art
Lithograph
1890s Art Nouveau Aleardo Terzi Art
Tempera, Watercolor, Ink
1890s Art Nouveau Aleardo Terzi Art
Tempera, Ink, Watercolor
1890s Art Nouveau Aleardo Terzi Art
Tempera, Watercolor, Ink
1890s Art Nouveau Aleardo Terzi Art
Tempera, Watercolor, Ink
1890s Art Nouveau Aleardo Terzi Art
Tempera, Ink
1890s Art Nouveau Aleardo Terzi Art
Ink, Tempera
Early 1900s Aleardo Terzi Art
Lithograph