Art Deco

Erté first met the legendary beauty Ganna Walska in 1920 when she contacted him about creating designs for her nascent opera career. He created many desig...

Masquerade is based on an image Erté originally created as a fashion drawing for Harper’s Bazar in 1922. Catalogue - Erté: The Last Works (Dutton, pgs. 119, 207). From the total edi...

Erté created dress and coat designs for Henri Bendel for several years, beginning in 1914. Erté's artistry had a profound effect on women's fashions, beginning with his stint at Poir...

Erté originally created this delightful image representing the feminine energy of Spring for a scene in “Les Rois des Legendes” at the Folies Bergère. Catalogue - Erté: The Last Wor...

Louis PASTOUR (1876-1948) Cannes 1928 A delightful painting of a coastal landscape depicting fishing boats and figures on a beach near Cannes by the French post impressionist artis...

ORIGINAL LITHOGRAPH ON PAPER Brand: RIVE GAUCHE LITHO , INC. Title: L'EAU Type of Advertising: Drinks SIZE: 52" X 36 Date of Creation: 1990-1998 Country of Manufacture: France Origin...

In 1919, Erté began work with the greatest French music-hall star of her day, Gaby Deslys. It was for Ms. Deslys’ appearance in the production of Les Rois ...

Likely a dress design for Henri Bendel or B. Altman, Untitled Fashion Design from 1919 is an iconic early Erté design. Erté's stylized Villa Excelsior name stamp and the 'Composition...

En Espagne Pochoir (silk screen) printed in colors Signed by the artist in pencil lower right The artist won a gold medal in Paris in 1925 for his pochoirs Condition: Excellent Image size: 11-1/2 x 13" Sheet size: 19 1/2 x 24 3/4"; The artist won a gold medal in Paris in 1925 for his porchoirs The artist is Italian, Vittorio Accornero de Testa, working in Paris. The image combines Art Deco and Japonism, two of the most famous styles of the period of the 1920's. Biography Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators. In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli . In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia. In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous. His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino Buzzati...

Cornucopia pays homage to the great goddesses of abundance and fortune, with a modern twist – rather than showing the bounty of the earth overflowing from the horn, this Cornucopia o...

Erté (Romain de Tirtoff) 1892-1990 Russian-French La valse Signed “Erté” (lower right) Inscribed "No. 4096 / La Traviata / Acte I / Scenes II et IV / La Valse / Composition origin...

An original silver gelatin black and white photograph was distributed by American Information Services in Paris. Panoramic view of San Francisco circa 1939. Features: Original silver...

Davis Kemp Early 20th century Red Chalk drawing of Art Deco nude women with Bob hair style. Very well drawn nude study of two women from 1928 in t...

Extraordinary garden torch with one burner insert on an untreated oak spot. Customization possible and designed in 2010. Also available to order in stainless steel. The included bur...

Au Japon Pochoir (Stencil Print), 1925 Signed by the artist in pencil lower right (see photo) Signed in the image lower left (see photo) Stamped verso: Made in France Note: The artist won a gold medal in Paris in 1925 for his porchoirs Condition: excellent Image size: 11 1/2 x 13 inches Sheet size: 20 x 25 3/4 inches The artist is Italian, Vittorio Accornero de Testa, working in Paris. The image combines Art Deco and Japonism, two of the most famous styles of the period of the 1920's. Condition: Excellent, never matted or framed Victor Max Ninon (Vittorio Accornero de Testa, Italian, 1896-1982) Biography Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators. In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli . In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia. In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous. His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino Buzzati...

This beautiful painting in gouache and gold paint was created as a brooch design in the 1980s.The artwork is signed 'Erté' on the front, and numbered and titled in Erté's hand verso ...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Les filles final (The Final Girls) Signed “Erté” (lower right) Inscribed No. 18.340 (en verso) Gouache on paper An elaborate de...

Original vintage travel poster for the Cote d'Azur ete Bandol hiver Le pays du soleil et des fleurs / French Riviera summer winter The land of sun and fl...

Bogota's Glory by Henri Bouchard (1875-1960) Sculpture in bronze with a nuanced yellow-brown patina Signed "H. Bouchard" on the base Cast by "Siot" (stamp) France circa 1927 height...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Les travestis (The Transvestites) Signed “Erté” (lower right) Inscribed "No. 18.363 / Moi, j'aime le music-hall / Les Travestis" (en verso) Gouache on paper Erté’s costume...

This design for a Decca recording of Lakme likely dates to the 1950s, and specifically to the 1952 recording with Mado Robin, conductor Georges Sébastian, at the Théâtre National de ...

Erté (Romain de Tirtoff) 1892-1990 Russian-French L'Esclave porteuse d'éventailThe fan-carrying slave Signed "Erté" (lower right) Inscribed "Les Rois des Légendes / N°23 / L'Esclav...

This striking Art Deco portrait oil painting is by female artist Jolan Polatschek Williams. Williams was born in Austria but settled in England in the 1920's where she remained. Pain...

This design for Decca Records likely dates to the 1950s, and perhaps specifically the 1953 recording with Janine Micheau, conducted by Georges Sébastian. Signed recto 'Erté' mid-righ...

In the realm of travel advertising and design, Albert Solon's 1934 original travel poster for 'Air France Réseau Aérien Mondial' stands as a timeless testament to the allure of globa...

Riccobaldi's 1936 travel poster for 'Riva Torbole Lago di Garda' is a captivating glimpse into the serene beauty of Italy's Lake Garda. Created in collaboration with ENIT (Ente Nazionale Italiano per il Turismo), Italy's National Tourist Board, this poster evokes the tranquil allure of a lakeside getaway. Riccobaldi, a visionary travel artist, transported viewers to far-off destinations through his art. His depiction of Lake Garda's pristine shores, with sailboats and sunbathing figures, captures the essence of this idyllic retreat. The poster's color palette mirrors...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Salade de fleurs de lotus (Lotus Flower Salad) Inscribed “n°1.497” (en verso) Gouache on paper In 1929, Erté embarked on the cr...

Extending the Series This graphite pencil drawing ‘Neo Deco – 02-02-23’ follows one in the same series. However, for the last one I used my regular model. This time I got ye...

ERTE "The Wedding" Signed/Numbered BRONZE SCULPTURE Type: Sculpture Media: Patina on Bronze Image Dimensions: 16 in X 18 in X 5.5 in. Year Produced: 1985 Edition Size: 251/375 Condit...

This is an Art Deco original illustration drawing, hand-painted with ink and gouache on paper, designed by French artist Edouard Halouze. The artwork features two stylish female mode...

In 1935, the Italian artist Brunelleschi Umberto harnessed this power in his original poster for "L'art italien XIXe XXe siècles," a celebration o...

A superb pastoral oil painting by British listed artist Frederick George Swaish and painted in 1923. He was a noted British artist of the inter war period and a regular exhibitor at ...

This alluring Art Deco portrait oil painting is by former British Newlyn artist John Da Costa. Painted circa 1930 the painting is of Christine Bonnar, the artist's wife. She was the ...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Les Fleurs (The flowers) Signed "Erté" (lower right) Inscribed "No. 362" (en verso) Gouache on paper Erté masterfully designs an...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Le chien qui fume (The Smoking Dog) Signed “Erté” (lower right) Gouache on paper This set design by Erté, entitled Le chien qui...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Ailerons de Requin(Shark Fins) Inscribed "n°1.491" (en verso) Gouache on paper In 1928, Erté undertook the creation of stage desi...

Erté (Romain de Tirtoff) 1892-1990 Russian-French La Prêtresse - Danseuse sacréeThe Priestess - Sacred Dancer Signed "Erté" (lower right) Inscribed "Les Rois des Légendes / N°3 / L...

A stunning exhibited 1934 nude female portrait by Dora Crocket (Countess Lewenhaupt). The portrait depicts a nude woman reclining in a sensual pose against a background of red and bl...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Eunuque Signed "Erté"(lower right) Inscribed "No. 13" (en verso) Gouache and silver on paper < br>This costume was designed for th...

This work is part of our exhibition America Coast to Coast: Artists of the 1930s Winged Male Figure - Apollo, c. 1930s, polychrome bas-relief of cast aggregate, 12 x 26 inches; the mold from which this cast was taken by the artist is illustrated in St. Gaudens, Maurine, Emerging from the Shadows: A Survey of Women Artists Working in California, 1860-1960, Schiffer Publishing, Inc. (2015), p. 487; provenance includes Estate of Spencer Jon Helfen; presented in a newer wood frame About the Bas-Reilef Winged Male Figure is an extraordinarily rare bas-relief created around the time Jason Herron served as the Federal Art Project (FAP) sculpture supervisor for Los Angeles. Although Herron produced other bas-reliefs, such as Woman with Red Ball (Collection of Mitchell Wolfson, Jr., courtesy of the Wolfsonian - Florida International University), there are no other known examples of this work. In her encyclopedic Emerging from the Shadows: A Survey of Women Artists Working in California, 1860-1960, Maurine St. Gaudens describes the mold for this work, "Winged Male Figure - Apollo was originally executed as a mold from which a bas-relief would have been cast. This is the negative master form with the rebar supports evident verso. It is unknown whether a completed bas-relief was ever cast from the mold, but at some point, the artist treated the mold as an independent work adding polychrome to the surface." Like the original mold described by St. Gaudens, Herron painted the bas-relief to create a beautiful surface effect with subtle shadows and shimmering highlights. The underlying form is a sleek and stylized art deco image that fits elegantly with the prevailing 1930s Machine Age aesthetics of the type which adorned buildings across the country. About the Artist Jason Herron was one of the most prominent female sculptors living and working in California during the first half of the 20th century. Born in Denver, Colorado, her given name was Jessie Emerson Herron, but she assumed the name “Jason” early in her professional career. As an infant, Herron moved with her family to Los Angeles. She earned a bachelor’s degree from Stanford University and studied art at L’Academie Colarrossi in Paris, the Los Angeles Art Institute, the Otis Art Institute, and the University of Southern California. Herron was active in the Federal Art Project, a New Deal program which provided work to artists across the country. Herron served as Supervisor and Assistant Supervisor of Sculpture for the Federal Art Project in Los Angeles. Together with Henry Lion and Sherry Peticolas, Herron sculpted a work entitled The Power of Water in Lafayette Park in Los Angeles. She also sculpted two large works, Erda and Modern Youth, both of which were placed in Los Angeles Country Schools by the Project. Herron was well respected not only as an artist, but also as a savvy arts administrator. In 1941, she served as the Southern California Chairperson for National Art Week, an ambitious program with the dual purposes of promoting the sale of paintings, sculpture, drawings and prints for the benefit of artists who were still struggling under the weight of the Great Depression and providing the opportunity for average Americans to purchase artwork at a fraction of the customary prices by avoiding the traditional gallery system. Herron served on the board of governors of the Los Angeles County Art Institute and the Otis Art Institute. She was a member of the Los Angeles Art Association, California Art Club, Western Women Art...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Costume tailleur(Tailored suit) Signed "Erté"(lower right) Inscribed "No. 55"(en verso) Gouache on paper This striking gouache on...

Erté (Romain de Tirtoff) 1892-1990 Russian-French L'hiver (The winter) Signed "Erté" (lower right) Inscribed "No. 356" (en verso) Gouache and gold on paper Erté crafts an elegant...

A unique original silver gelatin black and white photograph by French press Agency. View of the Rhone River in Lyon, France, March 1927. The view of the Rhone River was taken from t...

Stefan Norblin (1892-1952), a versatile artist renowned for his mastery of the Art Deco style, left an indelible mark on the world of visual arts and de...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Fleurs du Mal(The Flowers of Evil) Signed "Erté" (lower right) Inscribed 114.6 (en verso) Gouache on paper Captivating and vibrant, this colorful gouache entitledFleurs du Mal showcases Erté's masterful creativity and keen eye. Inspired by Les Fleurs du mal, the famed volume of poems by French writer Charles Baudelaire, this ensemble marries light purple and green floral motifs with the suggestive form of red lips poised for a smooch. This daring yet feminine appearance encapsulates the Art Deco allure for which the artist's creations are cherished. The sophisticated arrangement emanates the fundamental richness and theatricality that can only be accomplished by Erté, often hailed as the "Father of Art Deco." First published in 1857, Baudelaire's Les Fleurs du mal was controversial for its suggestive content and themes of decadence and eroticism. The volume provided a wealth of inspiration for Erté and he drew from several themes to create original fashion sketches...

ORIGINAL LITHOGRAPH ON PAPER Brand: RIVE GAUCHE LITHO , INC. Title: Pipe Type of Advertising: Cars SIZE: 52" x 40" Date of Creation: 1990-1998 Country of Manufacture: France Original...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Etude de décor (Study of decor) Signed “Erté”(lower right) Inscribed "Don Pasquale" (en verso) Gouache on paper Erté reimagines...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Les Bambous Signed "Erté" (lower right) Inscribed "No. 361" (en verso) Gouache and gold on paper Erté renders a stylish gold an...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Le Roi Mage Gaspard Mage King Gaspard Signed “Erté” (lower right) Inscribed "Les Rois des Légendes / N°3 / Roi Mage Gaspard / Date : 28 Février 1919 / No. 222" (en verso) Ink and gouache on paper A testament to Erté's pioneering creativity, this elaborate costume design was created for a 1919 production of Les Rois des Légendes, a performance that showcased a variety of legendary kings from throughout history. One of the three Magi, Gaspard or Gaspar (also known as Casper), was a legendary Magi who, alongside Melchior and Balthasar, paid homage to the baby Jesus. Gaspard is often depicted as an Indian king...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Balthasar Signed "Erté" (lower right) Inscribed "Les Rois des Légendes / No. 15 / Costume pour Balthasar / 1919" (en verso) Gouach...

A unique original silver gelatin black and white photograph by French Press Agency, Paris 1925. International Decorative Arts Exhibition in Paris, October 1925, the front of the building of the electric transformer...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Costume Oriental Signed “Erté”(lower right) Inscribed "No. 19" (en verso) Gouache on paper Titled Costume Oriental, this ensemble epitomizes Erté's signature fusion of Eastern and Western aesthetic elements. The attire features grey pantaloons enveloped by a vivid red skirt adorned with intricate white Orientalist motifs. The bodice, a geometric tapestry of black and white stripes, is composed of narrow horizontal black bands juxtaposed with glittering gemstones. This visual harmony is accentuated by a trio of diamond shapes vertically aligned on the chest. The crowning element is a gem-encrusted turban, surmounted by three red fan shapes, lending the headpiece the appearance of a striking medallion. This sartorial masterpiece is an authentic Erté creation for the 1926 rendition of George White's Scandals, staged at the Heilig Theatre in Portland, Oregon. The revue initially debuted at the Apollo Theatre in New York City on June 30, 1924, enjoying a run of 196 performances before embarking on a tour. Orchestrated by George White from 1919 to 1939, the Scandals series distinguished itself through its timely comedy and exceptional choreography, a testament to White's expertise as a dancer. In contrast to the more lavish Ziegfeld Follies,Scandals offered a streamlined yet sophisticated experience. The Sixth Edition was particularly remarkable for its artistic collaborations: Erté designed the scenery and curtains, while George Gershwin composed the musical score, which included the classic "Somebody Loves Me." The production featured an ensemble of notable performers, including Nyra Brown and the Leeland Sisters. The artist, Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art. Painted 1926 Paper: 12“ high x 9 wide Frame: 19 1/4“ high x 16 1/8” wide x 5/8" deep Exhibitions: M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024 Provenance: Private collection, Paris Christie's South Kensington: Sale, 2014 Bouret Gonzalez Collection Sydney and Sibyl Colefax...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Mah-Jongg Signed "Erté" (lower right) Inscribed "No. 363" (en verso) Gouache and gold on paper Erté's artful depiction in gold...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Gysie Signed "Erté"(lower right) Inscribed "No. 5442" (en verso) Gouache on paper An enthralling pink gown by Erté is namedGysie,...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Les Dragons (The dragons) Signed "Erté" (lower right) Inscribed "No. 358" (en verso) Gouache and gold on paper Erté masterfully ...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Le roi de Lahore (The King of Lahore) Signed “Erté” (lower right) Inscribed "Les Rois des Légendes / No. 11 / Le Roi de Lahore /...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Couronne de laurier The Laurel Wreath Signed "Erté"(lower right) Inscribed "No. 34.3" (en verso) Gouache on paper Erté conceive...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Mistinguett Signed "Erté" (lower right) Stamped "Composition originale" (en verso) Gouache on paper Erté designed this costume fo...