Bronze Sculptures

This lyrical and elegant contemporary sculpture is by David Chamberlain whose work is collected and admired around the world. Hand forged in patinated bronze and steel, the flowing c...

An 'ORACLE' is someone or something that foretells the future, so this sculpture has appears to be gesturing an organic appearance and a somewhat anthropomorphic style. It is the la...

Landscape VI is a bronze sculpture by French contemporary artist Delphine Brabant, dimensions are 26 × 31 × 8 cm (10.2 × 12.2 × 3.1 in). The sculpture is signed and numbered, it is ...

Barricada #9 bp M is a polished bronze sculpture by contemporary artist Alejandro Vega Beuvrin, dimensions are 60 cm × 42 cm × 27 cm (23.6 × 16.5 × 10.6 in). The sculpture is signed and numbered, it is part of a limited edition of 5 editions + 3 artist’s proofs, and comes with a certificate of authenticity. Entitled ‘Barricada’ (‘Barricade’), these metal sheet sculptures...

Barricada #9 bp S30 is a polished bronze sculpture by contemporary artist Alejandro Vega Beuvrin, dimensions are 30 × 22 × 14 cm (11.8 × 8.7 × 5.5 in). The sculpture is signed and numbered, it is part of a limited edition of 8 editions + 4 artist’s proofs, and comes with a certificate of authenticity. Alejandro Vega Beuvrin’s works are conceived as ‘spatial drawings’. In a minimalists’ style and influenced by his architectural knowledge, the artist views his works in relation to the surroundings space. Starting from his two-dimensional digital drawings, the artist laser cuts the metal plates, that upon assembly become three-dimensional forms. Entitled ‘Barricada’ (‘Barricade’), these metal sheet sculptures...

Barricada #11 b S is a bronze sculpture by contemporary Venezuelan artist Alejandro Vega Beuvrin. The bronze sheets are 3 mm thick. Limited edition of 5 + 3 A.P. In a minimalists’ st...

Guaicaquirón #1 bp S (2019) by contemporary Venezuelan artist Alejandro Vega Beuvrin. Polished bronze sculpture, 60 cm × 42 cm × 27 cm. Limited edition of 5 + 3 A.P.

"Songbird" Bronze and Marble sculpture 22.5" x 5" in by Ibrahim Abd Elmalak Songbird, 2008 Bronze & Marble 57 x 13 cm, Signed & Dated Sculptures that mostly depict his characteri...

"Chrysalis" Bronze and Marble sculpture 19" x 15" in by Ibrahim Abd Elmalak Chrysalis, 2005 Bronze & Marble 48 x 39 cm, Signed & Dated Sculptures that mostly depict his character...

David Chamberlain’s compelling, lyrical sculptures are celebrations of form inspired by a lifelong love of music. Recognized internationally as a masterful sculptor, many of Chamberl...

Moon is a unique painting and wall sculpture by French contemporary artist Frédérique Domergue. This artwork is made with polished pink copper leaves on metal frame, dimensions are 1...

This sculpture portrays a woman gazing towards the earth beneath her, crafted with a reconstructive approach. The improvised aesthetics and raw materiality symbolize the process of r...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the...

Three identically-shaped bronze triangular prisms comprise this unique work by renowned Canadian sculptor, Gord Smith (1937-2023). The individual pieces are meant to be moved to crea...

sculpture CUBE was made in 2005. An abstract geometric form made of bronze. Interior sculpture, that may looks your place fancy and original. One of a kind art piece.

Sculpture LEAF is made of wallnut tree and combined with bronze. An abstract form with organic aesthetic. Interior sculpture, that may looks your place fancy and original. One of a...

David Hare Dancer, circa 1955 Bronze with integral stand 68 high x 17 wide x 13 1/2 deep inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Numbered and limited to 12 copies ( 8 + 4 ) Artwork signed Authenticity: Sold with certificate of Authenticity from the gallery Invoice from the gallery Sculpture: bronze, metal, bro...

Artist: Kuno Vollet Title: Infinitum Big This elegant original cast bronze sculpture by German artist Kuno Vollet brings energy into any art collection. Each sculpture is differen...

Numbered and limited to 12 copies ( 8 + 4 ) Artwork signed Authenticity: Sold with certificate of Authenticity from the gallery Invoice from the gallery Sculpture: bronze, metal, bro...

Klaus Ihlenfeld (b.1934). Untitled, ca. 1960. Welded bronze. 8" h.; 5.5 " w; 3.25" d (base). Signed with initial under base. Provenance: Directly from estate of Harry Bertoia. The piece was a gift from Ihlenfeld and is a very early example created during Bertoia apprenticeship era. Excellent condition. Klaus Karl Otto IhlenfeldHe was born in Berlin, Germany in 1934. He studied art at the Hochschule für Bildende Künste and completed graduate work with the metal sculptor Hans Uhlmann. He visited the US in 1957 for the first time living in Durham, NC, where he befriended Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Through this friendship in 1960 he met and worked with the metal sculptor Harry Bertoia in Barto, PA. He joined the Staempfli Gallery in NYC and entered in many group and one-man shows. He has been an Artist-in-Residence in Ogden, Utah; Huntington Museum of Art in West Virginia, Penn State University at University Park; the Colorado State University in Denver; and Shippensburg University. He has large commissions at Kutztown University, Pottstown Hospital, and a monumental relief sculpture at the Emigrant Savings Bank in NYC. He has traveled extensively in Spain, Greece, and Mexico. He is living and working on a farm in Barto, PA welding bronze and forged iron metal sculptures and painting watercolors. Group Shows: North Carolina Museum of Art in Raleigh, NC - 1957 Solomon R. Guggenheim Museum in New York City - 1962 Staempfli Gallery in New York City - 1962, 1964 and 1965 Gallery Ludwig Lange in West Berlin, Germany - 1977 Gallery Herbert Remmert and Dr. Barth in Dusseldorf in West Germany - 1981 Jack Savitt Gallery in Macungie, PA - 1981 and 1984 Heinz Ortleb Gallery, West Berlin, Germany - 1992 Central Bucks Chamber of Commerce Show at the James A. Michener Art Museum in Doylestown, PA - 1997 Berks Art Alliance Show at the Reading Art Museum in Reading, PA - 1997 Mayfair Festival of the Arts at the Allentown Art Museum - 1998 Baum School of Art in Allentown, PA - 1997 Schwenkfelder Library and Heritage Center Art Show in Pennsburg, PA - 2001 Reading Public Museum in Reading PA, 2014 Solo Shows: Kutztown University in Kutztown, PA - 1960 and 1965 Allentown Art Museum in Allentown, PA - 1960 and 1961 Staempfli Gallery in New York City - 1962 Penn State University in University Park, PA - 1964 and 1972 Berks Art Alliance in Wyomissing, PA - 1966 Bertha Eccles Art Center in Ogden, Utah - 1967 Mansfield University in Mansfield, PA - 1967 Huntington Museum of Art in Huntington, WV - 1971 Shippensburg University in Shippensburg, PA - 1972 Albright College in Reading, PA - 1973 Ianuzzi Gallery in Scottsdale, AZ - 1974 Gallery Heimat 85 in West Berlin, Germany - 1977 Jack Savitt Gallery in Macungie, PA - 1981 College Misericordia in Dallas, PA - 1983 Schwenkfelder Library and Heritage Center in Pennsburg, PA, 2013 Periodical Reference: Kaye, Ellen "The Obsessive Collector," Philadelphia Inquirer Sunday Magazine Sptember 21, 1986 pp. 32-33. Chronology: 1-30-1934 Born in Berlin, Germany. Father, Kurt Ihlenfeld, Lutheran pastor, novelist, critic and publisher was born in 1901 in Colmar, Alsace Lorain. Mother, Annie Stuhlmann, was born in 1905 in Breslau, Lower Silesia. 1940 - 1950 Public schools in Berlin; Löwen, Lower Silesia; Coswig, Radebeul, Glaubitz, Saxony. Königin Luise-Gymnasium in Dahlem, Berlin. First artworks, drawings and paintings; few sculptures. 1950 - 1956 Studied at the Hochschule für Bildende Künste in West Berlin, Germany. Graduate work with metal sculptor Hans Uhlmann. For 2 years maintained own studio at the Academy. Friendship with writer Günter Grass, and painter F. S. Sonnenstern. Met painters: Max Pechstein, Karl Schmidt-Rottluff, Carl Hofer, Max Kaus, and sculptors: Bernhard Heiliger, Renee Sintenis, and Richard Scheibe...

Artist: Kuno Vollet Title: Schwerelos Gold Materials: Bronze sculpture with a dark patina on black granite base Size: 65cm height of upper sculpture, base: 18 x 18 cm x 8 cm Lim...

Osvaldo Mariscotti’s art is an art of fundamentals: color, line, and the possibilities inherent in their variation and repetition. Using this economy of means, Mariscotti creates an ...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the...

Dimitri Hadzi Uxmal, 1991 Cast bronze on custom made granite base 17 × 30 1/2 × 14 inches The title UXMAL, refers to the ancient Mayan city of Uxmal, which is known for its "Pyramid ...

Octopus bronze sculpture, Limited Edition of 15 is a beautifully sculpted piece by Andrzej Azymczyk. It is beautiful unique, intricate and highly detailed. Andrzej graduated with ...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the...

Octopus bronze sculpture, Limited Edition of 15 is a beautifully sculpted piece by Andrzej Azymczyk. It is beautiful unique, intricate and highly detailed. Andrzej graduated with ...

Reaching, ca. 1980. Cast bronze. Signed in lower region on wrist. A rare example from the artist's later period influenced by figurative abstraction with expressionist tendencies. James Edward Lewis (August 4, 1923 – August 9, 1997) was an African-American artist, art collector, professor, and curator in the city of Baltimore. He is best known for his role as the leading force for the creation of the James E. Lewis Museum of Art, an institution of the HBCU Morgan State University. His work as the chairman of the Morgan Art Department from 1950 to 1986 allowed for the museum to amass a large collection of more than 3,000 works, predominantly of African and African diasporan art.[1] In addition, he is also well known for his role as an interdisciplinary artist, primarily focused on sculpture, though also having notable examples of lithography and illustration. His artistic style throughout the years has developed from an earlier focus on African-American history and historical figures, for which he is most notable as an artist, to a more contemporary style of African-inspired abstract expressionism. Early and personal life James E. Lewis was born in rural Phenix, Virginia on August 4, 1923 to James T. Lewis and Pearline (Pearlean) Harvey.[5] Lewis' parents were both sharecroppers. Shortly after his birth, his father moved to Baltimore for increased job opportunity; James E. was subsequently raised by his mother until the family was reunited in 1925. They lived for a short time with distant relatives until moving to a four-bedroom house on 1024 North Durham Street in East Baltimore, a predominantly African-American lower-class neighborhood close to Johns Hopkins Hospital. Lewis' primary school, PS 101, was the only public school in East Baltimore that served black children. Lewis grew up in a church-going family, his parents both active members of the Faith Baptist Church, devoting the entirety of their Sundays to church activities. His parents worked a variety of different jobs throughout his youth:[6] his father working as a stevedore for a shipping company, a mechanic, a custodian, a mailroom handler,[6] and an elevator operator.] His mother worked as both a clerk at a drugstore[7] and a laundress for a private family.[4] Lewis' primary exposure to the arts came from Dr. Leon Winslow, a faculty member at PS 101 who Lewis saw as "providing encouragement and art materials to those who wanted and needed it." In fifth grade, Lewis transferred to PS 102. Here, he was able to receive specialized Art Education in Ms. William's class under the guidance of Winslow. He was considered a standout pupil at PS 102 as a result of his introduction to the connection between the arts and the other studies. His time spent in Ms. Pauline Wharton's class allowed for him to experiment with singing, to which he was considered a talented singer. His involvement in this class challenged his earlier belief that singing was not a masculine artistic pursuit. He was able to study both European classics and negro spirituals, which was one of his earliest introductions to arts specific to American black culture. Under Ms. Wharton's direction, he was also involved in many different musical performances,[6] including some works of the Works Progress Administration's Federal Theatre Project.[8] Lewis attended Paul Laurence Dunbar High School, where his love of the arts was heightened through his industrial art class with Lee Davis...

Arman, French American (1928-2005) Gambit (Chess pieces) Cast Bronze Sculpture with patina Incised signature near lower edge, 48/70 with impressed "Bronze Romain & Fils" foundry ma...

Sorel Etrog (1933 - 2014) is arguably Canada's most famous sculptor. Etrog's work is defined by existential themes surrounding the human experience. Exploring paradoxical concepts ...

Sculpture, 1989 Publisher : Artcurial Gilded bronze 11 x 7 cm Signed and numbered 1111 Certificate of authenticity LCD6358

This artwork is a multiples limited not numbered specimens created by the Italian artist Ugo La Pietra, a well known Internationally artist. Ugo La Pietra was born in Bussi Sul Tiri...

"Untitled" is a bronze sculpture made by Robert Adams in 1979. The work is number 3 from an edition of 6. The artwork size is 29 1/2 x 9 3/4 x 3 1/2 inches. Stamped underneath, "Adam...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

This Carmelo Cappello Abstract Sculpture is a very interesting example of the approach of the artist to the Universe. In his mind he considered the Universe a not perfect circle but ...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

Andrzej Szymczyk's "Siamese Fighting Fish II, Gold" emerges as a radiant masterpiece, capturing the dynamic energy and elegance of this iconic aquatic creature. Crafted with meticulo...

Andrzej Szymczyk's "Sargassum Fish" emerges as a captivating centerpiece in the realm of wildlife sculpture. Crafted with intricate detail and artistic finesse, this original tableto...

Andrzej Szymczyk's "Goldfish II" emerges as a shimmering testament to the beauty and grace of these beloved aquatic creatures, captured in the enduring medium of bronze. This origina...

Andrzej Szymczyk's "Sea Angel Fish" emerges as a captivating embodiment of aquatic beauty and grace, captured in the timeless medium of bronze. This original tabletop sculpture invit...

"Sea Angel Fish" is a breathtaking tableau rendered in the medium of bronze. This original tabletop sculpture transcends traditional wildlife representation, offering viewers a glimp...

"Longnose Butterfly Fish" stands as a testament to the artistic brilliance of Andrzej Szymczyk, capturing the essence of underwater beauty in a mesmeriz...

ChatGPT ChatGPT Title: "Angel Fish" by Andrzej Szymczyk "Angel Fish" is a mesmerizing sculpture crafted by the talented artist Andrzej Szymczyk. This original wildlife tabletop scu...

This small desktop bronze sculpture suggests the sweeping battle dress of a Samurai warrior. The piece is available in various sizes and finishes (shown in the images 3-6), includin...

Polo Pony and Rider Harrison Tweed . Charles Rumsey was an 8 goal polo player with Meadowbrook Polo Club on Long Island NY. He was an avid sportsman, equestrian and artist. His ab...

Barrett is one of our great American sculptors who worked in large scale outdoor formats and more intimate indoor maquette sizes. This abstraction by him is a very fine composition ...

Dame Elisabeth Frink. English ( b.1930 - d.1993 ). Maquette for Man and Eagle. Bronze with gold brown patina Signed and numbered 1/7 lower left Size 8.7 inches x 10.2 inches ( 22cm x 26cm ). Depth 2.8 inches ( 7cm ) Weight 7.1lb ( 3.24KG) Available for sale; this original bronze plaque with raised relief is by Dame Elisabeth Frink and was conceived and cast in 1967. The maquette is presented and supplied unmounted. There is the option to hang the plaque from 2 rings applied to the rear when in previous ownership. This vintage bronze plaque...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Artist Statement: #1 My hands reach, touch, and shape. Hands let go and receive; they try to hold things and to hold things together. Some of my images of hands are derived from M...