Pop Art Prints and Multiples

Keith Haring Pop Shop, 1986: Vintage original 1980s Keith Haring Pop Shop bag designed & illustrated by the artist. Features a bold Keith Haring ...

Fernando Natalici Patti Astor The Foreigner New York 1977: Actress and legendary downtown NY scenester Patti Astor, photographed during the filming of "The Foreigner" by celebrated N...

70x70cm, print on canvas

Paper Size: 41.75 x 38.5 inches ( 106.045 x 97.79 cm ) Image Size: 37.5 x 37.5 inches ( 95.25 x 95.25 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Supplemen...

Lithograph on Arches Cover paper Signed, dated, titled and numbered (along lower edge) (145/150) Publisher: Visconti Fine Art and Lazo Vujic Printed by: Flatstone Studio, Sarasota

Patti Smith 78 Speed 1977: Rare original hand-signed flyer for Patti Smith Group shows at CBGB 1977. The flyer was designed by Patti Smith using one of her drawings at the time; with...

Andy Warhol Jean-Michel Basquiat Boxing posters 1985: Complete set of 2 works: The most sought-after Basquiat/Warhol collectibles in existence - presented as a complete set of 2. Pu...

70x70cm, print on canvas

Andy Warhol Jean-Michel Basquiat Boxing poster 1985: Rare original 1985 Warhol Basquiat boxing poster. The most sought-after Basquiat/Warhol collectible in existence - this work was ...

Art print on paper Based on the 1964 original In Great Condition

Paper Size: 21.75 x 14.25 inches ( 55.245 x 36.195 cm ) Image Size: 20.75 x 13.25 inches ( 52.705 x 33.655 cm ) Framed: Yes Condition: A: Mint Additional Details: Published and prin...

Raymond Pettibon: Rare early Black Flag flyer: Original punk flyer / handbill illustrated by Raymond Pettibon for a gig by Black Flag at The Mabuhay, San Francisco, CA: Fri Oct 3, 19...

Archival print with metallic accents, gloss overlays, and screen printed highlights on 100% Cotton 290 gsm Entrada Rag Paper with hand-deckled edges. Hand signed, dated and numbered...

70x70cm, print on canvas

Raymond Pettibon illustrated Black Flag flyer published on the occasion of: Black Flag at the Elite Club, Oct. 31 1981; with D.O.A., Saccharine Trust, & Overkill. A rare early Petti...

Keith Haring Club DV8 San Francisco 1991: A rare 1991 Club DV8's poster featuring Keith Haring balloon dog artwork originally created by the artist for DV...

Jim Dine, Monotypes et Gravures, Galerie Maeght, Paris, 1983. Vintage Offset Lithograph Poster American contemporary pop art. A colorful heart quilt in a rainbow of colors. Jim Dine...

70x70cm, print on canvas

70x70cm, print on canvas

Inkjet printed in colors on wove paper. Hand signed & numbered by Damien Hirst. Published by Other Criteria, London. Image size 19.75 by 26.625 inches. Sheet size 26.875 by 32...

Five color lithograph and linocut on arches white paper. Hand signed and numbered by Tom Wesselmann. Edition HC 5/12 (the main edition was 100 plus 6 artist's proofs). Published by Aimee DeLittle for Mémoire de la Liberté, Paris. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Tom Wesselmann (1931–2004) was an American Pop artist best known for his collages, sculptures, and screenprints that stylized the female figure. Often isolating segments of the body—red lips with a cigarette, a single nipple, or a stylish shoe—his artworks aim was to seize a viewer’s attention. “The prime mission of my art, in the beginning, and continuing still, is to make figurative art as exciting as abstract art,” he once said of his work. Born on February 23, 1931 in Cincinnati, OH, he was drafted into the US Army to serve in the Korean War in 1952. Returning home after the war, he studied drawing at the Art Academy of Cincinnati before working as an illustrator of comic strips and men’s magazines...

Takashi Murakami Kaikai & Kiki (Blue Eyes) 2019: A limited edition Takashi Murakami art toy set featuring the artist's iconic Kaikai-Chan & Kiki-Chan characters with blue eyes. Seale...

Still life , 70x70cm, print on canvas

Paper Size: 16.5 x 11.75 inches ( 41.91 x 29.845 cm ) Image Size: 11 x 9.25 inches ( 27.94 x 23.495 cm ) Framed: No Condition: A: Mint Additional Details: Exhibition poster by Licht...

Morocco , 70x70cm, print on canvas

70x70cm, print on canvas

Title: Montreux Jazz Festival 1986 Collaboration by Keith Haring & Andy Warhol Medium: Screenprint in colors on half-matte coated 250 gr paper Printer: Albin Uldry Size: 70 x 100 cm (27.6 x 39.4 in) Signature: Plate signed by Keith Haring & Andy Warhol Open edition Description: This iconic artwork commemorates the twentieth anniversary of the Montreux Jazz Festival and Claude Nobs’s fiftieth birthday. A remarkable collaboration between two New York icons, Keith Haring and Andy Warhol, this piece captures the vibrancy and energy of the festival in bold red and yellow hues. Pierre Keller's ingenious idea brought these renowned artists together for the first time, resulting in a visually striking poster that evokes a sense of Swiss charm...

Paper Size: 53 x 30 inches ( 134.62 x 76.2 cm ) Image Size: 53 x 30 inches ( 134.62 x 76.2 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Additiona...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Robert Indiana New York State Theater, Lincoln Center, 1964 Silkscreen poster 45 1/2 inches (vertical) × 30 inches (horizontal) (Ship rolled in...

Paper Size: 20.75 x 19.75 inches ( 52.705 x 50.165 cm ) Image Size: 20.75 x 19.75 inches ( 52.705 x 50.165 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shi...

Still life , 70x70cm, print on canvas

Vintage gallery exhibition poster. Navy blue and bold yellow stars with vibrant orange. Surrealist man in hat with scythe or fishing rod. The Galerie Maeght is a gallery of modern ar...

Lithograph and screenprint in colors on Rives BFK paper. Hand signed and dated by Roy Lichtenstein. Numbered 46/100 (there were also 10 artist's proofs). Published by Multiples, I...

From a series of pop collages by Mimmo Rotella, produced by Prearo Editore, printed by Stamperia Berardinelli, Verona, IT, dating from the early 1990s, in an edition of 100. The prints reproduce famous collages by the master made between 1954 and 1962. L'opera è stampata su carta Zerkall Butten 600 gr, 100% cotone. L'opera è firmata a matita in basso a destra e numerato in basso a sinistra. Edition XXX/XXX copies. Opera Proveniente da collezione privata, Italia. Il pezzo è accompagnato da una certificazione di autenticità rilasciata dalla galleria. Le condizioni dell'opera sono per lo più perfette: nessuna traccia del tempo, nessun graffio e margini perfettamente conservati. Il pezzo viaggia senza cornice per avere una spedizione più economica e sicura su richiesta dell'acquirente. Poiché il pezzo viaggia dall'Italia, si prega di considerare che l'espletamento delle pratiche di esportazione richiede un minimo di una settimana dal momento dell'acquisto. Mimmo Rotella, che ha rappresentato l'Italia alla Biennale di Venezia del 1964, è stato sperimentale fino in fondo: nelle sue poesie, nei suoi dipinti, nelle sue fotografie, nei suoi assemblaggi scultorei e nei suoi collage ha abbattuto le convenzioni, lasciando dietro di sé un corpus di opere stravaganti. All'inizio degli anni Cinquanta dipinge astrazioni geometriche, poi si allontana dal suo studio e si rivolge al mondo che lo circonda. Lì trovò i manifesti pubblicitari e cinematografici deteriorati, che strappò dalle pareti, attaccò alle tele e strappò ulteriormente per sviluppare composizioni semi-astratte dalle immagini dei mass media, che chiamò "doppi décollages". Grazie ai suoi collage, è stato associato a Raymond Hains, Jacques Villeglé...

"Sid Vicious Mugshot" Print 39 x 36 inch Edition of 75 by Gerard Marti Digital print on fine art paper. Ships rolled in a tube. Signed and numbered by the artist. NEW YORK - DEC...

Morocco , 70x70cm, print on canvas

Paper Size: 24 x 12 inches ( 60.96 x 30.48 cm ) Image Size: 23.5 x 11.5 inches ( 59.69 x 29.21 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Deta...

Still life , 70x70cm, print on canvas

Morocco , 70x70cm, print on canvas

70x70cm, print on canvas

Keith Haring 1982 1st edition (Keith Haring Tony Shafrazi Gallery): The much seminal & highly collectible, limited edition catalog featuring the iconic neon Haring Three Eyed Smiling Face cover & 15 sought-after double-sided lithographic inserts intact and in excellent vintage condition. An extensive early survey of Haring’s work leading into his breakout year. The finest example we have ever come across. Rarely comes to market as such. Not to be passed upon. Medium: Softcover metal-wire bound artist monograph; approximately 144 pages. 1st edition 1982. 9.25 x 9 inches (folded closed). Very good to excellent overall vintage condition. Protected by bound-in original clear plastic front sheet. Hardly touched. Unsigned from a limited edition of 2000 (see image 4). Includes a forward by publisher Tony Shafrazi, as well as text by Keith Haring, Jeffrey Deitch, Robert Pincus-Witten, and David Shapiro. Designed by Dan Friedman with photographs of Haring's subway drawings by Haring’s close friend, Tseng Kwong Chi. Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C. Related Categories: Keith Haring prints. Keith Haring Three Eyes...

Paper Size: 38.5 x 51.25 inches ( 97.79 x 130.175 cm ) Image Size: 32.5 x 47 inches ( 82.55 x 119.38 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling. Addition...

Roy's Motel Sign, Route 66, Amboy, California, 2001. Swim-in-Pool Supply Co. Las Vegas, Nevada, 2003. Pink Champagne Motel, Wildwood, New Jersey, 2013 Set of three framed ready to h...

Mini Fab – Pride [2022] limited_edition and hand signed by the artist Cymk screen print and glitter Edition number 100 Image size: H:21 cm x W:14.8 cm Complete Size of Unframed Work...

Robert Indianna (American, 1928-2018) 4 Americans in Paris, 1970 Screenprint Framed: 46 1/4 x 23 x 3/4 in. Signed in the plate: (c) R Indiana 1970 Published by American Image, distr...

sisterhood , 70x70cm, print on canvas

Paper Size: 23.5 x 27.5 inches ( 59.69 x 69.85 cm ) Image Size: 20.5 x 25.5 inches ( 52.07 x 64.77 cm ) Framed: No Condition: A: Mint Additional Details: Offset lithograph, ope...

The sixth in a series of worn out Chuck Taylor Basquiat Converse Trainers. This time with a pair of my Converse Basquiat sneakers. Titled ‘Life Imitates Art III’ these sneakers feature the classic Basquiat dinosaur...

Paper Size: 21.25 x 16 inches ( 53.975 x 40.64 cm ) Image Size: 21.25 x 16 inches ( 53.975 x 40.64 cm ) Framed: Yes Frame Size: H: 22.25 x W: 17 x D: .75 in. Condition: A: Mint Addi...

Paper Size: 34 x 34 inches ( 86.36 x 86.36 cm ) Image Size: 26 x 26 inches ( 66.04 x 66.04 cm ) Framed: No Condition: A: Mint Additional Details: Out-of-print edition of artwork by ...

Keith Haring Skateboard Deck 2019: Sold out, limited edition estate trademarked Keith Haring Skateboard Deck featuring the artist's iconic imagery. This work is from a sold out colla...

Hand signed, dated and numbered by the artist. Giclee on hand made cotton paper. Image size 18.75 x 14 inches. Frame size approx 25.5 x 20 inches. Edition of 50. Artwork in excel...

Da una serie di litografie pop di Mimmo Rotella, pubblicate da Prearo Publ., Italia, risalenti ai primi anni Novanta. Firmato a matita in basso a destra e numerato in basso a sinistra. Edizione di 41/100 esemplari. Opera Proveniente da collezione privata, Italia. Il pezzo è accompagnato da una certificazione di autenticità rilasciata dalla galleria. Le condizioni dell'opera sono per lo più perfette: nessuna traccia del tempo, nessun graffio e margini perfettamente conservati. Il pezzo viaggia senza cornice per avere una spedizione più economica e sicura su richiesta dell'acquirente. Poiché il pezzo viaggia dall'Italia, si prega di considerare che l'espletamento delle pratiche di esportazione richiede un minimo di una settimana dal momento dell'acquisto. Mimmo Rotella, che ha rappresentato l'Italia alla Biennale di Venezia del 1964, è stato sperimentale fino in fondo: nelle sue poesie, nei suoi dipinti, nelle sue fotografie, nei suoi assemblaggi scultorei e nei suoi collage ha abbattuto le convenzioni, lasciando dietro di sé un corpus di opere stravaganti. All'inizio degli anni Cinquanta dipinge astrazioni geometriche, poi si allontana dal suo studio e si rivolge al mondo che lo circonda. Lì trovò i manifesti pubblicitari e cinematografici deteriorati, che strappò dalle pareti, attaccò alle tele e strappò ulteriormente per sviluppare composizioni semi-astratte dalle immagini dei mass media, che chiamò "doppi décollages". Grazie ai suoi collage, è stato associato a Raymond Hains, Jacques Villeglé...

Paper Size: 20.75 x 15.75 inches ( 52.705 x 40.005 cm ) Image Size: 19.75 x 14.75 inches ( 50.165 x 37.465 cm ) Framed: Yes Condition: A: Mint Additional Details: Published and prin...

"Keith Haring: Sculpture & Painting" January 17 to February 14 1987 at Tony Shafrazi Gallery, NY: Vintage original 1987 gallery announcement card Dimensions: 6 x 9 inches Excellen...

Blue mountain, 2018 Edition of 25, number 2/25 editor Artgráfico Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of aut...

Artist: Keith Haring Title: Growing (Plate 3), from the Growing Portfolio Size: 40 x 30 Inches (76.2 x 101.6 cm) Medium: Screenprint in colors, on Lenox Museum Board, with full mar...