Walter Henry Williams

Marguerite

1961

A very good impression of this etching on white wove paper. Signed, dated and numbered 48/80 in pencil.

An early and scarce impression of this color lithograph, printed in black and light beige on white wove Zerkall paper. This print has full margins and is signed and dated in pencil b...

Portfolio with complete text, 5 drypoint prints with etching and aquatint and numerous illustrations on Rives BFK. The sheets are loose as issued and in superb condition. One from a ...

A very good impression of this color aquatint on white wove paper. Signed, dated and numbered 428/500 in pencil. Published by Librairie du Musee d'art Modern, Paris.

A very good impression of this lithograph with embossing on Arches. One of 4 numbered printer's proofs, aside from the edition of 30. Signed and dated in pencil, lower right, and ins...

An excellent impression of this archival digital pigment print on Somerset Photo Rag paper. Signed, dated and numbered 207/500 in silver pen, lower margin. Acquired directly from the...

David Shrigley (British, b. 1968) Talk to the Hand, 2021 Medium: Linocut on paper Dimensions: 42 x 30 cm (16.5 x 11.8 in) Edition of 75: Hand-signed, numbered and dated Condition: Mint

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier. Marshall, along with his dealer, were voted by ArtReview the top two of the 100 most influential people in the art world of 2018 - even ahead of the #MeToo movement, and ahead of figures like Jeff Koons, Larry Gagosian and Eli Broad! His paintings now sell for tens of millions of dollars - after P. Diddy paid $21 million for a painting. The present work "Keeping the Culture" is an extremely desirable work of art and exemplifies Marshall's style. For a feature profile/article written for Marshall's first retrospective - a blockbuster show entitled "MASRY" at the Museum of Contemporary Art, LA, the Museum of Contemporary Art Chicago and the Met Breuer in New York, Barbara Isenberg of the LA Times wrote: ." The New York Times called the show “smashing” and its subject “one of the great history painters of our time.” The New York Review of Books and Artforum magazine put large images from the show on their January covers. “I’ve been acutely aware that museums are behind their academic colleagues in terms of thinking of representation and people of color,” MOCA chief curator Helen Molesworth says. “I find Kerry’s paintings ravishing — they are drop dead, great paintings — and they have an extra level of reward for people who hold in their heads a history of Western painting.” Marshall is a compelling storyteller, whether on canvas or in conversation. Talking at length during a visit to MOCA, he is easygoing but eloquent, recalling his neighborhood in Birmingham, Ala., where he was born in 1955, or about growing up black there and in Los Angeles. He remembers the names of teachers who encouraged him. Asked when he first began to notice a lack of black subjects...

The artwork will be sent unframed Unique 1/1 Artwork are signed by artist. Linocut, intaglio, colography and chine collé print technique from 3 matrices Unique 1/1 Size 26,4x18,3...

The artwork will be sent unframed Linocut and monotype print technique Art print from 4 matrices Limited edition, print unique number 2/6 Paper Fabriano Rosaspina 220 g Paper size 1...

Nelson Dominguez (Cuban, 1947) 'La mujer del tabaco', 2012 Woodcut 124.5 x 84.5 cm. (49 x 33.3 in.) Edition of 10 Unframed

Nelson Dominguez (Cuban, 1947) 'La mujer del café', 2012 Woodcut 124.5 x 84.5 cm. (49 x 33.3 in.) Edition of 10 Unframed