Marlene Dumas

A Long Silence

1989

A very good impression of this lithograph with embossing on Arches. One of 4 numbered printer's proofs, aside from the edition of 30. Signed and dated in pencil, lower right, and ins...

A very good impression of this large lithograph on Arches Cover. Signed, dated and numbered 44/170 in pencil by Longo. There were also 30 artist’s proofs and 18 hors-commerce Publish...

Portfolio with complete text, 5 drypoint prints with etching and aquatint and numerous illustrations on Rives BFK. The sheets are loose as issued and in superb condition. One from a ...

A very good impression of this early color offset lithograph. Signed in pencil by Lichtenstein. Printed by Colorcraft, New York. Published by Leo Castelli Gallery, New York. Catalo...

A very good impression of this color lithograph on wove paper. Signed and numbered 74/175 in pencil by Bearden. Published by London Arts, Inc., Detroit. Catalogue reference: Gelburg...

Lithograph on cream wove paper. From the first edition (of 2). Signed, titled, dated and numbered 38/50 in pencil by Catlett. Printed and published by the artist at the Taller de Grá...

Numbered and signed rf Lichtenstein and dated '75 in pencil lower right by the artist. Blindstamp Styria Studio chop lower right. From the America: The Third Century Portfolio. Publi...

Glenn Ligon Lincoln Center Festival (Hand signed, inscribed and dated), 2004 Offset lithograph on wove paper LARGE: 41 1/2 inches (vertical) × 32 inches (horizontal) (Ships in a tube measuring 36" x 6") Signed and inscribed to the present owner (Nadine) in ink lower front Published by the Vera List Art...

Öyvind Fahlström One Hundred and Eight Inflated Dollars, from the Collection of Ileana Sonnabend and the Estate of Nina Castelli, 1973 Lithograph on rag paper. Signed. Numbered. in o...

Francesco Clemente Clemente (Hand Signed by Francesco Clemente and inscribed with a small drawing), 1998 Large Illustrated Softback Exhibition Catalogue. (Hand signed and inscribed t...

"Music" is a lithograph made by Robert Kushner in 1981. The work is number 2 from an edition of 25. Signed in pencil, lower right, "Robert Kushner". The artwork size is 26 x 31 3/4 i...

Ed Paschke BAD, 1991 Silkscreen and Lithograph on Rising Mirage Paper, accompanied by documentation Pencil signed, titled "BAD", and annotated "Trial Proof" on the front 22 × 20 inches Unframed This work is a unique Trial Proof on Rising Mirage Paper, pencil signed by the artist and annotated "Trial Proof" the very first impression, aside from the regular edition. It is accompanied by the tirage sheet, with the biography of the artist and a description of the work. (see photos). As such it is a rare impression. Published by Chicago Serigraphic Workshop and Artco, Incorporated Ed Paschke Biography: Ed Paschke was born in Chicago where he spent most of his life as an important painter. He was initially associated in the late 1960s with the second generation of Chicago Imagists who called themselves The Hairy Who. He received his B.F.A. from the School of The Art Institute of Chicago in 1961 and his M.F.A. in 1970. Between degrees he lived for a time in New York where he easily came under the influence of Pop art, in part, because of his interests as a child in animation and cartoons. His fascination with the print media of popular culture led to a portrait-based art of cultural icons. Paschke used the celebrity figure, real or imagined, as a vehicle for explorations of personal and public identity with social and political implications. Although his style is representational, with a loose affiliation to Photorealism, Paschke’s art plays...