Photorealist Color Photography

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

Edition of 7 With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique approach and sensitive insight that allows Bob to not only capture the energy of his subjects but to also create a visceral, intimate experience for the viewer. His distinctive style is globally recognized as his work has been displayed in multiple Ralph Lauren storefronts across 4 different continents and has earned him a spot at many prestigious private art collections and galleries worldwide. His artistic accomplishments have also earned him the Clio Award along with extensive press coverage in publications such as Traditional Home, The Telegraph, The Guardian and more. While Bob is best known for his large equestrian portraits, his newest venture involves a subject that is as equally sentimental to him, seascapes. The ocean itself is of particular interest to Bob because of the consistency it has had throughout his life. From his childhood years spent at Rockaway Beach...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique approach and sensitive insight that allows Bob to not only capture the energy of his subjects but to also create a visceral, intimate experience for the viewer. His distinctive style is globally recognized as his work has been displayed in multiple Ralph Lauren storefronts across 4 different continents and has earned him a spot at many prestigious private art collections and galleries worldwide. His artistic accomplishments have also earned him the Clio Award along with extensive press coverage in publications such as Traditional Home, The Telegraph, The Guardian and more. While Bob is best known for his large equestrian portraits, his newest venture involves a subject that is as equally sentimental to him, seascapes. The ocean itself is of particular interest to Bob because of the consistency it has had throughout his life. From his childhood years spent at Rockaway Beach...

Edition of 8 Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is hi...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique appro...

Edition of 8 Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is hi...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique appro...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique appro...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique approach and sensitive insight that allows Bob to not only capture the energy of his subjects but to also create a visceral, intimate experience for the viewer. His distinctive style is globally recognized as his work has been displayed in multiple Ralph Lauren storefronts across 4 different continents and has earned him a spot at many prestigious private art collections and galleries worldwide. His artistic accomplishments have also earned him the Clio Award along with extensive press coverage in publications such as Traditional Home, The Telegraph, The Guardian and more. While Bob is best known for his large equestrian portraits, his newest venture involves a subject that is as equally sentimental to him, seascapes. The ocean itself is of particular interest to Bob because of the consistency it has had throughout his life. From his childhood years spent at Rockaway Beach to his new lifestyle in the Hamptons, the sea’s constant surroundings have sparked an inquisitive, yet delightful fascination that the artist cannot ignore. With that said, Bob’s new series titled “Day and Night”, plays on this fascination as he is able to capture, what he believes to be, the rebirthing energy incorporated in the ocean’s waves. As Bob sees it, each sweeping motion of the wave’s swell exudes energy that is capable of both erasing the previous while also creating a new. Each photograph captured is taken during the “quieter and or off times” of our daily 24 hour time period. This involved Bob sitting on the beach...

Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...

Photography, C-Print 70 × 50 × 0.3 cm 27.6 × 19.7 × 0.1 in Edition of 7 Hand-signed by artist Includes certificate of authenticity Sebastian Magnani...

Fine art print of punk musician and poet, Patti Smith by acclaimed photographer. Lynn Goldsmith, taken in 1977. This stunning portrait appeared on the cove...

Fine art print of punk musician and poet, Patti Smith by acclaimed photographer. Lynn Goldsmith, taken in 1977. "She loved Vogue magazine, especially the ...

Fine art print of punk musician and poet, Patti Smith by acclaimed photographer. Lynn Goldsmith, taken in 1977. "She loved Vogue magazine, especially the French version. Even though...

Fine art print of punk musician and poet, Patti Smith by acclaimed photographer. Lynn Goldsmith, taken in 1977 for the Easter album cover. Lynn Goldsmith only produces 20 prints of ...

Fine art print of David Bowie by acclaimed photographer. Lynn Goldsmith. Lynn Goldsmith only produces 20 prints of her images, regardless of size with the prints being made from th...

Artist : Gary Hodson Title : Bicycle Presentation Materials : Archival Pigment Print Date : 2014 Dimensions : 11 x 17 in. Gary Hodson’s subject matter remains diverse and includes ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the color saturated 1980's. "Rolls Royce Lady" featuring a sculpture the Spirit of Ecstasy, a crystal goblet, dice, flowers, a pocket watch, jewelry, perfume and a red rose. Audrey L. Flack (born May 30, 1931 in New York City, New York) is an American artist. Her work pioneered the art genre of photorealism; her work encompasses painting, sculpture, and photography. From Audrey Flack: 12 Photographs 1973 to 1983. A set of this portfolio is in the collections of the Harvard Art Museums. The Kodakchrome photos were photgraphed with a NIkon camera, the Ektachrome photographs were taken with a Hasselblad camera. Each negative was printed on a 20 X24 inche fiber based paper, dry mounted wth seal MT5 dry mounting tissue to 4 ply 100% cotton fiber board by Arnon Ben-David and Ari Rivera Gonzales under the supervision of Carol Brower. Flack has numerous academic degrees, including both a graduate and an honorary doctorate degree from Cooper Union in New York City. Additionally she has a bachelor's degree in Fine Arts from Yale University and attended New York University Institute of Fine Arts where she studied art history. In May 2015, Flack received an honorary Doctor of Fine Arts degree from Clark University, where she also gave a commencement address. Flack's work is displayed in several major museums, including the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Solomon R. Guggenheim Museum. Flack's photorealist paintings were the first such paintings to be purchased for the Museum of Modern Art’s permanent collection, and her legacy as a photorealist lives on to influence many American and International artists today. J. B. Speed Art Museum in Louisville, Kentucky, organized a retrospective of her work, and Flack’s pioneering efforts into the world of photorealism popularized the genre to the extent that it remains today. Flack attended New York's High School of Music & Art. She studied fine arts in New York from 1948 to 1953, studying under Josef Albers among others. She earned a graduate degree and received an honorary doctorate from Cooper Union in New York City, and a Bachelor of Fine Arts from Yale University. She studied art history at the Institute of Fine Arts, New York University. 1953 New York University Institute of Fine Arts, New York City 1952 BFA, Yale University, New Haven, Connecticut 1948-51 Cooper Union, New York City Career Flack's early work in the 1950s was abstract expressionist; one such painting paid tribute to Franz Kline. Most influential amongst her early supporters was the Bauhaus artist Josef Albers. It was he who persuaded Flack to take up a scholarship at Yale with the mission of shaking up the institution's stuffy academic reputation. The ironic kitsch themes in her early work influenced Jeff Koons. But gradually, Flack became a New Realist and then evolved into photorealism during the 1960s. Her move to the photorealist style was in part because she wanted her art to communicate to the viewer. She was the first photorealist painter to be added to the collection of the Museum of Modern Art in 1966. Between 1976 and 1978 she painted her Vanitas series, including the piece Marilyn. The critic Graham Thompson wrote, "One demonstration of the way photography became assimilated into the art world is the success of photorealist painting in the late 1960s and early 1970s. It is also called super-realism, radical realism, or hyper-realism and painters like Richard Estes, Chuck Close, and Audrey Flack as well, often worked from photographic stills to create paintings that appeared to be photographs." In the early 1980s Flack's artistic medium shifted from painting to sculpture. She describes this shift as a desire for "something solid, real, tangible. Something to hold and to hold on to." Flack discusses the fact that she is self-taught in sculpture. She incorporates religion and mythology into her sculpture rather than the historical or everyday subjects of her paintings. Her sculptures often demonstrate a connection to the female form, including a series of diverse, heroic women and goddess figures. These depictions of women differ from those of traditional femininity, but rather are athletic, older, and strong. As Flack describes them: "they are real yet idealized... the 'goddesses in everywoman.'" Flack has claimed to have found the photorealist movement too restricting, and now gains much of her inspiration from Baroque art. Flack is currently represented by the Louis K. Meisel Gallery and Hollis Taggart Galleries. Her work is held in the collections of museums around the world, including the Metropolitan Museum of Art, The Museum of Modern Art, the Solomon R. Guggenheim Museum, the Whitney Museum of American Art, the Allen Memorial Art Museum, and the National Gallery of Australia in Canberra, Australia. She was awarded the St. Gaudens Medal from Cooper Union, and the honorary Albert Dome professorship from Bridgeport University. She is an honorary professor at George Washington University, is currently a visiting professor at the University of Pennsylvania and has taught and lectured extensively both nationally, and internationally. Flack lives and works in New York City and Long Island. Audrey Flack is best known for her photo-realist paintings and was one of the first artists to use photographs as the basis for painting. The genre, taking its cues from Pop Art, incorporates depictions of the real and the regular, from advertisements to cars to cosmetics. Flack's work brings in everyday household items like tubes of lipstick, perfume bottles, Hispanic Madonnas, and fruit. These inanimate objects often disturb or crowd the pictorial space, which are often composed as table-top still lives. Flack often brings in actual accounts of history into her photorealist paintings, such as World War II' (Vanitas) and Kennedy Motorcade. Women were frequently the subject of her photo realist paintings. In her Neoclassical public sculpture of gilded bronze angels...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the color saturated 1980's. "Wheel of Fortune" featuring a tarot card, a skull, lipstick, a crystal necklace, candle, mirror etc. Audrey L. Flack (born May 30, 1931 in New York City, New York) is an American artist. Her work pioneered the art genre of photorealism; her work encompasses painting, sculpture, and photography. From Audrey Flack: 12 Photographs 1973 to 1983. A set of this portfolio is in the collections of the Harvard Art Museums. The Kodakchrome photos were photgraphed with a NIkon camera, the Ektachrome photographs were taken with a Hasselblad camera. Each negative was printed on a 20 X24 inche fiber based paper, dry mounted wth seal MT5 dry mounting tissue to 4 ply 100% cotton fiber board by Arnon Ben-David and Ari Rivera Gonzales under the supervision of Carol Brower. Flack has numerous academic degrees, including both a graduate and an honorary doctorate degree from Cooper Union in New York City. Additionally she has a bachelor's degree in Fine Arts from Yale University and attended New York University Institute of Fine Arts where she studied art history. In May 2015, Flack received an honorary Doctor of Fine Arts degree from Clark University, where she also gave a commencement address. Flack's work is displayed in several major museums, including the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Solomon R. Guggenheim Museum. Flack's photorealist paintings were the first such paintings to be purchased for the Museum of Modern Art’s permanent collection, and her legacy as a photorealist lives on to influence many American and International artists today. J. B. Speed Art Museum in Louisville, Kentucky, organized a retrospective of her work, and Flack’s pioneering efforts into the world of photorealism popularized the genre to the extent that it remains today. Flack attended New York's High School of Music & Art. She studied fine arts in New York from 1948 to 1953, studying under Josef Albers among others. She earned a graduate degree and received an honorary doctorate from Cooper Union in New York City, and a Bachelor of Fine Arts from Yale University. She studied art history at the Institute of Fine Arts, New York University. 1953 New York University Institute of Fine Arts, New York City 1952 BFA, Yale University, New Haven, Connecticut 1948-51 Cooper Union, New York City Career Flack's early work in the 1950s was abstract expressionist; one such painting paid tribute to Franz Kline. Most influential amongst her early supporters was the Bauhaus artist Josef Albers. It was he who persuaded Flack to take up a scholarship at Yale with the mission of shaking up the institution's stuffy academic reputation. The ironic kitsch themes in her early work influenced Jeff Koons. But gradually, Flack became a New Realist and then evolved into photorealism during the 1960s. Her move to the photorealist style was in part because she wanted her art to communicate to the viewer. She was the first photorealist painter to be added to the collection of the Museum of Modern Art in 1966. Between 1976 and 1978 she painted her Vanitas series, including the piece Marilyn. The critic Graham Thompson wrote, "One demonstration of the way photography became assimilated into the art world is the success of photorealist painting in the late 1960s and early 1970s. It is also called super-realism, radical realism, or hyper-realism and painters like Richard Estes, Chuck Close, and Audrey Flack as well, often worked from photographic stills to create paintings that appeared to be photographs." In the early 1980s Flack's artistic medium shifted from painting to sculpture. She describes this shift as a desire for "something solid, real, tangible. Something to hold and to hold on to." Flack discusses the fact that she is self-taught in sculpture. She incorporates religion and mythology into her sculpture rather than the historical or everyday subjects of her paintings. Her sculptures often demonstrate a connection to the female form, including a series of diverse, heroic women and goddess figures. These depictions of women differ from those of traditional femininity, but rather are athletic, older, and strong. As Flack describes them: "they are real yet idealized... the 'goddesses in everywoman.'" Flack has claimed to have found the photorealist movement too restricting, and now gains much of her inspiration from Baroque art. Flack is currently represented by the Louis K. Meisel Gallery and Hollis Taggart Galleries. Her work is held in the collections of museums around the world, including the Metropolitan Museum of Art, The Museum of Modern Art, the Solomon R. Guggenheim Museum, the Whitney Museum of American Art, the Allen Memorial Art Museum, and the National Gallery of Australia in Canberra, Australia. She was awarded the St. Gaudens Medal from Cooper Union, and the honorary Albert Dome professorship from Bridgeport University. She is an honorary professor at George Washington University, is currently a visiting professor at the University of Pennsylvania and has taught and lectured extensively both nationally, and internationally. Flack lives and works in New York City and Long Island. Audrey Flack is best known for her photo-realist paintings and was one of the first artists to use photographs as the basis for painting. The genre, taking its cues from Pop Art, incorporates depictions of the real and the regular, from advertisements to cars to cosmetics. Flack's work brings in everyday household items like tubes of lipstick, perfume bottles, Hispanic Madonnas, and fruit. These inanimate objects often disturb or crowd the pictorial space, which are often composed as table-top still lives. Flack often brings in actual accounts of history into her photorealist paintings, such as World War II' (Vanitas) and Kennedy Motorcade. Women were frequently the subject of her photo realist paintings. In her Neoclassical public sculpture of gilded bronze...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

'Untitled (Natural Wonder Series)' by Gregory Crewdson, 1995. C-print, Ed. 6, 30 x 40 in. Best known for staging complex, cinematic scenes to dramatic effect, the featured color C-pr...

'Studio 54 Portfolio, 1977-1981' by American photographer, Allan Tannenbaum. Archival pigment prints, Ed. 11/30, 36 prints. Image: 6 x 9 in. / Paper: 11 x 14 in. This rare 36-print portfolio features photographs taken between 1977-1981 at the famed nightclub, Studio 54. Images of well-known celebrities include such luminaries as Liz Taylor, Andy Warhol, Bianca Jagger, and Michael Jackson. Allan Tannenbaum's career in photography spans more than four decades. Born in Passaic, New Jersey, in 1945, he received a B.A. in Art from Rutgers University in 1967, where he photographed for The Targum – the campus newspaper – and made films for his art courses. In 1973, when the SoHo Weekly News commenced publication, Tannenbaum became the Photo Editor and Chief Photographer. The newspaper started out as an eight-page free paper, but soon became a popular newsstand seller that rivaled the established Village Voice. Tannenbaum relentlessly covered the art world, music scene, politics, show business, and nightlife until 1982 when the SoHo News folded. Tannenbaum has also done documentary and feature photography in places like Thailand, Indonesia, Palau, Jordan, Bahrain, Mozambique, Zimbabwe, Namibia, Brazil, Israel, Iceland, and Mexico. He has covered numerous political campaigns, nominating conventions and news stories in the U.S. such as the Oklahoma City bombing and the Columbine massacre. His work has appeared in many photo books and exhibitions, as well as appearing regularly in NEWSWEEK, TIME, LIFE, ROLLING STONE, PARIS MATCH, and STERN. His photographs have graced the covers of TIME three times, and NEWSWEEK five times. He now works as an international photojournalist contributing to various noted publications including Time, Life, and Newsweek. He is the author of three other books of his photography, including New York in the 70s (Feierabend, 2003), New York (Feierabend, 2004), and John and Yoko: A New York Love Story...

Andrew Blauschild is an artist who began photographing the New York surf, seascape and art cultures in the late 80s accumulating one of the richest archives of New York's underground...