Photographic Paper Color Photography
36
to
490
7,261
3,429
1,949
2,667
5,220
3,097
2,452
2,752
2,065
1,718
1,786
2,468
Overall Height
to
Overall Width
to
7,759
563
354
289
106
93
44
28
27
25
9
4
1
1
3,131
1,851
1,766
1,597
1,487
1,184
950
715
670
639
583
512
480
469
468
427
375
373
354
341
1
7
1,228
9,547
1
14
40
108
180
669
2,710
1,115
480
386
306
16,309
14,598
13,909
13,675
10,792
Medium: Photographic Paper
Untitled 02 (Saigon), analog C-Print - 21st Century, Contemporary, Polaroid
Located in Morongo Valley, CA
Untitled 02 (Saigon) - 2003
57x58cm,
Edition of 5 plus 2 Artist Proofs.
analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on the Polar...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
David Burdeny - Old Havana (Horse), Havana, Cuba, 2014, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
What makes Burdeny’s Cuba serie...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Digital Pigment, Paper, Archival Pigment, Pigment, Inkjet, Digital, Pigm...
Untitled 07 (Saigon) - analog vintage print, 58x56cm
Located in Morongo Valley, CA
Untitled 07 (Saigon) - 2003
Edition of 5, plus 2 Artist Proofs.
58x56cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Artist inventory Number 475.
Not mou...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Craig y Don Pool, Llandudno Beach, Wales - Blue British Swimming Pool Sea Photo
Located in Cambridge, GB
Craig y Don Pool, looking across the bay of Llandudno, Wales in the United Kingdom. Blue symmetry guides your eyes out to sea in this photograph by Richard Heeps.
This artwork is a limited edition of 25 gloss photographic print from negative, accompanied by a signed and numbered certificate of authenticity.
We recommend the print is professionally framed.
This artwork is available in other sizes and it pairs well with Richard Heeps artworks in our 1stdibs store.
"Richard Heeps' seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter - be it cool descriptive interiors, still life or landscape. His distinctive style pushes the limits of photography."
He is a film-based photographer, using a range of vintage analogue cameras. He considers himself to have three studios, the external studio of whichever location he may be shooting, his darkroom where I make my master prints and his home studio where he does the postproduction where the artworks are mounted framed and finished. He aims to make accessible artwork without compromising on quality and making everything in house he is in control of each step to achieve that.
Although he was brought up in East Anglia (England), he was heavily influenced by America. he visited American bases, kept magazine cuttings and followed drag racing. The speed, lifestyle and technicolour is reflected in his imagery. 'American' colour is a major aspect in his work, it drives his equipment and material choices.
At age ten he began participating in art shows and became comfortable with showing his work and the praise and criticism which is part of an artists development. In his early paintings Manhattan was reoccurring theme, fascinated with New York.
Throughout his professional career he has been lucky enough to exhibit in Museums and Public Galleries since the 1980's. Since 2008 his gallery Bleach Box...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Heather’s Dream - Contemporary, Portrait, Women, Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Heather’s Dream (The Girl Behind the White Picket Fence) - 2013
125x156cm,
Edition of 5 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist,
based on the Polaroid.
A...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
"Bring Ya to the Brink" Cyndi Lauper - based on a Polaroid Original
Located in Morongo Valley, CA
Bring Ya to the Brink (Cyndi Lauper record Album) - 2016,
50x49cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Signature label and Certificate....
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled 06 (Saigon) - analog vintage print, 58x56cm
Located in Morongo Valley, CA
Untitled 06 (Saigon) - 2003
Edition of 5, plus 2 Artist Proofs.
58x56cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Artist inventory Number 474.
Not mou...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Enchanted (Saigon) - analog vintage print, 58x56cm
Located in Morongo Valley, CA
Enchanted (Saigon) - 2003
Edition of 5, plus 2 Artist Proofs.
58x56cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Artist inventory Number 465.
Not mount...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Untitled 05 (Saigon) - analog vintage print, 58x56cm
Located in Morongo Valley, CA
Untitled 05 (Saigon) - 2003
Edition of 5, plus 2 Artist Proofs.
58x56cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Artist inventory Number 464.
Not mou...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
David Burdeny - Tenuta Berroni, Racconigi, Italy, Photograpy 2016, Printed After
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Digital, Pigment
David Burdeny - Wall with Birdcage, Havana, Cuba, 2014, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
What makes Burdeny’s Cuba serie...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Digital Pigment, Paper, Archival Pigment, Pigment, Inkjet, Digital, C Pr...
David Burdeny - Interior Restoration Havana, Cuba, 2014, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
What makes Burdeny’s Cuba serie...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...
David Burdeny - Blue Ponds 02, Shark Bay, Western Australia, 2015, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The te...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
Reload! (Wastelands) - mounted - Polaroid, Contemporary, 21st Century, Color
Located in Morongo Valley, CA
Reload! - I changed my mind (Wastelands) - 2003
Edition 2/5,
57x56cm,
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper,
based on the Polaroid, Artist invent...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
David Burdeny - Villa Farnese, Caprarola, Italy, Photography 2016, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While ...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...
In between Time (Strange Love) - Polaroid, New York, Empire State, Color
Located in Morongo Valley, CA
In between Time (Strange Love) - 2005
20x20cm, Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. ...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Winter Red, Catherine Palace, Pushkin, Russia, Photography 2015, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
Burdeny’s Russia imag...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Digital Pigment, Paper, Archival Pigment, Pigment, Inkjet, Digital, C Pr...
David Burdeny - Galleria Vittorio Emanuele II, Milan, Italy, 2016, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While ...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...
David Burdeny - Reggia di Venaria Reale, Torino, Italy, 2016, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While ...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...
A beautiful Day - Contemporary, 21st Century, Polaroid, Figurative, Woman
Located in Morongo Valley, CA
A Beautiful Day (Till Death Do Us Part) - 2007,
20x24cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist In...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Pier - Contemporary, Color, Photography, Polaroid
Located in Morongo Valley, CA
'Pier' - 2017,
48x60cm.
Edition of 7 plus 2 Artist Proofs.
Archival C-print, based on the original Polaroid, not mounted.
Signature label and certificate.
Artist inventory PL2017...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Palace Square, St Petersburg, Russia, Photography 2015, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
Burdeny’s Russia imag...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Digital Pigment, Paper, Archival Pigment, Pigment, Inkjet, Digital, C Pr...
David Burdeny - Saltern Study 06, Great Salt Lake, UT, 2015, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 21" Edition of 7
32” x 32" Edition of 7
44” x 44” Edition of 10
59” x 59” Edition of 5
The tens...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Blue Quadrilateral , Great Salt Lake, UT, 2017, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The te...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Photosynthetic 1, Great Salt Lake, UT, 2017, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 21" Edition of 7
32” x 32" Edition of 7
44” x 44” Edition of 10
59” x 59” Edition of 5
The tens...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Cava Bianco VI, Carrara, IT, Photography 2018, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The raw immediacy and lived experience of taking a photograph matters as much to me as how I compose the frame. It is my private personal connection to these places and the emotional or intellectual intrigue that grips me through the process that I hoperesonates in the print. I seek to capture the mood and promise, silence and solitude in that extended moment of awareness. In my earlier architectural practice and now my photography career, I'm fascinated by the opportunity to invest symbols and narrative into built form or see the metaphor in a material space. I have an abiding interest in thresholds and liminal spaces-places that seem somehow a bridge between the concrete and the ephemeral, elevated above time, hallowed. The sublime resides even in an ordinary space. And while the wondrous capabilities of the digital process permits an extraordinary level of clarity, detail and sensuality to be ingrained into an image, I like to
think that there is a mystery at the heart of all my photographs, an appeal for the viewer to keep looking and see more.Salt–Plottings, Fields and ExtractsIn 1858, Gaspard-Felix Tournachon -known with a flourish as ‘Nadar’ -mounted a wet-plate camera to a giant gas-powered balloon becoming the first to take photography aerial. Jules Verne called Nadar “an Icarus with replaceable wings.” As it had been in the classical era, the spirit of the age was once more animated by the potential for height. But the noted caricaturist Honore Daumier -typically the century’s most incisive social chronicler -doubted that there was anything aesthetically beneficial to be gained from such a lofty perspective. Daumier’s famously satirical lithograph, Nadar Raising Photography to the Height of Art, was intended as a mockery of aerial photography’s artistic pretense and as a warning against its surveillance purpose. Daumier’s print shows Nadar rising high above Paris with his camera pointed down and every building below target-marked by the word “PHOTOGRAPHIE”. Already, the utility of panoptic vision was thought to trump its sublime allure or transcendental opportunity. And it would take another 50 years before this fundamentally new visual perspective would upend artistic representation of space.That tension between utilitarian purpose and artistic inspiration is the unexpectedly compelling strength of David Burdeny’s mesmerizing series of aerial abstractions called Salt. His large-format and luminously intriguing photographs of salterns occupy the hazy border zonebetween the prosaic and the poetic. In our hyper-connected age of GPS, Google maps and instant information, the instinctual reaction to these scenes might first be to determine the where and the why of them -their ground-level location or biological/environmental fact. To see first the service roads and draining ditches or to puzzle out how the chemical balance in the salt ponds creates these particular blooms of colour. Such readings serve to root vision in the commonplace and the established order -the here and now -and downgrade the sublimity in the aerial experience. But Burdeny’s Salt photographs aim to be more evocative and exalted than pedestrian. They seek to elevate our experience of the world in more ways than one.From the startof his fine art photography career -certainly aided by his earlier architectural practice -Burdeny has always had a deft appreciation for the artistic potential of pure space and how it can be purposefully structured to appeal to the senses. He has become a
master of the photographic moment made in service of a sublime sensibility. His early black-and-white long-exposure work created a minimalist monumentality out of spare landscapes that felt privately spiritual and seemed to exist outside time. And thestark awesome force of the icebergs in his North/South series crackled with a similar terrifying majesty as the Romantic poets and artists of the nineteenth century regarded them. Even the docents sitting alone and attentively in the Hermitage in Burdeny’s recent Bright Future series seem to be keenly aware of the profound privilege of sensuous perception. What Salt adds to this conversation is its cunning use of the artistic heritage and sublime intrigue of abstract art to further Burdeny’s interest inliminal spaces. In their use of amorphous shapes, elongated fields of colour and vertical, jagged and sinuous lines, Burdeny’s images suggest the painterly expressiveness of Rothko, Still, Newman, Diebenkorn and late career Willem de Kooning. The effect is less intentional than it is available -Modernism’s abstracted reordering of the visual landscape (which essentially got going in pre-WWI Paris...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
Cortina d'Ampezzo - Analogue Sunset Photography of Italian Dolomite mountains
Located in London, GB
'Cortina d'Ampezzo' 2022
It is a colour film photograph of Cortina d'Ampezzo, Dolomite mountain area in Italy, made using a 4x5 Large format camera Linhof. Ugne Pouwell does all the...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Film, Photographic Film, Photographic Paper, Giclée
Star Wars C-3PO still life photograph of the original iconic
Located in San Francisco, CA
Star Wars (C-3PO) by Tom Schierlitz
still life photograph of the original iconic golden Star Wars humanoid robot
60 x 48 inches (152 x 122cm)
edition of 7
signed
40 x 32 inches (1...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Sportivnaya Station, St Petersburg, Russia, Photography 2015, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
Burdeny’s Russia imag...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Digital Pigment, Paper, Archival Pigment, Pigment, Inkjet, Digital, C Pr...
David Burdeny - Red Wall, Peterhof, Russia, Photography 2015, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
Burdeny’s Russia imag...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Digital Pigment, Paper, Archival Pigment, Pigment, Inkjet, Digital, Pigm...
David Burdeny - Piano Player, Havana, Cuba, Photography 2014, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
What makes Burdeny’s Cuba serie...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...
Saigon - Red Hot Chili Peppers Desecration Smile - Anthony Kiedes Collection
Located in Morongo Valley, CA
Saigon - 2003
Edition 1/5, last Edition.
68x60cm including the white 'Polaroid' Frame.
Analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper,
mounted ...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Metal
Modica - large format photograph of Brutalist architecture
By Frank Schott
Located in San Francisco, CA
Large format photograph of Brutalist architecture in south of Italy ( Sicily )
Modica (2020)
by Frank Schott
72 x 48 inches / 182cm x 122cm...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Giclée, Archival Pigment
David Burdeny - Cava Bianco II, Carrara, IT, Photography 2018, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The raw immediacy and lived experience of taking a photograph matters as much to me as how I compose the frame. It is my private personal connection to these places and the emotional or intellectual intrigue that grips me through the process that I hoperesonates in the print. I seek to capture the mood and promise, silence and solitude in that extended moment of awareness. In my earlier architectural practice and now my photography career, I'm fascinated by the opportunity to invest symbols and narrative into built form or see the metaphor in a material space. I have an abiding interest in thresholds and liminal spaces-places that seem somehow a bridge between the concrete and the ephemeral, elevated above time, hallowed. The sublime resides even in an ordinary space. And while the wondrous capabilities of the digital process permits an extraordinary level of clarity, detail and sensuality to be ingrained into an image, I like to
think that there is a mystery at the heart of all my photographs, an appeal for the viewer to keep looking and see more.Salt–Plottings, Fields and ExtractsIn 1858, Gaspard-Felix Tournachon -known with a flourish as ‘Nadar’ -mounted a wet-plate camera to a giant gas-powered balloon becoming the first to take photography aerial. Jules Verne called Nadar “an Icarus with replaceable wings.” As it had been in the classical era, the spirit of the age was once more animated by the potential for height. But the noted caricaturist Honore Daumier -typically the century’s most incisive social chronicler -doubted that there was anything aesthetically beneficial to be gained from such a lofty perspective. Daumier’s famously satirical lithograph, Nadar Raising Photography to the Height of Art, was intended as a mockery of aerial photography’s artistic pretense and as a warning against its surveillance purpose. Daumier’s print shows Nadar rising high above Paris with his camera pointed down and every building below target-marked by the word “PHOTOGRAPHIE”. Already, the utility of panoptic vision was thought to trump its sublime allure or transcendental opportunity. And it would take another 50 years before this fundamentally new visual perspective would upend artistic representation of space.That tension between utilitarian purpose and artistic inspiration is the unexpectedly compelling strength of David Burdeny’s mesmerizing series of aerial abstractions called Salt. His large-format and luminously intriguing photographs of salterns occupy the hazy border zonebetween the prosaic and the poetic. In our hyper-connected age of GPS, Google maps and instant information, the instinctual reaction to these scenes might first be to determine the where and the why of them -their ground-level location or biological/environmental fact. To see first the service roads and draining ditches or to puzzle out how the chemical balance in the salt ponds creates these particular blooms of colour. Such readings serve to root vision in the commonplace and the established order -the here and now -and downgrade the sublimity in the aerial experience. But Burdeny’s Salt photographs aim to be more evocative and exalted than pedestrian. They seek to elevate our experience of the world in more ways than one.From the startof his fine art photography career -certainly aided by his earlier architectural practice -Burdeny has always had a deft appreciation for the artistic potential of pure space and how it can be purposefully structured to appeal to the senses. He has become a
master of the photographic moment made in service of a sublime sensibility. His early black-and-white long-exposure work created a minimalist monumentality out of spare landscapes that felt privately spiritual and seemed to exist outside time. And thestark awesome force of the icebergs in his North/South series crackled with a similar terrifying majesty as the Romantic poets and artists of the nineteenth century regarded them. Even the docents sitting alone and attentively in the Hermitage in Burdeny’s recent Bright Future series seem to be keenly aware of the profound privilege of sensuous perception. What Salt adds to this conversation is its cunning use of the artistic heritage and sublime intrigue of abstract art to further Burdeny’s interest inliminal spaces. In their use of amorphous shapes, elongated fields of colour and vertical, jagged and sinuous lines, Burdeny’s images suggest the painterly expressiveness of Rothko, Still, Newman, Diebenkorn and late career Willem de Kooning. The effect is less intentional than it is available -Modernism’s abstracted reordering of the visual landscape (which essentially got going in pre-WWI Paris...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Drawing Room, Havana, Cuba, Photography 2014, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
What makes Burdeny’s Cuba serie...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Digital Pigment, Paper, Archival Pigment, Pigment, Inkjet, Digital, Pigm...
David Burdeny - Gimnasio de Boxeo, Havana, Cuba, 2014, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
What makes Burdeny’s Cuba serie...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...
Mid Century Steve McQueen Pool, Midnight Modern Architecture Palm Springs
Located in Brooklyn, NY
Mid Century Modern Palm Springs Architecture. Steve McQueen vintage car photographed for the first time at his pool in Palm Desert.
A...
Category
2010s American Modern Photographic Paper Color Photography
Materials
Cotton, Archival Ink, Photographic Paper
David Burdeny - Saltern Study 11, Great Salt Lake, UT, 2015, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 21" Edition of 7
32” x 32" Edition of 7
44” x 44” Edition of 10
59” x 59” Edition of 5
The tens...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Tangents 2, Great Salt Lake, UT, 2017, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 21" Edition of 7
32” x 32" Edition of 7
44” x 44” Edition of 10
59” x 59” Edition of 5
The tens...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Rialto Bridge, Venice, Italy, Photography 2009, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph:
13” x 13" Edition of 15
21” x 21" Edition of 7
32” x 40” Edition of 7
44" x 55" Edition of 7
While the spaces themse...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...
David Burdeny-Biblioteca Angelica, Rome, Italy, Photography 2016, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While ...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...
David Burdeny - Photosynthetic 2, Great Salt Lake, UT, 2017, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 21" Edition of 7
32” x 32" Edition of 7
44” x 44” Edition of 10
59” x 59” Edition of 5
The tens...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Cava Bianco V, Carrara, IT, Photography 2018, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The raw immediacy and lived experience of taking a photograph matters as much to me as how I compose the frame. It is my private personal connection to these places and the emotional or intellectual intrigue that grips me through the process that I hoperesonates in the print. I seek to capture the mood and promise, silence and solitude in that extended moment of awareness. In my earlier architectural practice and now my photography career, I'm fascinated by the opportunity to invest symbols and narrative into built form or see the metaphor in a material space. I have an abiding interest in thresholds and liminal spaces-places that seem somehow a bridge between the concrete and the ephemeral, elevated above time, hallowed. The sublime resides even in an ordinary space. And while the wondrous capabilities of the digital process permits an extraordinary level of clarity, detail and sensuality to be ingrained into an image, I like to
think that there is a mystery at the heart of all my photographs, an appeal for the viewer to keep looking and see more.Salt–Plottings, Fields and ExtractsIn 1858, Gaspard-Felix Tournachon -known with a flourish as ‘Nadar’ -mounted a wet-plate camera to a giant gas-powered balloon becoming the first to take photography aerial. Jules Verne called Nadar “an Icarus with replaceable wings.” As it had been in the classical era, the spirit of the age was once more animated by the potential for height. But the noted caricaturist Honore Daumier -typically the century’s most incisive social chronicler -doubted that there was anything aesthetically beneficial to be gained from such a lofty perspective. Daumier’s famously satirical lithograph, Nadar Raising Photography to the Height of Art, was intended as a mockery of aerial photography’s artistic pretense and as a warning against its surveillance purpose. Daumier’s print shows Nadar rising high above Paris with his camera pointed down and every building below target-marked by the word “PHOTOGRAPHIE”. Already, the utility of panoptic vision was thought to trump its sublime allure or transcendental opportunity. And it would take another 50 years before this fundamentally new visual perspective would upend artistic representation of space.That tension between utilitarian purpose and artistic inspiration is the unexpectedly compelling strength of David Burdeny’s mesmerizing series of aerial abstractions called Salt. His large-format and luminously intriguing photographs of salterns occupy the hazy border zonebetween the prosaic and the poetic. In our hyper-connected age of GPS, Google maps and instant information, the instinctual reaction to these scenes might first be to determine the where and the why of them -their ground-level location or biological/environmental fact. To see first the service roads and draining ditches or to puzzle out how the chemical balance in the salt ponds creates these particular blooms of colour. Such readings serve to root vision in the commonplace and the established order -the here and now -and downgrade the sublimity in the aerial experience. But Burdeny’s Salt photographs aim to be more evocative and exalted than pedestrian. They seek to elevate our experience of the world in more ways than one.From the startof his fine art photography career -certainly aided by his earlier architectural practice -Burdeny has always had a deft appreciation for the artistic potential of pure space and how it can be purposefully structured to appeal to the senses. He has become a
master of the photographic moment made in service of a sublime sensibility. His early black-and-white long-exposure work created a minimalist monumentality out of spare landscapes that felt privately spiritual and seemed to exist outside time. And thestark awesome force of the icebergs in his North/South series crackled with a similar terrifying majesty as the Romantic poets and artists of the nineteenth century regarded them. Even the docents sitting alone and attentively in the Hermitage in Burdeny’s recent Bright Future series seem to be keenly aware of the profound privilege of sensuous perception. What Salt adds to this conversation is its cunning use of the artistic heritage and sublime intrigue of abstract art to further Burdeny’s interest inliminal spaces. In their use of amorphous shapes, elongated fields of colour and vertical, jagged and sinuous lines, Burdeny’s images suggest the painterly expressiveness of Rothko, Still, Newman, Diebenkorn and late career Willem de Kooning. The effect is less intentional than it is available -Modernism’s abstracted reordering of the visual landscape (which essentially got going in pre-WWI Paris...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Diamond Saw, Micelangelo Quary, Carrera IT, 2018, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The raw immediacy and lived experience of taking a photograph matters as much to me as how I compose the frame. It is my private personal connection to these places and the emotional or intellectual intrigue that grips me through the process that I hoperesonates in the print. I seek to capture the mood and promise, silence and solitude in that extended moment of awareness. In my earlier architectural practice and now my photography career, I'm fascinated by the opportunity to invest symbols and narrative into built form or see the metaphor in a material space. I have an abiding interest in thresholds and liminal spaces-places that seem somehow a bridge between the concrete and the ephemeral, elevated above time, hallowed. The sublime resides even in an ordinary space. And while the wondrous capabilities of the digital process permits an extraordinary level of clarity, detail and sensuality to be ingrained into an image, I like to
think that there is a mystery at the heart of all my photographs, an appeal for the viewer to keep looking and see more.Salt–Plottings, Fields and ExtractsIn 1858, Gaspard-Felix Tournachon -known with a flourish as ‘Nadar’ -mounted a wet-plate camera to a giant gas-powered balloon becoming the first to take photography aerial. Jules Verne called Nadar “an Icarus with replaceable wings.” As it had been in the classical era, the spirit of the age was once more animated by the potential for height. But the noted caricaturist Honore Daumier -typically the century’s most incisive social chronicler -doubted that there was anything aesthetically beneficial to be gained from such a lofty perspective. Daumier’s famously satirical lithograph, Nadar Raising Photography to the Height of Art, was intended as a mockery of aerial photography’s artistic pretense and as a warning against its surveillance purpose. Daumier’s print shows Nadar rising high above Paris with his camera pointed down and every building below target-marked by the word “PHOTOGRAPHIE”. Already, the utility of panoptic vision was thought to trump its sublime allure or transcendental opportunity. And it would take another 50 years before this fundamentally new visual perspective would upend artistic representation of space.That tension between utilitarian purpose and artistic inspiration is the unexpectedly compelling strength of David Burdeny’s mesmerizing series of aerial abstractions called Salt. His large-format and luminously intriguing photographs of salterns occupy the hazy border zonebetween the prosaic and the poetic. In our hyper-connected age of GPS, Google maps and instant information, the instinctual reaction to these scenes might first be to determine the where and the why of them -their ground-level location or biological/environmental fact. To see first the service roads and draining ditches or to puzzle out how the chemical balance in the salt ponds creates these particular blooms of colour. Such readings serve to root vision in the commonplace and the established order -the here and now -and downgrade the sublimity in the aerial experience. But Burdeny’s Salt photographs aim to be more evocative and exalted than pedestrian. They seek to elevate our experience of the world in more ways than one.From the startof his fine art photography career -certainly aided by his earlier architectural practice -Burdeny has always had a deft appreciation for the artistic potential of pure space and how it can be purposefully structured to appeal to the senses. He has become a
master of the photographic moment made in service of a sublime sensibility. His early black-and-white long-exposure work created a minimalist monumentality out of spare landscapes that felt privately spiritual and seemed to exist outside time. And thestark awesome force of the icebergs in his North/South series crackled with a similar terrifying majesty as the Romantic poets and artists of the nineteenth century regarded them. Even the docents sitting alone and attentively in the Hermitage in Burdeny’s recent Bright Future series seem to be keenly aware of the profound privilege of sensuous perception. What Salt adds to this conversation is its cunning use of the artistic heritage and sublime intrigue of abstract art to further Burdeny’s interest inliminal spaces. In their use of amorphous shapes, elongated fields of colour and vertical, jagged and sinuous lines, Burdeny’s images suggest the painterly expressiveness of Rothko, Still, Newman, Diebenkorn and late career Willem de Kooning. The effect is less intentional than it is available -Modernism’s abstracted reordering of the visual landscape (which essentially got going in pre-WWI Paris...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Ca' Rezzonico, Venice, Italy, Photography 2012, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
13" x 16" Edition of 4
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59" x 73....
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...
Rosegarden II (Suburbia), analog, mounted - 21st Century, Polaroid, Contemporary
Located in Morongo Valley, CA
Rosegarden II (Suburbia) - 2004,
Edition of 1/5,
60x80cm.
analog C-Print, hand-printed by the artist, based on the original Polaroid.
Mounted on Aluminum with matte UV-Projecti...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Metal
Red Sea, Abstract Diptych, Giclée Print Golden Pink, Blue Mediterranean Seascape
Located in Barcelona, ES
Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Film, Archival Ink, Photographic Paper, C Print, Digital, G...
David Burdeny - Palazzo del Te, Mantua, Italy, Photography 2016, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While ...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...
David Burdeny-Galleria degli Antichi, Sabbioneta MN, Italy, 2016, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While ...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...
David Burdeny - Torii Gate, Koyasan, Japan, Photography 2012, Printed After
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Digital, Pigment
David Burdeny - Galleria, Palazzo Colonna, Rome, Italy, 2016, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While ...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...
Cyndi Lauper - Contemporary, 21st Century, Polaroid, Figurative Photograph
Located in Morongo Valley, CA
'Gelsomina II' "Bring Ya to the Brink" (Cyndi Lauper record Album) - 2016
70x90cm,
sold out Edition of 3, Artist Proof 1/3,
Analog C-Print, hand-printed and enlarged by the artist...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
David Burdeny - Trompe-l’oeil Napoli, Italy, Photography 2016, Printed After
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Digital, Pigment
Childhood Memories (Paris), analog, Contemporary
Located in Morongo Valley, CA
Childhood Memories (Paris) - 1995
Edition of 5,
50x60cm including white borders.
Analog C-Print, hand-printed by the artist and based on the Polaroid,
Signature label and Certif...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
David Burdeny - Cava Bianco III, Carrara, IT, Photography 2018, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The raw immediacy and lived experience of taking a photograph matters as much to me as how I compose the frame. It is my private personal connection to these places and the emotional or intellectual intrigue that grips me through the process that I hoperesonates in the print. I seek to capture the mood and promise, silence and solitude in that extended moment of awareness. In my earlier architectural practice and now my photography career, I'm fascinated by the opportunity to invest symbols and narrative into built form or see the metaphor in a material space. I have an abiding interest in thresholds and liminal spaces-places that seem somehow a bridge between the concrete and the ephemeral, elevated above time, hallowed. The sublime resides even in an ordinary space. And while the wondrous capabilities of the digital process permits an extraordinary level of clarity, detail and sensuality to be ingrained into an image, I like to
think that there is a mystery at the heart of all my photographs, an appeal for the viewer to keep looking and see more.Salt–Plottings, Fields and ExtractsIn 1858, Gaspard-Felix Tournachon -known with a flourish as ‘Nadar’ -mounted a wet-plate camera to a giant gas-powered balloon becoming the first to take photography aerial. Jules Verne called Nadar “an Icarus with replaceable wings.” As it had been in the classical era, the spirit of the age was once more animated by the potential for height. But the noted caricaturist Honore Daumier -typically the century’s most incisive social chronicler -doubted that there was anything aesthetically beneficial to be gained from such a lofty perspective. Daumier’s famously satirical lithograph, Nadar Raising Photography to the Height of Art, was intended as a mockery of aerial photography’s artistic pretense and as a warning against its surveillance purpose. Daumier’s print shows Nadar rising high above Paris with his camera pointed down and every building below target-marked by the word “PHOTOGRAPHIE”. Already, the utility of panoptic vision was thought to trump its sublime allure or transcendental opportunity. And it would take another 50 years before this fundamentally new visual perspective would upend artistic representation of space.That tension between utilitarian purpose and artistic inspiration is the unexpectedly compelling strength of David Burdeny’s mesmerizing series of aerial abstractions called Salt. His large-format and luminously intriguing photographs of salterns occupy the hazy border zonebetween the prosaic and the poetic. In our hyper-connected age of GPS, Google maps and instant information, the instinctual reaction to these scenes might first be to determine the where and the why of them -their ground-level location or biological/environmental fact. To see first the service roads and draining ditches or to puzzle out how the chemical balance in the salt ponds creates these particular blooms of colour. Such readings serve to root vision in the commonplace and the established order -the here and now -and downgrade the sublimity in the aerial experience. But Burdeny’s Salt photographs aim to be more evocative and exalted than pedestrian. They seek to elevate our experience of the world in more ways than one.From the startof his fine art photography career -certainly aided by his earlier architectural practice -Burdeny has always had a deft appreciation for the artistic potential of pure space and how it can be purposefully structured to appeal to the senses. He has become a
master of the photographic moment made in service of a sublime sensibility. His early black-and-white long-exposure work created a minimalist monumentality out of spare landscapes that felt privately spiritual and seemed to exist outside time. And thestark awesome force of the icebergs in his North/South series crackled with a similar terrifying majesty as the Romantic poets and artists of the nineteenth century regarded them. Even the docents sitting alone and attentively in the Hermitage in Burdeny’s recent Bright Future series seem to be keenly aware of the profound privilege of sensuous perception. What Salt adds to this conversation is its cunning use of the artistic heritage and sublime intrigue of abstract art to further Burdeny’s interest inliminal spaces. In their use of amorphous shapes, elongated fields of colour and vertical, jagged and sinuous lines, Burdeny’s images suggest the painterly expressiveness of Rothko, Still, Newman, Diebenkorn and late career Willem de Kooning. The effect is less intentional than it is available -Modernism’s abstracted reordering of the visual landscape (which essentially got going in pre-WWI Paris...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Yellow Kitchen, Havana, Cuba, Photography 2014, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
What makes Burdeny’s Cuba serie...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...
David Burdeny - Vestibule, Racconigi, Italy, Photography 2016, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While ...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...
David Burdeny-Reggia di Caserta, Caserta, Italy, Photography 2016, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While the spaces them...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...
Photographic Paper color photography for sale on 1stDibs.
Find a wide variety of authentic Photographic Paper color photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add color photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Stefanie Schneider, Richard Heeps, Tyler Shields, and Chad Kleitsch. Frequently made by artists working in the Contemporary, Pop Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Photographic Paper color photography, so small editions measuring 0.1 inches across are also available
Read More
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