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Self Portrait, Early 17th Century Italian Oil Painting

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  • St John the Baptist as a Child, Early 19th Century Italian School, Oil Painting
    Located in London, GB
    Oil on canvas Image size: 15 x 19 inches (38 x 48.25 cm) Handmade gilt pierced frame This is a beautiful early 19th Century Italian Old Master oil painting with the subject matter ...
    Category

    Early 19th Century Italian School Portrait Paintings

    Materials

    Canvas, Oil

  • Portrait of a Gentleman
    Located in London, GB
    Oil on canvas Image size: 17 x 23 1/2 inches (43 x 60 cm) Contemporary William Kent hand made frame
    Category

    18th Century Portrait Paintings

    Materials

    Canvas, Oil

  • Portrait of Herbert Fisher, Mid-19th Century Oil Painting, Original Watts Frame
    By George Frederic Watts
    Located in London, GB
    Oil on canvas c.1855 - 1860 Image size: 19 x 14 inches (48.25 x 37.25 cm) Original Watts frame The Sitter Herbert William Fisher (1826 - 1903) was a British historian, best known for his 'Considerations on the Origin of the American War' (1865). Fisher was tutor to the future King Edward VII, and served as Private Secretary to the 5th Duke of Newcastle. in 1863 he became Private Secretary to the Prince of Wales, his former pupil, before being appointed to the position of Vice-Warden of the Stannaries in 1870. One of his daughters, Adeline, married Ralph Vaughan Williams. George Frederick Watts Watts (1817 - 1904) was a British painter and sculptor associated with the Symbolist movement. He is known to have said 'I paint ideas, not things'. Watts became famous in his lifetime for his allegorical works, such as 'Hope' and 'Love and Life' in which the emotions and aspiration life were intended to be represented in a universal symbolic language. Watts was born in Marylebone in central London on the birthday of George Frederic Handel (after whom he was named), to the second wife of a poor piano-maker. He showed artistic promise very early, learning sculpture from the age of 10 with William Behnes, starting to study devotedly the Elgin Marbles (later writing "It was from them alone that I learned") and then enrolling as a student at the Royal Academy Schools at the age of 18. He first exhibited at the Academy in 1837, with a picture of "The Wounded Heron" and two portraits, but his attendance at the Academy was short-lived, and his further art education was confined to personal experiment and endeavour, guided by a constant appeal to the standard of ancient Greek sculpture. He also began his portraiture career, receiving patronage from his close contemporary Alexander Constantine Ionides, who later came to be a close friend. In 1849 the first two of the allegorical compositions which form the most characteristic of the artist's productions were exhibited—"Life's Illusions," an elaborate presentment of the vanity of human desires, and "The people that sat in darkness," turning eagerly towards the growing dawn. In 1850 he first gave public expression to his intense longing to improve the condition of humanity in the picture of "The Good Samaritan" bending over the wounded traveller; this, as recorded in the catalogue of the Royal Academy, was "painted as an expression of the artist's admiration and respect for the noble philanthropy of Thomas Wright, of Manchester," and to that city he presented the work. From the late 1840s onward he painted many portraits in France and England, some of which are described below. Notable pictures of the same period are “Sir Galahad...
    Category

    1850s Victorian Portrait Paintings

    Materials

    Canvas, Oil

  • Portrait of Thomas Cooper Gotch, 19th Century Oil Painting
    Located in London, GB
    Oil on canvas on board Image size: 7 x 5¼ inches (18 x 13.5 cm) Framed This portrait of Thomas Gotch is by his lifelong friend and confidante, Jane Ross, whom he met at Heatherley’s...
    Category

    1880s English School Portrait Paintings

    Materials

    Canvas, Oil

  • Portrait of a Lady, 17th Century Flemish Oil Old Masters
    By Jacob Huysmans
    Located in London, GB
    Jacob Huysmans Flemish 1633 - 1696 Portrait of a Lady Oil on canvas Image size: 49 x 40 ¼ inches Gilt frame Huysmans was born in Antwerp and came to England during the reign of Charles II where he became one of the fashionable painters of the court.. The diarist Samual Pepys noted the artist as capable of a more exact likeness than Lely. Certainly the diarist records that by August 1664 in the circle of Queen Catherine...
    Category

    17th Century Old Masters Portrait Paintings

    Materials

    Canvas, Oil, Acrylic

  • Portrait of William Ewart Gladstone
    Located in London, GB
    Oil on canvas Image size: 10 x 30 1/4 inches (25.5 x 77 cm) Original gilt Watts frame This is a head and shoulders portrait of William Ewart Gladstone painted after a photograph tak...
    Category

    19th Century Naturalistic Portrait Paintings

    Materials

    Canvas, Oil

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