Oil Portrait Paintings

"Femme Nue Avec Coquillage" , 19th Century School of Jean-Baptiste-Camille Corot (1796-1875) Large 19th Century French portrait of a nude female holding a shell, oil on canvas scho...

Telopa, the father and son of artists, paints women in an elegant Mannerist style that combines classic beauty and mythological, symbolic allegory. A...

Sombre Gentlemen, Male Portrait, Original Impressionist Oil Painting British School, Mid 20th Century Oil painting on board, unframed Board size: 18 x 24 inches Incredibly stylish p...

Owning a 19th-century portrait of a terrier or a Bichon dog, especially within its original frame crafted circa 1890 by F.W. Williams, offers a rare opportunity to embrace both artis...

This early to mid-20th-century self-portrait by Henri-Georges Bréard (1873-c.1939) depicts the artist deep in thought. He’s holding a pipe. Henri-Georges Bréard was an accomplished ...

Venetian Holiday is painted in the style of American Realism. The painting is a Representational Italian landscape which is the Plaza in Venice. This realist painting was done on sight on a vacation to Italy. The artist painted himself into the realist painting. Gary J. Hernandez is an internationally recognized, award winning artist in the style of Realism portrait ,landscape and floral paintings He received training from the Houston Museum of Fine Arts School of Art specializing in Realism and Figurative Art. He specializes in representational art as seen in Venetian Holiday with an emphasis on the human figure and florals as seen in Her Majesty's Lilies. He was a finalist in The Artist's Magazine International Art Competition, an Award of Excellence winner in the Manhattan Arts Magazine Competition, finalist in Hunting Art...

Attributed to Charles de Steuben (1788-1856) Portrait of a man, oil on canvas 22 x 18 cm In a modern frame : 35,5 x 31,5 cm The attribution of this small portrait to Charles de St...

This large double portrait depicts the sisters Lady Catherine and Lady Jane Brydges, the daughters of John Brydges, the Marquess of Carnarvon (1703-1727). They are seated on a stone...

Antique, late 1800's oil portrait of a woman peeling potatoes by French artist, Marie Petit/Marie Adrien Lavieille (1852-1911). This is a wonderful old painting by an accomplished f...

This fine mid-19th-century oil painting by Belgian artist Adèle Kindt (1804-1884) depicts a lady wearing a beautiful white off-the-shoulder dress with an attached posy of pink roses ...

Artist: Ashot Muradyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2024 Style: Impressionism, Subject: Portrait Size: 23.5" x 18.5" x 0.8'' ...

Portrait of Louis de France (1661 -1711), known as the Grand Dauphin, son of Louis XIV and Maria Theresa of Austria. 17th century French School, circa 1670 Workshop of Beaubrun Henri...

Oil painting on canvas Unique work Hand-signed by the artist

"UNDER GREAT SECRECY" Oil Painting 36" x 36" inch by Khoren Keshishyan Khoren Keshishyan is a celebrated American-Armenian painter and artist whose unique blend of architectural sen...

Signed figurative oil on canvas by Spanish romantic painter Mariano Alfonso Perez. The piece is a post design for the launch of the Bugatti Aerolithe. A woman dressed in red is sitti...

Oil painting on canvas composed of two pieces : the main part and the predella in the lower part Hand-signed by the artist

Artist: Ashot Muradyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2024 Style: Impressionism, Subject: Spring Woman Size: 23.5" x 19.5" x 0....

Lloyd invites us to contemplate a moment of intimacy. An oriental dancer is asleep, her head tilted back as if she is wrapped in colored ribbons, which makes us wonder about the real...

"AN EYE FOR AN EYE" Painting 40" x 30" inch by Isaac Pelayo Medium: OIl and aerosol on wood "The Modern Renaissance" series Historically, the art world has been an exclusive societ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Canvas size 81x100 cm. Frame size 94x113 cm. Alvar Suñol Alvar Suñol Munoz-Ramos, commonly known as Alvar, was born in 1935 in Montgat, Spain, a Catalan fishing village on the Medit...

A lovely portrait of a young girl wearing a light green dress with a yellow belt and her hair embellished with yellow ribbon against a dark background. The oil on canvas portrait is...

Twenty-first century Classical Portraiture has a casual feel as seen here in "Portrait of Benjamin" by Peter Lupkin. The very masculine Benjamin, with his heavy beard, dark tousled ...

"Oil Painting On Canvas Dated 1921, Military Portrait By Paul Leroy" Paul Alexandre A. LEROY (1860-1942), French school. Description: Very beautiful oil painting on canvas, represent...

This magnificent oil on panel portrait, presented by Titan Fine Art, is a splendid example of the sumptuous female portraits that were painted for members of the upper echelons of society during the early part of the 1600’s. The artist has rendered this portrait with meticulous attention to detail and the surface effects of the fine materials. The elaborate lace coif and cuffs are painstakingly delineated, as is the bold black damask, and sumptuous gold decoration of her skirt and stomacher, which is wonderfully preserved and quite remarkable considering the age of the work and the fact that darker pigments are particularly vulnerable to fading and wear. This work with its spectacular depiction of costume is of absolute quality, it can be rated as one of the best works in the artist’s oeuvre and as such it is an important and splendid example of Dutch portraiture. The Dutch Golden Age of painting was a period in Dutch history, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middleclass patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Dress was a key component in portraits, and the exuberant attire reiterates the incredible wealth of this woman. The sitter will have visited the artist’s workshop and inspected examples on display. They would have chosen the size and the sort of composition and on that basis negotiated the price – which would have also been determined by the complexity of the clothing and the jewels that were to be depicted, and by the materials to be used. When all was considered, this portrait would have cost the sitter (or her husband) a substantial sum. The colour black was regarded as humble and devout yet at the same time refined and sophisticated and the most expensive colour of fabric to dye and to maintain. Citizens spent fortunes on beautiful black robes. Such uniformity must also have had a psychological side-effect and contributed to a sense of middle-class cohesion; the collective black of the well-to-do burgess class will have given its members a sense of solidarity. The colour was always an exciting one for artists and when this portrait was painted there were at least fifty shades of it, and as many different fabrics and accoutrements. Artists went to great lengths to depict the subtle nuances of the colour and the fabrics and textures and how they reflected light and it was an ideal background against which gold and crisp white lace could be juxtaposed to dramatic effect. The sitter is either a married women or a widower as is evident by the clothing that she wears and the position, toward her right, it is highly likely that this portrait was once a pendant that hung on the right-hand side of her husband’s portrait as was convention at the time. She wears a vlieger which was a type of sleeveless over-gown or cape worn by well-to-do married women in the late 16th and early 17th centuries. Variations with short sleeves or high shoulder rolls are known. Sometimes sleeves were attached with aiglets, and often slits were made to allow belts or the hands to pass through. Three-piece vlieger costumes of this kind were standard items of clothing in portraits of the women of the civic elite in the period 1600-40 and was a variant of the Spanish ‘ropa’ and served as a trademark of well-to-do married burgher women. Girls and unmarried woman, including beguines, wore a bouwen (a dress with a fitted bodice and a skirt that was closed all round) instead. This clear distinction between apparel for married and unmarried women is clear not only from inventories and trousseau lists, but also from contemporary sources such as the Dutch Spanish dictionary published by Juan Rodrigues in 1634. In it, a bouwen is described as a ‘ropa de donzella’ (over-gown worn by a virgin) and a vlieger as a ‘ropa de casada’ (overgown worn by a married woman). It is striking how few women are depicted wearing a bouwen, unless they are part of a group, family or children’s portrait and it can therefore be assumed that independent portraits of unmarried women were seldom commissioned. It is also believed that the clothing worn in these portraits existed and were faithfully reproduced when cross-referenced with the few exact documents. These sources also demonstrate that clients wanted their clothing to be depicted accurately and with this in mind precious garments and jewels were often left in the painter’s studio. The prominent white lawn molensteenkraag (or millstone ruff) is held up by a wire supportasse and was reserved only for the citizens that could afford this luxurious item that often required 15 meters of linen batiste. The fabulous wealth of this sitter is also evident by the elaborate lace coif and cuffs which have been exquisitely depicted; lace was often literally copied by artists in thin white lines over the completed clothing. The gold bracelet with jewels is a type that was evidently fashionable as it is seen in a number of portraits during the 1610s and 1620. Clothing and jewellery were prized possessions and were often listed in inventories of estates and passed down from generation to generation. There were a great number of jewellers of Flemish origin working at all the courts and cities of Europe, competing with the Italians, and then the French, adapting themselves to the tastes and positions of their patrons and the raw materials available in the country where they worked. The fashion for jewels “in the Flemish style” succeeded that of the Italian style. Cornelis van der Voort, who was probably born in Antwerp around 1576, came to Amsterdam with his parents as a child. His father, a cloth weaver by trade, received his citizenship in 1592. It is not known who taught the young Van der Voort to paint, but it has been suggested that it was either Aert Pietersz or Cornelis Ketel. On 24 October 1598 Van der Voort became betrothed to Truytgen Willemsdr. After his first wife’s death he became betrothed to Cornelia Brouwer of Dordrecht in 1613. In addition to being an artist, Van der Voort was an art collector or dealer, or both. In 1607 he bought paintings from the estate of Gillis van Coninxloo, and after an earlier sale in 1610 a large number of works he owned were auctioned on 7 April 1614. Van der Voort is documented as appraising paintings in 1612, 1620 and 1624. In 1615 and 1619 he was warden of the Guild of St Luke. He was buried in Amsterdam’s Zuiderkerk on 2 November 1624, and on 13 May 1625 paintings in his estate were sold at auction. Van der Voort was one of Amsterdam’s leading portrait painters in the first quarter of the 17th century. Several of his group portraits are known. It is believed that he trained Thomas de Keyser (1596/97-1667) and Nicolaes Eliasz Pickenoy (1588-1650/56). His documented pupils were David Bailly (c. 1584/86-1657), Louis du Pré...

Badinter is a unique oil on canvas painting by contemporary artist Christophe Dupety, dimensions are 100 × 100 cm (39.4 × 39.4 in). The artwork is signed, sold unframed and comes wi...

MICHELE MIKESELL b. 1973, Alabama, USA In 2002, Michele Mikesell earned her Bachelor of Fine Arts with a minor in graphic design from Texas Women's University in Denton, TX. Mikesel...

Antique Dog Painting: "Hunting Dogs at the Kennel, 1901" Jules-Bertrand Gélibert (France, 1834-1916 Oil on canvas Signed lower left 24 x 19 inches, frame Jules-Bertrand Gélibert w...

Anton Maria Piola (Genoa, 1654 - 1715) circle Madonna and Child Genoese school of the second half of the 17th century Oil on canvas 93 x 74 cm.- In antique frame 110 x 92 cm. (Work with expertise by Dr. Arabella Cifani) In the pleasing work proposed, depicting a classical Nativity scene, the Madonna is immortalised in adoration as she gently holds the sheet on which the Child is lying, with a gesture of protection and pride that facilitates an atmosphere of intimate recollection, in addition to the presence of three cherubs at the top. The stylistic analysis of the canvas can easily be traced back to a painter of the Genoese school and active during the 17th century, specifically with the devotional works from the workshop of Domenico Piola (Genoa, 1627-1703), an absolute protagonist of Genoese Baroque culture. Piola was the owner of the most important city painting workshop of the time, known as 'Casa Piola', where his sons Paolo Gerolamo and Anton Maria also collaborated. His production, which specialised in a type of highly decorative, profane and allegorical paintings, destined for the decoration of Genoese patrician palaces, also included a refined series of works of a religious nature. In particular, the style of our beautiful breast painting...

"Future Love" Oil Painting 72" x 60" inch by Casey Baugh Medium: oil on canvas ABOUT THE ARTIST: Baugh's work can be described as narrative impressionistic realism. Specializing i...

The painting På Havet (On the Sea) by Carl Wilhelmson, created in 1911, stands as a remarkable testament to the artist's profound connection with the s...

Painting by Donald Purdy (1924 - 2016). Oil on masonite Measures 25"L x 23"W. Work is behind glass and comes with exceptional antique frame. Acquired from the Schoneman Gallery in NY...

Hugh Goffinet stares out from the canvas in the dress of a soldier, without being one. He is a reenactor of an African American volunteer in the Abraham Lincoln Battalion. His inspiration is the Lincolns—the battalion’s volunteers—but they are pictured only symbolically, in his dress. Their inspiration was Lincoln, who many decades earlier helped give meaning to the American Civil War, but who is invisible in the painting except by implication—the pose of Hugh Goffinet—which carefully emulates Lincoln’s pose in the celebrated presidential portrait by George Healy. Entirely hidden, at the deepest layer of history, is the true source of inspiration: the human desire for equality and freedom. To understand, honor, and preserve it requires remembrance, in this case with history animating reenactors who animate art that animates memory. "No Pasaran" - an expression of determination to defend a position against an enemy - channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. William Blake No Pasaran oil on linen 48h x 30w in 121.92h x 76.20w cm WIL047 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park. A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of rebirth. Following the tradition of nineteenth-century American history painting...

Antique painting depicting the Face of Christ as Salvator Mundi Flemish painter, 16th-17th century Oil on copper 22 x 18 cm./ framed 42 x ...

The Samaritan is a unique oil on canvas painting by contemporary artist Joachim van der Vlugt, dimensions are 170 × 140 cm (66.9 × 55.1 in). The artwork is signed, sold unframed and ...

Valentin is a unique oil on canvas painting by contemporary artist Christophe Dupety, dimensions are 80 × 80 cm (31.5 × 31.5 in). The artwork is signed, sold unframed and comes with...

Ratzinger Chocolat is a unique oil on canvas painting by contemporary artist Christophe Dupety, dimensions are 80 × 80 cm (31.5 × 31.5 in). The artwork is signed, sold unframed and c...

Oil on Canvas. The painting has the artist's name (Giovani Piana) and the date of completion 1616 at the top. It depicts Saint Simon, holding a book and a saw, his iconographic attr...

Norah is a unique oil on canvas painting by contemporary artist Guy Oberson, dimensions are 160 cm × 130 cm (63 × 51.2 in). The artwork is signed, sold unframed and comes with a cer...

In the Sun (2018) by French contemporary artist Christophe Dupety. Oil on canvas, 100 x 81 cm. In his Human Figures series, Christophe Dupety shows us some bodies which aspect remind...

A beautiful mid 20th century Southeastern European oil on canvas portrait of a lady wearing a white headdress. This intriguing work is expertly painted with thick impasto paintwork which has been built up across the surface. Indistinctly signed lower right and presented in a reverse profile frame. We think that this work was painted by an artist working in Southeastern Europe, most likely Greece or Macedonia. Artist: Southeastern European School...

This work, offered by Titan Fine Art, formed part of the collection of paintings and family heirlooms of Baron Hugues Alfred Frèdéric de Cabrol de Moute (1909-1997) and his wife, Baroness Marguerite (née d’Harcourt) de Cabrol de Moute (1915-2011). The couple had unimpeachable and enviable family backgrounds, and were descendants of ancient princelings; together they were one of the most prominent high-society couples of the twentieth century and counted the Duke of Duchess of Windsor amongst their closest friends. This portrait is that of Marie-Madeleine de Chamillart (died 28 May 1751) nee Nicolas de Lusse. She had a daughter, Anne, in 1692. In 1700 she married Clément Chamillart (1663-1708), President of the Accounts of the King's Chamber. The couple had a daughter, Madeleine (born 1701), who married Louis, the only son of Guillaume de Guitaut and Antoinette de Vertamont in 1719. Guillaume de Guitaut resided at Château d'Époisses in Burgundy France and his descendants still live today. A portrait of our sitter is still held at the Château. Clément Chamillart died in 1708 and our sitter remarried Jean-Baptiste de Johanne de la Carre (1678-1726), marquis de Saumery, maréchal de camp, in 1713. This marriage produced two daughters, Marguerite (died 1729) and Marie Madeleine (born 1720). Much of the beauty of this elegant portrait resides in its graceful composition – it is a fine example of French portraiture. Beautifully and meticulously rendered throughout, the sitter has been depicted three quarter length in an outdoor setting beside a potted orange tree. The lady is shown in a blue dress with silver detailed décolletage and large voluminous sleeves turned over to reveal elaborately detailed lining. The sumptuous fabrics convey a sense of wealth and prestige. The portrait is striking in its portrayal of the sumptuous fabrics and their decorative richness. The prominent sprig of orange blossom that she is holding is a traditional representation of marriage and eternal love in art, but it also alludes to youth and freshness, and by virtue of the great expense and difficulty with which it was often grown, to great wealth. In accordance with the sitter's age and the style of clothing and hair with the curls on the forehead, this portrait can be dated to the 1720s. Baron Hugues Alfred Frèdéric de Cabrol de Moute (1909-1997) was the son of Roger de Cabrol de Moute and Helen Mary de Lassence. He was one of the more engaging personages in that delightful social constellation of social figures who animated what has become known as "Cafe Society" which was international but inevitably most at home in Paris from the 1920's until the 1960's. He married Marguerite d'Harcourt (1915-2011), known as Daisy, in Paris in 1937, the only daughter of Étienne, Marquis d'Harcourt, and his wife, Marie de Curel. The Harcourt family belongs to the circle of the oldest families in France; the founder of the family, Bernard le Danois, received the seigniory of Harcourt in the tenth century, following the conquest of Normandy. In the 11th century, his descendants took part in the conquest of England alongside William the Conqueror. Later, the Harcourt family was divided into a French branch and an English branch, which successively received the titles of barons, viscounts, and counts. Marguerite "Daisy" Marie Brigitte Emmanuelle Ghislaine d'Harcourt, Baronne de Cabrol was one of the last survivors of twentieth century French high society. Through her mother, Daisy was a descendant of the great industrial family of Wendel, with iron and steel enterprises in Lorraine; she also descended from Nicolas Soult, one of Napoleon's Marshals and three times Prime Minister of France. The couple became friends of the Duke and Duchess of Windsor in 1947, and were invited to the Chateau de la Croë, their rented house on Cap d'Antibes. There they found the exiled Windsors living in unusual post-war luxury, serving delicious food and providing fresh sheets every day. Daisy suspected that the Windsors were bored, but, having nothing else to do, were condemned to an endless round of social engagements. She and Fred were among the few allowed to see the Duchess laid out after her death in 1986. Daisy was a considerable hostess, giving a ball every year for her charity, L'Essor, to which le tout Paris would come. One of these, in 1954, was at the Palais des Glaces, in Paris (later used in the film Gigi), at which she entertained Charlie Chaplin, the Begum Aga Khan and the Windsors. According to Nancy Mitford...

The Amour II is a painting by contemporary artist Joachim van der Vlugt. Oil on wood, 110 x 110 cm. This work is signed, sold unframed. This portrait represents a man wearing a gas ...

Wild (2015) by French contemporary artist Christophe Dupety. Oil on canvas, 100 x 100 cm. In this series simply entitled "Nus" (nudes), the artist is superimposing and juxtaposing tw...

Unleashed (2018) by French contemporary artist Christophe Dupety. Oil on canvas, 100 x 81 cm. In his Human Figures series, Christophe Dupety shows us some bodies which aspect reminds...

"Peace of Mind" Painting 31.5" x 31.5" inch by Karim Abd Elmalak Karim Abdel Malak's layered multi-media works are influenced by the old masters. A...

Jaipur (2004) by French contemporary artist Christophe Dupety. Oil on canvas, H 51.2 x W 76.8 in (130 x 195 cm). Unique work sold unframed with a certificate of authenticity. The art...

Dogon (2018) by French contemporary artist Christophe Dupety. Oil on canvas, 55 x 46 cm. In his Human Figures series, Christophe Dupety shows us some bodies which aspect reminds more...

"Encounter" Abstract Painting 20" x 20" inch by Karim Abd Elmalak Karim Abdel Malak's layered multi-media works are influenced by the old masters. Abdel Malak textured oils are a celebration of the female identity in every sense of the word. His beautiful faces and suave figures grace the canvases together embracing our Egyptian architectural monuments creating a powerful dialogue between women’s identity, her rights, her suffering and our heritage and what it holds in its historical meanings and the deteriorating state. Graduate from the faculty of Fine Arts, Minia University, Graphic Design Department. Illustrator for Sabah El Kheir & Rosalyoussef, Egyptian local magazines. Practice Sculpture. Participant in the 1st Child’s Biennale workshop “Fantasia 1”, Cairo 2003. Won the silver medal in the International Competition of “SHANKERS World Association”, India 1993. Exhibitions: Private Art Works Exhibition at Cairo Gallery, 2001. Public Exhibition at Ahmed Shawky Museum, Cairo 2001. Public Exhibition at Mahmoud Said...

"Dekadans" Oil Painting 35" x 25.5" inch by Andrey Remnev ARTIST BIO: "My birth place is Yakhroma town, in the vicinity of Moscow. It is situated on high hills, from where broad Bruegelian vistas are open. The uneven terrain with significant differences of high and low; a canal between the Moskva river and the Volga; small rivers, woods and villages; a nearby ancient town of Dmitrov, which is equal to Moscow in age; ships cruising the canal and trains outdistancing them – all this I saw from my window since my early years. It was a view that embraced all the diversity of the world. This is why I can say that the impressions of my childhood and youth – beautiful nature and remarkable people – are the most important ones. In the museum of Moscow's St. Andronic Monastery I copied the best examples of the old Russian painting of the 15th-17th centuries. My own style evolved from the ancient icon...

"Night. Silence." Oil Painting 39" x 29" inch by Sergey Dolmatov Year: 2010

"Strelka. Beginning" Oil Painting 25.5" x 29.5" inch by Andrey Remnev ARTIST BIO: "My birth place is Yakhroma town, in the vicinity of Moscow. It is situated on high hills, from where broad Bruegelian vistas are open. The uneven terrain with significant differences of high and low; a canal between the Moskva river and the Volga; small rivers, woods and villages; a nearby ancient town of Dmitrov, which is equal to Moscow in age; ships cruising the canal and trains outdistancing them – all this I saw from my window since my early years. It was a view that embraced all the diversity of the world. This is why I can say that the impressions of my childhood and youth – beautiful nature and remarkable people – are the most important ones. In the museum of Moscow's St. Andronic Monastery I copied the best examples of the old Russian painting...

Abella. Religious theme.original acrylic painting. Juan Jose Abella Rubio was born in Estercuel, a hamlet anchored in the Teruel mining basin in March 1944. In his painting the ocher and reddish colors of his first environment are well present. In 1956 we find him in Pont d'Inca (Mallorca), studying baccalaureate and magisterium, at the same time that he graduates in artistic drawing and publicity with outstanding. In the correction of the first works, the teachers add this annotation: "You have in your hands a treasure that you can not neglect, you have achieved in only a few lessons what Fine Arts students have achieved for years. Plaster quality ". In 1970 he moved to Barcelona. He studied at the Universidad Central, graduating with outstanding study of the provisional architecture: "The Tomb of Charles V in Valladolid", which would later be published by the Higher Council of Scientific Research. He completed his training with Fine Arts at the Superior School of Fine Arts in Barcelona. He has held exhibitions in Florida, Amsterdam, Barcelona, ​​Madrid, Mallorca and Plasencia. His paintings can be seen in the Hispanic American...

"Disappearing" Oil Painting 27.5" x 39" inch by Sergey Dolmatov Year: 2010

Jean-Gabriel Domergue 1889-1962 French Josianna, jeune femme au ruban (Josianna, Young Woman With Ribbon) Signed "Jean Gabriel Domergue" (lower left) Oil on panel A young French beauty known as Josianna is the subject of this work by Jean-Gabriel Domergue, and the oil on panel is a perfect example of the portraits for which the artist is renowned. His model embodies the concept of the la belle Parisienne: slender, swan-like women bearing an unmistakable grace and style. Domergue includes a delicate pink ribbon around her neck, suggesting a fashionable garment, set against a soft pastel-colored backdrop. The artist's oeuvre encompasses women from all facets of society, from aristocratic figures such as Liane de Pougy and Nadine, Baroness de Rothschild...

"The Three B's of Music" Beethoven, Bach, and Brahms, An Extremely Rare Oil Painting, C. 1880 "A true music lovers dream" - A true work of art. A very rare and collectible oil on canvas triptych painting depicting portraits of "The Three Bs of Classical Music": Bach, Beethoven, and Brahms - Housed in a fine carved and painted frame in gold gilt and green paint by Frederick Harer, with musical scores underneath each portrait. The paintings appear to be unsigned. The frame is signed on the back "F. W. Harer" and dated 1918. Each canvas: 17" high x 14" wide Outside frame: 29" high x 52.5" wide Provenance: Academy of Music, Philadelphia PA. Very good condition overall, no damages noted. Paintings are relined, some gold gilt highlights are rubbed in some areas of the frame. Frederick Harer was an American painter, sculptor and etcher, best known for his skill as a gilder and frame maker. He produced frames for many of the Pennsylvania Impressionist painters, including Edward Redfield and Daniel Garber. Today, having a Harer frame on a Pennsylvania Impressionist painting...

Follower of Pierre Gobert 18th century French The Duke and Duchess of Burgundy Oil on canvas Refinement and intricacy characterize these royal portra...

Portrait of Young Gentleman, Lord George Douglas, in an Arcadian Landscape c.1710 Attributed to Charles D'Agar (1669-1723) Depicted with bow in hand and situated against an Arcadian...