Rowena R. Smith

Early 20th Century California Sand Dunes Landscape

1930

"Noah's Ark", Monkeys in Trees w. Crocodiles, Richard DeTreville 1924 San Mateo A lively, large-scale vertical painting of Macaques monkeys in the trees abo...

Old 17 Mile Drive, Carmel California Landscape Early 1900s Oil on Linen Gorgeous early 20th century landscape of rugged Carmel Old 17 Mile Drive coastline by Frank Lucien Heath...

"Sunset Pt. Lobos, CA" Coastal Landscape in Oil on Linen Oil painting of a coastal landscape by Max Flandorfer (American, b. 1962). Large trees along a path are at the edge of a cliff overlooking the water. The cliff is covered in green grass. Below, there is a dark blue ocean...

"West Cliff, Santa Cruz" Coastal Landscape in Oil on Linen Oil painting of the a beach landscape by Max Flandorfer (American, b. 1962). A large eucalyptus tree is at the edge of a c...

Sunrise on Nantucket Island Fisherman Gazing at the Sky 1929 Nantucket Sunrise, a Fisherman is gazing at the sky by James Francis Barker (American, 1872 – 1950). In the style of Albert Pinkham Ryder (1847 - 1917) was active/lived in New York, Massachusetts. Albert Ryder is known for Romanticism-pastoral landscape painting. Barker has a heavy impasto and extensive brushwork throughout and captures American Post Impressionism with this early sunrise on Nantucket Island scene. Image, 10.25"H x 14.25"W Signed "J. F. Barker" dated "3/29" on Stretcher bar verso Signed James F. Barker on Linen verso James F. Barker’s lineage traces back to eleven of the original Nantucket settlers. He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, With a degree in mechanical engineering and graduate degree in architecture, his career was centered among institutes of higher learning. Barker was also a skilled painter and a talented photographer. Barker specialized in waterfront, wharf, and beach scenes. The artist exhibited his work during the summer months at the Eagle’s Wing Studio on Union Street, having named the studio after a steamer, which had been captained by his grandfather. James Francis Barker (1872 – 10 December 1950) was the second president of the Rochester Athenæum and Mechanics Institute, succeeding Carleton B. Gibson, from 1916–1919. He also pursued painting, pottery, metal working, and cabinet making. Gravestone in Prospect Hill Cemetery, Nantucket He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, becoming Superintendent of the Manual Training Department at East Division High School in Milwaukee, Wisconsin in 1897. He left in 1904 to pursue similar positions at Grand Rapids High School and the Hackley School in Muskegon, Michigan. In 1906, he participated in the formation of East Technical High School in Cleveland, Ohio and served as its first principal. He married the former Kate Spooner in 1897 and raised one daughter. After being widowed in the late 1930s, he married Josephine M...

High Sierras Log Cabin Lodge Original Oil Painting by J. Bond Francisco Early 1900s era impasto painting of the High Sierras and a Log Cabin Lodge by California artist John Bond Francisco (American, 1863 - 1931). Well painted landscape of early 20th century California High Sierras will lush green grass and California Poppies. Signed lower right "J. bond Francisco." Presented in a newer, custom, giltwood frame. Image, 12"H x 16"W Frame 23.5"H 19.5"W x 1.25"D John Bond Francisco was born in Cincinnati, OH on Dec. 14, 1863. From an early age Francisco was drawn to both music and art. He studied the violin with Hermann Eckhardt and painting at the Cincinnati Art Academy for several years. He arrived in Los Angeles in 1887 and was so taken with the beauty of the place, he opted to make it his home. He soon continued his studies in Berlin, Munich, and in Paris at Académies Julian and Colarossi under Courtois, Bouguereau, and Robert-Fleury. While in Europe he studied the violin in the morning hours and painting in the afternoon. Upon returning to Los Angeles in 1892, he married and built a home at 1401 Albany Street where he lived for the rest of his life. Combining an art and music career, he helped form the Los Angeles Symphony Orchestra in 1897 and served as their first concert master. While teaching music and art at his studio, he made painting excursions into the surrounding countryside, often with his pupil Elmer Wachtel. He combined his Munich technique with that of the Barbizon's influence to produce paintings of California deserts and mountains that held dramatic light and shade contrasts. Later his palette brightened and he leaned more toward Impressionism. Francisco's studio in the Blanchard Bldg and his home were a mecca for both painters and musicians until his death on Jan. 8, 1931. Member: American Artists Club (Munich); Calif. Art Club; Laguna Beach AA; Painters & Sculptors of LA; Athletic Club (LA); LA AA. Exh: Calif. Bldg, World's Columbian Expo (Chicago), 1893; Chamber of Commerce (LA), 1894; Ruskin Art Club (LA), 1902-04; Blanchard Hall (LA), 1907; Alaska Yukon Expo (Seattle), 1909 (gold medal); Hallett Gallery (LA), 1910; Daniell Gallery (LA), 1912; LACMA, 1914; Friday Morning Club (LA), 1915; Biltmore Salon (LA), 1925. In: UCLA; LACMA; Orange County (CA) Museum. Edan Hughes, "Artists in California, 1786-1940" Out West, Sept. 1913; Graphic, 3-10-1918; Who's Who in the Pacific Southwest...

"Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekking through the northeast in th...

This wonderful scene depicts a bright blue river flowing through a rich forested area. Achieved through plein air, the vibrant blues, teals and whites of the water allow it to stand ...

PROVENCAL Series: “In [this] series I was exploring the classical influences of the impressionist masters, to build on their ideas to move them forward, yet being true to the many ap...

David Grossman's (US based) "Autumn Cottonwood in the Arroyo " is an oil painting that depicts a Cottonwood Tree's changing autumn leaves with a vast mountain background. David Gro...

Robert, an accomplished illustrator and fine artist with educational background from Pratt Institute and ArtCenter, has devoted many years to his craft. Currently, he's not only an i...

David Grossman's (US based) "October Cottonwood with Coming Storm " is an oil painting that depicts a cottonwood tree's brilliant changing autumn leaves with a storm brewing in the d...