Art by Medium: Etching

Frantisek Kupka, Czech (1871 - 1957) - Akrobatke; Banquet Carabin. Year: 1903, Medium: Two Etchings with Aquatint on BFK Rives, stamp signed, Image Size: 12.5 x 5.25 inches, Size: 17...

Medium: original etching. Printed in 1984 on Cartiere Magnani paper at the atelier of Bruce Chandler in an edition of 1500. This work was executed by Leonard Baskin to illustrate the...

Medium: original etching. Printed in 1984 on Cartiere Magnani paper at the atelier of Bruce Chandler in an edition of 1500. This work was executed by Leonard Baskin to illustrate the...

Larry Zox Untitled IV, ca. 1979 Pochoir on Arches Paper with Deckled Edges. Hand signed and annotated Printers Proof in pencil on the lower front. 28 1/2 × 22 1/2 inches Unframed Thi...

Etching, aquatint and engraving in colours, 1980, on mould-made Lana paper, signed and dated in pencil, numbered from edition of 32 (there were also 12 artist's proofs), published by...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Vue d'Omval pres d'Amsterdam (B209). Year: 1878 (of original 1645), Medium: Heliogravure, Size: 7.5 x 9 in. (19.05 ...

Marc Chagall (1887-1958) Bible : Aaron and the Candle (Menorah), (Aaron et le chandelier), 1939 Original etching Printed signature in the plate On Montval vellum, 44 x 33.5 cm (c. 1...

Marc Chagall (1887-1958) Bible : Joshua and the stone of Sichem (Josué et la pierre de Sichem), 1939 Original etching Printed signature in the plate On Montval vellum, 44 x 33.5 cm ...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Rembrandt Appuye (B21). Year: 1878 (of original 1639), Medium: Heliogravure, Size: 8 x 6.5 in. (20.32 x 16.51 cm),...

Marc Chagall (1887-1958) Bible : Dance of Mary, sister of Moses, (Danse de Marie, sœur de Moïse), 1939 Original etching Printed signature in the plate On Montval vellum, 44 x 33.5 c...

Frantisek Kupka, Czech (1871 - 1957) - Akrobatka. Year: circa 1903, Medium: Drypoint on wove paper, signed and dedicated in pencil, Image Size: 4.75 x 5 inches, Size: 16.75 x 11.25 i...

Size includes frame. There is a plate impression at the image that leads me to believe this is an aquatint. Antoni Tàpies i Puig, 1st Marquis of Tàpies (Catalan: 13 December 1923 – ...

Jorge Castillo - MARIENZA EN DOMINGO Date of creation: 1972 Medium: Etching on paper Edition: 150 + H.C. Size: 56 x 70 cm Condition: In perfect conditions and never framed Observatio...

Frantisek Kupka, Czech (1871 - 1957) - Sons de Cloches. Year: 1912, Medium: Etching on Richard de Bas, stamp signed, Image Size: 11 x 8.75 inches, Size: 20 x 12.75 in. (50.8 x 32.39 ...

Frantisek Kupka, Czech (1871 - 1957) - Espace non Figurative. Year: 1913, Medium: Color Etching on Richard de Bas, signed and dated in the plate, stamp signed, Image Size: 6 x 9 inch...

ANISH KAPOOR MOIRÉ 4 Date of creation: 2015 Medium: Etching on paper Edition: 39 Size: 96 x 72.4 cm Condition: In perfect conditions, brand new Etching on paper hand signed and numbe...

Conrad Marca-Relli - Composition II Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition number: 59/75 Size: 56 x 76 cm Condition: In very good conditions and ...

Frantisek Kupka, Czech (1871 - 1957) - Lutte. Year: 1902, Medium: Drypoint Etching, signed in the plate and stamp signed, Image Size: 9 x 6 inches, Size: 15 x 11 in. (38.1 x 27.94 cm...

Günther Uecker (German, born 1930) Untitled (from Nagelbuch Portfolio), 1970-1971 Medium: Etching on wove paper Dimensions: 34.6 x 34.5 cm Edition of 500: Hand-signed in pencil

Paper Size: 14 x 26.5 inches ( 35.56 x 67.31 cm ) Image Size: 14 x 26.5 inches ( 35.56 x 67.31 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...

Alistair Grant was a familiar feature of the London art scene. Best known as a printmaker, his entire teaching career was spent in the printmaking department at the Royal College of Art, where he was to become Professor. Over the years he taught printmaking to many who were to become leading UK artists. Grant was at the top of his profession and a groundbreaker in his explorations of mixed media techniques. Grant was also a wonderful painter. In the early 1980s his imagery had turned to an open expressionist style, with sweeping brush marks and the introduction of new vibrant colour. Inspired by the Normandy coastline around Etaples and Le Touquet. Grant would create cyphers from the shapes and forms in the landscape, which he would offset against curtains of colour. They evoke bright or misty days, blazing skies or sunsets, beaches or harbours. The paintings and prints are descriptions of places he loved and constantly returned to. One could describe him as a French reflection of the St. Ives School where painters explored the landscape in similar fashion, as they still do. There is a wonderful sense of freedom in these images, and a great joie de vivre. Grant was a supreme colourist. He also co-authored an important book on the life and works of fellow English artist Henry Moore, whom his abstract figurative style resembles. This print is from the late 1960s and show the strong influence of figurative abstraction and surrealist elements in his work. Although best known as a printmaker, Grant also painted throughout his career and in the 1980s he adopted an expressionist style using vibrant colours. He was born in London and studied at Birmingham College of Art (1941-43). After serving during the war, Grant returned to art school and the Royal College, where he was taught by Carel Weight and Ruskin Spear. Grant was to work in the printmaking department of the Royal College for 35 years (1955-90), ending his career as Emeritus Professor of Printmaking at the RA. He showed with Julian Trevelyan. Grant showed at the Royal Academy, Artists International Association, and New English Art Club, and was a prize-winner at the Krakow Print Biennale in 1972. The TATE, The Victoria & Albert Museum, British provincial and many overseas galleries hold Grant’s work. His work is amongst the finest of modern British printmaking alongside richard smith, joe tilson, peter blake, patrick caulfield, alan davie, terry frost, david hockney and howard hodgkin. Select Group Exhibits 1951 New Editions Group,Auckland,New Zealand 1952-54,78 Redfern Gallery, London 80,83,84,86 1956 Nutida Engelsk Grofik, Stockholm 1957 National Arts Council of Southern Rhodesia 'Looking at People', South London Art gallery 1959 Tel Aviv Museum, Israel Arte Britonico Maderno Figurotiro, Galeria,Buchloz, Bogota The London Group 1960 Graven Image, Whitechopel Gallery, London Sixteen Pointers, A I.A. Gallery, London 1961 Museo de Arte, Barcelona Senfelder Group, Arts Council, London 1962 Towards Art Gulbenkian,R.C.A .London Contemporary British Pointers, Birmingham 1964-66 Curwen Gallery 1966 Crabowski Gallery, London 1967 A.A.A. Gallery, New York Schuman Gallery, New York 1968 Camden Arts Centre, London 1969 Pratt Centre, New York Art for lndustry, Arts Council, London 1970 University of South Florida, Miami 1971 Portland Museum,Oregon 1972 Art Gallery of Ontario, Toronto, Canada 1976 R.C.A.Printmakers,Waddington Gallery,London 1988 'Exhibition Road',R.C.A,London 1989 Berkeley Square Gallery, London 1989,90 Austin Desmond Gallery, london 1990 Scottish Gallery, London 1991 Big Little Picture-Show,W.Jackson,London 1992 'Winter Seen III',W.Jackson Gallery,London 1993 1 st Egyptian Print Triennale, Giza, Egypt 1994 Art '94, london, with Art First La Galerie du Touquet (with Alain Morcot) 1995 Art...

Marie LAURENCIN Rider and dancer, 1949 Color etching Printed signature in the plate On Arches vellum 38 x 28 cm (c. 15 x 11in) INFORMATION : Created by Laurencin and engraved by Lo...

Contemporary figurative etching print by Polish arist living in Canada, Pawel Zablocki. Print depicts a woman laying in bed on her side. Artwork references Tiziano's 'Venus at Urbino...

Contemporary figurative etching print by Polish arist living in Canada, Pawel Zablocki. Print depicts a woman laying on her side with head resting on her arm. Artwork is monochromati...

Etching, 1960 Handsigned by the artist in pencil and numbered 133/300 Catalog : [Maeght 1039] 65.00 cm. x 35.50 cm. 25.59 in. x 13.98 in. (paper) 47.50 cm. x 34.00 cm. 18.7 in. x 1...

Joe Durante - Metamorphosis. Year: 1982, Medium: Etching with Aquatint, signed, dated, titled and numbered in pencil, Edition: AP, Image Size: 9.75 x 17.5 inches, Size: 15 x 22 in. ...

Soirée d'été (Summer Evening) Etching & drypoint, 1881 Signed and dated in the plate lower left corner Edition: c. 100 in both states; plate canceled Tissot's lover, Irish divorcee ...

Contemporary figurative etching print by Polish arist living in Canada, Pawel Zablocki. Print depicts three scenes with equestrians. Artist's unique technique of printmaking creates ...

Merieanna Etching and aquatint, c. 1900 Signed by the artist in pencil lower right Titled in pencil lower right corner of sheet Annotated "4" lower left below image Publisher's dryst...

Joe Durante - Five Pairs. Year: 1976, Medium: Intaglio Etching with Aquatint, signed, titled, numbered and dated in pencil, Edition: AP, Image Size: 7 x 15 inches, Size: 15 x 22 in....

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations and #7/10 and 'Musee du Louvre' blindstamp verso Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

The Death is an original etching on paper realized by Spanish artist Ricardo de los Ríos in 1880 ca. Signed on the plate on the lower center. In very good condition. Included a Pa...

Contemporary figurative etching print by Polish arist living in Canada, Pawel Zablocki. Print depicts three dogs standing in line, each in different pose. Artist's unique technique o...

Deux nus Dansant Fernand Leger, French (1881–1955) Date: circa 1932 Drypoint Etching Image Size: 8.5 x 7.5 inches Size: 14.75 x 11 in. (37.47 x 27.94 cm) From the collection of the l...

Joe Durante - Head over Heels. Year: 1976, Medium: Intaglio Etching with Aquatint, signed, titled, numbered and dated in pencil, Edition: AP, Image Size: 11 x 8 inches, Size: 19 x 1...

Contemporary figurative etching print by Polish arist living in Canada, Pawel Zablocki. Print depicts dog Tofcia in dynamic poses viewed from the side. Artist's unique technique of p...

Etching, signed bottom right Image size: 2 1/2 x 9 3/4 inches (6.5 x 35 cm) Mounted This is an original print from a copper plate etching by Robert Smith Forrest. It depicts one of ...

Pioggia d'Oro (Golden Rain) Etching with aquatint in colors, on Fabriano paper. 1988 Signed in pencil lower right. Numbered in pencil lower left. From the signed and numbered editio...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Rembrandt au Chapeau Rond (B7). Year: 1878 (of original 1631), Medium: Heliogravure, Size: 5.75 x 5.25 in. (14.61 ...

This artwork titled "Attroupement de Paysans" from the suite "Nicholas Gogol, Les Ames Mortes" created 1923-1937, published 1948, is an etching on paper by renown Russian/French arti...

Lebadang (aka Hoi), Vietnamese (1922 - 2015) - Travail du Matin. Year: circa 1970, Medium: Etching with Relief, signed in pencil, Edition: EA, Size: 15 x 11 in. (38.1 x 27.94 cm)

Etching and aquatint on Rives, 1959. Signed in pencil lower right. Numbered III of XV, from a total edition of 100 copies for the portfolio Fusées. Printed by Crommelynck et Dutrou,...

Damien Hirst 'Ethidium Bromide Aqueous Solution' Spots Etching, 2005. Signed by the Artist on front. Edition of 65. Published by the Paragon Press, 2005. The iconic 'Spot Series' i...

Contemporary figurative etching print by Polish arist living in Canada, Pawel Zablocki. Print depicts dogs Tofcia and Turbo, one is laying down and looking in viewer's direction whil...

Lebadang (aka Hoi), Vietnamese (1922 - 2015) - Red Horse II. Year: 1982, Medium: Etching with Relief, signed in pencil, Edition: EA, Size: 14 x 10 in. (35.56 x 25.4 cm)

Sonia DELAUNAY Composition 1970 Original etching Signed in pencil Numbered / 150 On Arches vellum 65.5 x 50 cm (c. 26 x 20 in) Excellent condition

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - View of Amsterdam from the Northwest. Year: 1878 (of original 1640), Medium: Heliogravure, Size: 4.5 x 6 in. (11.43...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Portrait du Bourgmestre Jan Six (B285). Year: 1878 (of original 1647), Medium: Heliogravure, Size: 9.5 x 7.5 in. (2...

Lebadang (aka Hoi), Vietnamese (1922 - 2015) - 3 Squares. Medium: Etching with Aquatint, signed and numbered in pencil, Edition: E.A., Size: 25.5 x 19.5 in. (64.77 x 49.53 cm), Desc...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Rembrandt Dessinant (B22). Year: 1878 (of original 1648), Medium: Heliogravure, Size: 6.5 x 5 in. (16.51 x 12.7 c...

A fine etching by Graham Clarke (b.1941) depicting an ironmongers shop with figures and several cats in the street. Signed to the lower right, and inscribed to the lower left with th...

Etching and aquatint on watermarked Rives, 1959. Signed in pencil lower right. Numbered III of XV proofs, from a total edition of 100 copies for the portfolio Fusées. Printed by Cro...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Landscape with Trees and Farm Buildings (B223). Year: 1878 (of original 1651), Medium: Heliogravure, Size: 3 x 8 in...

This artwork titled "Notre Heros Tenait a Etre Pres" from the suite "Nicholas Gogol, Les Ames Mortes" created 1923-1937, published 1948, is an etching on paper by renown Russian/Fren...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Vieillard au Bonnet Fendu (B265). Year: 1878 (of original 1640), Medium: Heliogravure, Size: 6 x 5.5 in. (15.24 x ...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Portrait de Jean Lutma (B276). Year: 1878 (of original 1656), Medium: Heliogravure, Size: 8 x 6 in. (20.32 x 15.24...

Lebadang (aka Hoi), Vietnamese (1922 - 2015) - Nude with Two Cats. Year: circa 1970, Medium: Etching with Relief, signed in pencil, Edition: EA, Size: 9.5 x 10 in. (24.13 x 25.4 cm)

Salvador Dali The giants (1960) Heliogravure reworked with drypoint Printed signature in the plate On BFK Rives Vellum paper Size 32.8 x 26.4 cm (c. 13 x 10") References: - Field p...