Nude Drawings and Watercolors

Exceptionally rendered graphite drawing by artist Albert Radoczy. Delicate mark-making of female figure. Signed and dated lower right. Presented in a handsome vintage giltwood frame,...

Pencil Study #16 2016 Graphite on paper 12.75 x 4.25 inches Jessica Keiser currently resides in New Haven, Connecticut. Keiser's style is Naturalistic, ...

Life Drawing II - Figurative Female Nude in Pen on Paper Stylized figurative drawing by unknown artist "Ting" (20th Century). A woman stands leaning on a pedestal, her back to the v...

Seating on Armchair, nude, pencil and tempera on paper, inspired by Matisse. Part of Nude in Interior series. Size is 27.5x19.5in / 70x50cm on heavy watercolor paper, with ultramari...

Carl August Walther (1880 Leipzig - 1956 Dresden): Female back nude, bent forward, 20th century, Charcoal Technique: Charcoal on Paper Stamp: Lower left Estate stamp, Carl Walther....

Genre: German Expressionist Subject: Three Noble figures, Noblesse Medium: etching, watercolor paint (I have seen this described as an aquatint and have seen this without color, so i am assuming it is watercolor paint applied to it) Surface: Paper Circa 1920's This is hand signed lower right. the edition is 7/100 Mat measures 15 X 11. window opening about 7 x 7 Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin Jules Pascin, or the "Prince of Montparnasse", was a Bulgarian artist known for his paintings and drawings. He later became an American citizen. His most frequent subject was women, depicted in casual poses, usually nude or partly dressed. Pascin was educated in Vienna and Munich. He traveled for a time in the United States, spending most of his time in the South. He is best known as a Parisian painter, who associated with the artistic circles of Montparnasse, and was one of the emigres of the School of Paris. Having struggled with depression and alcoholism, he committed suicide at the age of 45. Julius Mordecai Pincas was born in Vidin, Bulgaria, the eighth of eleven children, to the Sephardic Jewish family of a grain merchant named Marcus Pincas. Originally from Ruse, the Pincas family was one of the wealthiest in Vidin; they bought and exported corn, rice, maize and sunflower. His mother, Sofie (Sophie) Pincas, belonged to a Sephardic family, Russo, which had moved from Trieste to Zemun, where she and her husband lived before moving to Vidin and where their older children were born. The family spoke Ladino Judaeo-Spanish at home. In 1892, he moved with his parents to Bucharest, where his father opened a grain company, "Marcus Pincas & Co". Pascin worked briefly for his father’s firm at the age of fifteen, but also frequented a local brothel where he made his earliest drawings. His first artistic training was in Vienna in 1902 at age seventeen. In 1903 he relocated to Munich, where he studied at Moritz Heymann's academy. He studied briefly in Berlin where he befriended the Dada artist George Grosz. In 1905 he began contributing drawings to Simplicissimus, a satirical magazine published in Munich. Some portraits recall Otto Dix and Balthus. Because his father objected to the family name being associated with these drawings, the 20-year-old artist adopted the pseudonym Pascin (an anagram of Pincas). He continued to contribute drawings to a Munich daily until 1929. In December 1905, Pascin moved to Paris becoming part of the great migration of Jewish and Eastern European artists to that city (Marc Chagall. Chaim Soutine and Modigliani amongst others) at the start of the 20th century. In 1907 he met Hermine Lionette Cartan David, also a painter, and they became lovers. In that same year he had his first solo exhibition at Paul Cassirer Gallery in Berlin. Despite his social life, Pascin created thousands of watercolors and sketches, plus drawings and caricatures that he sold to various newspapers and magazines. He exhibited his works in commercial galleries and in the Salon d’Automne, the Salon des Indépendants, and the exhibitions of the Berlin Secession and at the Sonderbund-Aussstellung in Cologne. Between 1905 and 1914 he exhibited drawings, watercolors, and prints, but rarely paintings. It was not until about 1907–1909 that he produced his first paintings, which were portraits and nudes in a style influenced by Fauvism and Cézanne. He wanted to become a serious painter, but in time he became deeply depressed over his inability to achieve critical success with his efforts. Dissatisfied with his slow progress in the new medium, he studied the art of drawing at the Académie Colarossi, and painted copies after the masters in the Louvre. He exhibited in the United States for the first time in 1913, when twelve of his works were shown at the Armory Show in New York. Pascin relocated to London at the outbreak of World War I to avoid service in the Bulgarian army and left for the United States on October 3, 1914. A few weeks later on October 31, Hermine David sailed for the United States to join him. Pascin and David lived in the United States from 1914 to 1920, sitting out World War I. They visited New York City, where David had an exhibit. Pascin frequented nightclubs, and met artists such as Yasuo Kuniyoshi and Guy Pene du Bois, but most of his time in America was spent traveling throughout the South. He also visited Cuba. He made many drawings of street life in Charleston, New Orleans, and other places he visited. Some of his works of 1915 and 1916 are in a Cubist style, which he soon abandoned. In 1918 Pascin married Hermine David at City Hall in New York City. Their witnesses were Max Weber and Maurice Sterne, friends and painters who both lived in New York. In September 1920, Pascin became a naturalized United States citizen, with support from Alfred Stieglitz and Maurice Sterne, but returned to Paris soon afterward. There he began a relationship with Lucy Vidil Krohg, who had been his lover ten years earlier but had married the Norwegian painter Per Krohg...

Carl August Walther (1880 Leipzig - 1956 Dresden): Fluting Faun and Female Nude II, 20th century, Pencil Technique: Pencil and Charcoal on Paper Inscription: below with estate stam...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of a nude man. 18x24 inch...

Carl August Walther (1880 Leipzig - 1956 Dresden): Bathers in the pond I, 20th century, Pencil Technique: Pencil and Charcoal on Paper Inscription: verso with estate stamp Date: 2...

Susan Kiefer Odalisque Charcoal on paper Year: 1989 Size: 25x19in Signed by hand COA provided Ref.: 924802-1665 Framed charcoal drawing of a crouching faceless female figure on Indi...

Carl August Walther (1880 Leipzig - 1956 Dresden): Sleeping II, 20th century, Indian ink Technique: Indian ink over Pencil on Paper Inscription: below with estate stamp Date: 20th...

Carl August Walther (1880 Leipzig - 1956 Dresden): Bathers in the pond II, 20th century, Pencil Technique: Pencil and Charcoal on Paper Inscription: verso with estate stamp Date: ...

This work on paper by James Childs is offered by CLAMP in New York City.

A very eye catching and fun abstract of a nude female by the Modern British artist Roger Hilton. Roger Hilton CBE (1911–1975) was a pioneer of abstract art in post-Second World War ...

Pencil Study #3 2016 Graphite on paper 11 x 8 inches Jessica Keiser currently resides in New Haven, Connecticut. Keiser's style is Naturalistic, concerned with the intimacy of the...

Carl August Walther (1880 Leipzig - 1956 Dresden): Bathers braiding their hair, 20th century, Pencil Technique: Pencil on Paper Inscription: verso with estate stamp Date: 20th cen...

Carl August Walther (1880 Leipzig - 1956 Dresden): Study sheet with bathers, 20th century, Pencil Technique: Pencil on Paper Inscription: right with estate stamp Date: 20th centur...

Carl August Walther (1880 Leipzig - 1956 Dresden): Sleeping III, 20th century, Pencil Technique: Pencil and Charcoal on Paper Inscription: below with estate stamp Date: 20th centu...

This artwork titled "Concert #IV" 1974 is a 2 colors ink drawing on orange Canson et Mongolfier paper by noted Polish artist Barbara Gawdzik Brzozowska...

CAROLYN SERGEANT (1937-2018) Standing Nude Signed A M C Cann (the artist's maiden name) on the reverse and inscribed Finals Pencil on buff paper, unframed 49.5 by 34 cm., 19 ½ by...

Watercolor by Louis BERTHOMME SAINT-ANDRE, France, ca.1925. The nap. With frame: 75x60.5 cm - 29.5x23.8 inches, without frame, just the watercolor: 53x39 cm - 20.9x15.35 inches. Signed lower left "Berthomme St André" (see photo). Louis Berthommé Saint-André is a figurative painter, fresco painter, decorator, illustrator, engraver, ceramist and French lithographer born in 1905. He comes from rural and commercial France: his father ran a wine and grocery business. In his youth, Louis Berthommé Saint-André was injured by a kick, which left him with a stiff leg, preventing him from driving, among other things. The family left Oise to settle in Saintes, where the artist studied at La Recouvrance. He entered as a student architect with Georges Naud, responsible for the historical monuments of Charente then, in 1921, he entered the School of Fine Arts in Paris. Louis Berthommé Saint-André is one of the great representatives of French figurative painting in the 20th century. He was trained at the School of Fine Arts by two very old masters who died during his training: Fernand Cormon (1845-1924) and Jean-Paul Laurens (1838-1921). He retains from their training the taste for well-learnt techniques, but from his first works, he is part of modernity. His constructions show decomposed forms inspired by Cézanne, while maintaining a keen sense of rigour. He never strayed from realism, but his very colourful, sometimes incisive palette and his freedom in representation gave his painting a bite and an acidity that placed Louis Berthommé Saint-André among the great talents of his time. Silver medal at the Salon of French Artists where he exhibited from 1924 to 1929, he won the Abd-el-Tif Prise in 1925 and was then the youngest resident of the villa in Algiers. Friend of Jean Launois, in addition to his recognised portraits, he painted Algiers and the Kasbah. His studies of women recall those of Eugène Delacroix, but if his luminous inspiration is due to the Algerian sun, his touch is more Cézanne than purely orientalist. He left Algeria in 1928, to return there in 1931. Before the war, Berthommé Saint-André exhibited regularly in all the major Salons: from 1928 at the Salon d'Automne, at the Salon des Beaux-Arts (1934 to 1936) at the Salon des Tuileries since 1935. His inspiration is close to surrealism . During the Occupation, he became very "fauve", in reaction to the darkness of the war. He joined the Resistance, and collaborated with Vaincre (Resistance newspaper). After the war, he developed a style close to poetic reality (Brianchon, Legueult, Oudot, Terechkovitch, Cavaillès. Caillard, Limouse, and Planson), without however ever being part of the group so called. He is present at the Salon Comparaison, at the Salon of painters Witnesses of our time, is president of the Salon of drawing and water-based painting. He has exhibited solo internationally, in Europe, the USA and Japan in particular. In 1977, he received just before his death, the grand prise of Painters Witnesses of their Time. He died on October 1, 1977 in Paris. Bibliography - Michel Droit. Berthommé Saint-André. Éditions de la revue moderne, 1981 Wall frescoes Entrance to the Direction, National School of Fine Arts, Paris Lycée Charlemagne, Paris, Notre-Dame and the banks of the Seine, 1952 Staircase of the Staff of Poitiers Personal exhibitions Villa Abd-el-Tif, Alger, 1922 Galerie Armand Drouant, Paris, 1928 Galerie Marcel Bernheim...

This artwork titled "Victor" 1974 is a 2 colors ink drawing on light green/brown Canson et Mogolfier paper by noted Polish artist Barbara Gawdzik Brzoz...

Pencil Study #13 2016 Graphite on paper 13 x 7 inches Jessica Keiser currently resides in New Haven, Connecticut. Keiser's style is Naturalistic, concer...

Donald Stacy "Hand Over Head II" 1951 Ink on paper 14" x 16.5" unframed Signed and dated in pencil lower right Came from artist estate Donald Stacy (1925-2011) New Jersey Studied: ...

This artwork titled "Concert #II" 1974 is a 2 colors ink drawing on creme Canson et Montgolfier paper by noted Polish artist Barbara Gawdzik Brzozowska...

This artwork titled "Concert #6" 1974 is a 2 colors ink drawing on beige Canson et Montgolfier paper by noted Polish artist Barbara Gawdzik Brzozowska,...

This artwork titled "Pelagia" 1974 is a 2 colors ink drawing on pink Canson et Mongolfier paper by noted Polish artist Barbara Gawdzik Brzozowska, 1927...

This artwork titled "Diana" 1974 is a color ink drawing on light grey Canson et Mongolfier paper by noted Polish artist Barbara Gawdzik Brzozowska, 192...

This artwork titled "Concert #1" 1974 is a black and color ink drawing on Canson et Mongolfier paper by noted Polish artist Barbara Gawdzik Brzozowska,...

"Summertime", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, directly from the artist's stu...

Nudes is an artwork realized in the early 20th century and attributed to Augusto Monari. Pencil drawing on ivory-colored paper. Not signed. This artwork represents two nude women...

Nu (Standing Female Nude) Red chalk on wove paper, c. 1925 Signed lower right: C Despaiu (see photo) Sheet size (folded format): 12 1/8 x 8 5/16 inches Condition: Very good Sheet fol...

Two Women by George Tooker is a psychologically engaging portrait of contrasts. An untidy, older, overweight woman is seen slumped in a chair, asleep and lost in a dream. Her head ti...

A rare Ink on Paper nude figure drawing by Milton Hebald, beautifully executed on a lovely blue Italian rag paper. Given the stylization, it is likely a study for one of his sculptures. Hebald is regarded as one of the most important American figurative sculptors...

Pencil Study #13 2016 Graphite on paper 13 x 7 inches Jessica Keiser currently resides in New Haven, Connecticut. Keiser's style is Naturalistic, concer...

Centaur Part of Neo Mythology series. Size is 27.5x70x19.5cm Centaur is a mythological figure with the upper body of a human and the lower body and legs of a horse. In my artwork, ...

"Nude, with Foot on Chair" is a charcoal figure drawing by Estherly Allen. The artist signed the piece. It depicts a nude woman lounging on a cushion with her foot on a chair. 26" ...

Figure Study No. 3 c. 2016 Charcoal on paper 26 x 16 inches Jessica Keiser currently resides in New Haven, Connecticut. Keiser's style is Naturalistic, concerned with the intimacy ...

Duchándome May 28th, by Celso Castro-Daza From the Duchándome Series Watercolor and ink on paper Image size: 19.5 in. H x 13.75 in. W Unframed ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

Life study drawing original atelier drawing by the French artist, Jeanne Nachat (1898-1984) Nachat attended the prestigious Académie des Beaux-Arts in Pa...

The Dance is a pencil drawing realized in 1920 and attributed to Augusto Monari. Good condition, no signature. Mounted on a grey cardboard passpartout ( 23.5x18.5).

Signed lower right, "M. Decker" (for Michael Decker, American, 20th century) and created circa 1975. An elegant graphite and india ink figural study of a young woman shown seated an...

August Dressler is one of the painters of the New Objectivity. He is one of the lesser-known artists of the Weimar era, but he too, like his famous contemporaries Georg Grosz, John H...

Stamped verso for estate of Victor Di Gesu (American, 1914-1988) and painted circa 1955. A Post-Impressionist figural watercolor showing a young woman partially-clothed in evening w...

This drawing by James Childs is offered by CLAMP in New York City.

A rare Ink on Paper nude figure drawing by Milton Hebald. It is especially unique as both side of the paper have fully resolved drawings of the same subject, 'Antonella'. Hebald is regarded as one of the most important American figurative sculptors...

Duchándome, May 22nd / Duchandose, May 27th-Duchandome/Duchandome En Cuerpo Ajeno 2018 by Celso Castro-Daza From the Duchándome Series Watercolor and ink on an archival paper Individual size: 19.5 in. H x 13.75 in. W Overall Size: 39 in. H x 27.5 in. W Both works are one of a kind Unframed Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

Life study drawing original atelier drawing by the French artist, Jeanne Nachat (1898-1984) Nachat attended the prestigious Académie des Beaux-Arts in Pa...

Original ink and watercolor figure painting by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of a nude woman reclining with washes of orange, peach ...

"Entangled", pencil and ultramarine tempera on paper, inspired by Matisse. Couple in love. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, from Florida, ...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of a nude woman with jewe...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Odette aux seins nus by Georges Manzana Pissarro (1871 - 1961) Mixed media and gold on paper 31.5 x 42.3 cm (12 ...

Louis-Félix de La Rue (1730-1777)  A Mythological scene Pen and black ink on paper Bears an old inscription with the name of the artist on the lower left bo...

Janet Lippincott "NUDE" (1918-2007) Santa Fe Artist Image Size: 13.5 x 10.25 Frame Size: 19.25 x 16 Medium: Ink Drawing "Nude" Janet Lippincott was born in 1918 to a family of priv...

An amusing pen and ink study of eve in the nude by 20th century artist Michael Cullimore. Presented in a complimenting white mount and frame. Initi...

Victor Di Gesu (American, 1914-1988) Estate Stamp verso; drawn circa 1955. An elegant, figurative drawing showing a view of a young woman seated and gazing candidly towards the view...

"Summer Blue", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Nude shown in a Victorian interior, in a cinematic view. In a distorted ...

This black pencil on paper is a study of a nude standing female, designed by Marie Louise Simard (1886-1963). The hand-written signature is on the bottom left corner with the officia...