Archival Paper Drawings and Watercolor Paintings

This is a painting on paper from 2019 exploring the theme of Purple Rain. Making literal song titles or lines from songs is a sometime point of departure for making a work. This wor...

The eerie timeless Flat Iron building stands silhouetted against a winter sky one day in NYC. Tom was struck by the severe geometry of an historic b...

Dappled sunlight dances across an ancient stone wall in an unknown town bringing a luminosity to the perfectly balanced composition by Carol Pylant. Watercolor and gouache come toget...

Landscape mixed media on vintage paper 97x37 cm 2019 the artwork have a frame 50x110 cm Ready to hang Original Art The major creative focus of Marilina Marchica has always been w...

Patrick Vale Cityscape acrylic and ink on paper 24h x 38w in 60.96h x 96.52w cm Framed: 28.50h x 42.50w x 2.25d in 72.39h x 107.95w x 5.71d cm PKV020 Se...

Patrick Vale ES I acrylic and ink on paper 30h x 22w in 76.20h x 55.88w cm PKV018 Abstractions, such as color, to me or or mood, don't really enter the f...

Patrick Vale ES II acrylic and ink on paper 30h x 22w in 76.20h x 55.88w cm PKV019 Abstractions, such as color, to me or or mood, don't really enter the ...

Three portals, each with its own distinct details, are meticulously rendered yet upon further scrutiny, reality becomes distorted. The landscape, while lush and inviting, is seemingly impossible, yet it draws us in and leads us to wonder what lies beyond the other doors. This watercolor is matted with a heavy white mat and framed in a washed grey wooden frame measuring 17.25 x 14.875 inches. Carol S. Pylant Girona Blue Door watercolor on paper 9.75h x 7.50w in 24.77h x 19.05w cm CSP039 Resume Artist / Emeritus Professor, University of Wisconsin-Madison Education 1979 M.F.A. Painting, Wayne State University, Detroit, MI 1977 B.F.A. Painting, Wayne State University, Detroit, MI Academic Appointments 1996 - 2011 Professor, University of Wisconsin-Madison 1991-96 Associate Professor, University of Wisconsin-Madison 1987-91 Assistant Professor, University of Wisconsin-Madison 1985 Instructor, Simmons College, Boston, MA 1984 Instructor, Art Institute of Boston, Boston, MA 1984 Instructor, DeCordova Museum and School, Lincoln, MA 1984 Instructor, Brookline Arts Center, Brookline, MA 1982-84 Assistant Professor, California State University, Long Beach, CA 1978-82 Instructor, Wayne State University, Detroit, MI International Teaching 2011 Professor, UW- Madison, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2006,7 Visiting Affiliate Professor, Santa Reparata International School of Art, Florence, Italy International Artist Residencies 2017 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2015 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2002 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 1990 The Tyrone Guthrie Center, Co. Monaghan, Ireland 1990 Oberpfalzer Kunstlerhaus,Schwandorf/Fromberg, West Germany 1987 Rockefeller Foundation Residency Fellowship, Bellagio, Italy 1987 The Karolyi Foundation, Vence, France International Research Awards 2010 Faculty Research Fellowship, UW-Madison, "Villa di Livia Frescos, Museo Nazionale, Rome, Italy" 2005 Faculty Research Fellowship, UW-Madison, "Romanesque Art in France" 2004 Faculty Research Fellowship, UW-Madison, "Paintings Inspired by Romanesque Art in France" 2002 Faculty Research Fellowship, UW-Madison, "Pagan or Christian, Romanesque Art in Spain" 1998 Faculty Research Fellowship, UW-Madison, "Paintings of Neolithic Monuments in Brittany" 1996-7 Vilas Associate Award, University of Wisconsin System, "Paintings of Prehistoric Stone Circles, Ireland and the British Isles 1995 Faculty Research Fellowship, UW-Madison, "Paintings of Celtic Ceremonial Sites in Ireland and the British Isles" 1993 Faculty Research Fellowship, UW-Madison, "Egg Tempera Paintings in Florence, Italy" 1992 Faculty Research Fellowship, UW-Madison, "Paintings of Ireland" 1990 Faculty Research Fellowship, UW-Madison, "Figure and Environment: Ireland" 1989 Faculty Research Fellowship, UW-Madison, "Figure and Environment Painting: Germany" 1988 Faculty Research Fellowship, UW-Madison, "Figure and Landscape Painting: Umbria, Italy" Other Awards 2008 Faculty Research Fellowship, UW-Madison 2007 Sabbatical, University of Wisconsin-Madison 2006 Faculty Research Fellowship, UW-Madison 2002-3 Emily Mead Baldwin-Bascom Named Professorship, University of Wisconsin 2000 Alumni Arts Achievement Award, Wayne State University Dept. of Art & Art History, Detroit, MI 2000 Faculty Research Fellowship, UW-Madison 1999 Faculty Research Fellowship, UW-Madison, "Past /Present: Paintings based on Celtic Imagery" 1999 Sabbatical, University of Wisconsin 1998 Wisconsin Arts Board Visual Arts Fellowship 1993 Faculty Development Grant, "Figurative Sculpture" University of Wisconsin System 1991,93 Visual Arts Development Grant, The Wisconsin Arts Board 1989 Visual Arts Fellowship for Painting, The Wisconsin Arts Board, Madison, WI 1988 National Endowment for the Arts Regional Visual Arts Fellowship, Arts Midwest 1986 Residency, Yaddo Corporation, Saratoga Springs, NY 1985 Residency, The Millay Colony for the Arts, Austerlitz, NY 1985 Residency, The Virginia Center for the Creative Arts, Sweet Briar, VA 1985 Milton and Sally Avery Award for Painting, The MacDowell Colony, Peterborough, NH 1984,5,6 Residency, The MacDowell Colony, Peterborough, NH International Exhibitions 2010 Handmade Artist's Journals, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2008 Oberpfalzer Kunstlerhaus, Schwandorf, Germany 1995-99 Jorgensen Fine Art, Dublin, Ireland 1994 "Exquisite Corpse" Transmission Gallery, Glasgow, Scotland 1992 "Faces and Places of Ireland" Ulster Bank, Ardara, Co. Donegal, Ireland 199l "Ardara Annual Show" Ardara, Co. Donegal, Ireland 1988 Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, West Germany 1988 "Art .... Made in USA" Stadische Galerie, Deutsch-Amerikanisches Institut, Regensberg, West Germany 1987 Rockefeller Foundation Bellagio Study and Conference Center, Bellagio, Italy One and Two Person Exhibitions 2005 Peltz Gallery, Milwaukee, WI 2001 Peltz Gallery, Milwaukee, WI 2000 Grace Chosy Gallery, Madison, WI 1999 Peltz Gallery, Milwaukee, WI (with John Sayers) 1998 Grace Chosy Gallery, Madison, WI 1997 Barbara Bunting Gallery, Royal Oak, MI 1993 Peltz Gallery, Milwaukee, WI 1993 Carey Gallery, Rochester, MI (with Jo Powers) 1993 J. Cacciola Galleries, New York, N.Y. 1990 Pennsylvania School of Art and Design Art Gallery, Lancaster, PA (with Dan Gihooley) 1990 Hobe Sound Gallery, Brunswick, ME 1990 Levinson Kane Gallery, Boston, MA 1989 Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME 1985 Trustman Gallery, Simmons College, Boston, MA 1982 Willis Gallery, Detroit, MI Selected Group Exhibitions 2018 "Into the Ulterior", Gallery Victor Armendariz, Chicago, IL 2015 "Exquisite Corpse" Printworks Gallery, Chicago, IL 2014 "Non-Stop" Invitational, Train Depot, Madison, WI 1989-2014 Peltz Gallery, Milwaukee, WI 2012 "Invitational Alumni Exhibition", Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2002-10 Grace Chosy Gallery, Madison, WI 2008 Chazen Museum of Art, University of Wisconsin-Madison 2008 Chapman Museum of Art, Myrtle Beach...

A large translucent vessels floats upon a lake, so transparent that the wooded shoreline can be seen through this surreal boat. The artist treats watercolor much like oil paints, with layer upon layer to achieve a depth unseen in watercolor. The smallest of detail is apparent upon close examination. The piece is matted and framed in a simple white frame measuring 17.25 x 17.75 inches. Christina Haglid The Junipers watercolor and gouache on paper 8h x 9w in 20.32h x 22.86w cm CMH052 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...

Translucent vessels are suspended upon the surface of the water in this surreal landscape entitled "Cloud Lake". This landscape is done in exacting detail with watercolor and gouache down to the smallest water droplet. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75 inches. Christina Haglid Cloud Lake watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH053 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at...

Translucent vessels are suspended upon the surface of the water in this surreal landscape entitled "Cloud Lake". This landscape is done in exacting detail with watercolor and gouache down to the smallest water droplet. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75 inches. Christina Haglid Cloud Lake watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH053 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at...

"Untitled wp18" Abstract Painting 22" x 18" inch by Gayatri Gamuz Watercolor on archival paper In search of silence, in search of the self. Her work em...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

Levan Mindiashvili is a Georgian born visual artist currently living and working in Brooklyn, NY. After graduating from Tbilisi State Academy of Arts and numerous exhibitions in Euro...

"Not Art" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. The hand-drawn render is reminiscent and inspired by the word art...

Work : Original Drawing, Unique Work, Handmade Artwork. The work has been treated with UV-resistant varnish and it is not framed. Medium : Gouache painting and oil based pencils on ...

Academic life drawing of male nude with charcoal and graphite by Mark Beard, "MB 023" graphite, Conte crayon and charcoal on Arches paper 30.5 x 17.5 inches unframed Signed, lower le...

33"x26" watercolor on paper, depicting a sandhill crane on a blue woven beach chair. The birds next is constructed form seagrasses and intermingled with scavenged human discarded it...

This is one-of-a-kind, unframed colored pencil & collage on archival pigment print. See image gallery for example of framing possibilities. These pieces work particularly well as a s...

This is a painting from 2019 in the ongoing series of anthropomorphized shapes using the dispersed watercolor pigment technique. Painted on Arches Watercolor paper, this unique wo...

This is a painting from 2019 in the ongoing series of anthropomorphized shapes using the dispersed watercolor pigment technique. Painted on Arches Watercolor paper, this unique wo...

This is a large painting on paper from 2020 that makes an optical pulsing with marks emanating from a central point exploring the vortex theme....

These recently discovered 1984 oversize pastels on archival papers were created with a live model, working quickly, in pastel. The series shows the l...

In this watercolor, gouache, and tea toned cyanotype on cold press watercolor paper, a cyanotype print of flowers, with poppies, bleeding hearts, and a humming bird are depicted in a...

Work : Original Drawing, Handmade Artwork, Unique Work. Not Framed. Medium : Charcoal and Graphite on Archival Watercolour paper 300Gsm. Artist : Fabien Granet Subject :Basse mer (T...

Work : Original Drawing, Handmade Artwork, Unique Work. Framed. Medium : Charcoal and Graphite on Archival Watercolour paper 300Gsm. Artist : Fabien Granet Subject : AIRES (series) ...

Work : Original Drawing, Handmade Artwork, Unique Work. Not Framed. Museum matting & backing included, ready to be framed in a standard frame 40x30 cm. Medium : Watercolour, Gouache...

Very well executed original pastel on archival paper of New York City at night with beacon by the well known American artist, Leon Dolice. Signed lower right. Circa 1930. Conditio...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Hand Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provenanc...

Original collage composed of realistic graphite drawing on old nautical chart of a large sailboat. Signed lower right and dated 1993. Condition is very good. The sailboat is centere...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Nude Figure Study) Year: circa 1963 Medium: Charcoal on archival paper Size: 18 ...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provenance: ...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provena...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Hand Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provenanc...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provena...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1963 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provena...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Hand Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provenanc...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provena...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provenance: ...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provena...

Artist: Ian Hornak (1944-2002) Title: Untitled (Male Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provenance: Estate of Ian ...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Foot Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provenanc...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provena...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Nude Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 ...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provenance: ...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1963 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provena...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1963 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provena...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1963 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provena...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Nude Figure Study) Year: circa 1963 Medium: Charcoal on archival paper Size: 18 ...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Nude Figure Study) Year: circa 1963 Medium: Charcoal on archival paper Size: 18 ...

Senza Titolo 2 Mixed Media on Paper behind Glass Without Title Mythology In Stock - Size 32 x 40 cm. Size with Frame: 51 x 61 cm Giovanni Tommasi Ferroni (1967, Rome) descended from...

Original collage composed of realistic graphite drawing on old nautical chart of a large rowboat. Signed lower right . Dedicated to Dr. Kerr, a Hamptons doctor. Condition is very ...

"Family with Ox" Pencil on Paper Painting 13" x 18" in (1979) by Inji Efflatoun signed & dated Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the ex...

Benjamin Cameron spent 48 years teaching students in Columbia across three different colleges. His own works still hang on the walls around the community and tell a greater story of ...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

Original watercolor on archival paper by the American artist, Lloyd Raymond. Signed lower left by the artist and dated 1963. Condition is excellent. Presently unframed. Framing op...

Work : Original Drawing, Unique Work, Handmade Artwork. The work has been treated with UV-resistant varnish and it is not framed. Medium : Acrylic and oil based pencils on ARCHES pa...

Academic life drawing of male nude with charcoal and graphite by Mark Beard graphite, Conte crayon and charcoal on Arches paper 30 x 19.5 inches unframed Signed, lower left Strong f...