Guy Oberson

Awakening in Mongolia by Guy Oberson - Work on paper, mother and child, chalk

2016

Rodolphe is a unique black chalk on paper painting by contemporary artist Guy Oberson, dimensions are 140 × 120 cm (55.1 × 47.2 in). Dimensions of the framed artwork are 145 x 125 cm...

Orchid (fragment after Mapplethorpe) is a unique black chalk on paper painting by contemporary artist Guy Oberson, dimensions are 140 × 120 cm (55.1 × 47.2 in). The artwork is signe...

Callas is a unique black chalk on paper painting by contemporary artist Guy Oberson, dimensions are 49.5 × 41.5 cm (19.5 × 16.3 in). The artwork is signed, sold unframed and comes w...

Tree in the wind is a unique black chalk on paper painting by contemporary artist Guy Oberson, dimensions are 59 × 79 cm (23.2 × 31.1 in). The artwork is signed, sold unframed and c...

Black chalk on paper, 80 cm × 120 cm. Guy Oberson shades the black chalk with a multitude of vertical streaks which alters the perception of the subject, making the interpretation of...

Black Callas is a unique black chalk on paper painting by contemporary artist Guy Oberson, dimensions are 40 × 50 cm (15.7 × 19.7 in). The artwork is signed, sold unframed and comes...

Circular portrait drawing in pastel and conte crayon of a beautiful Medusa Portrait is made on handmade Indian cotton paper 22 inch diameter Signed, verso About the work: In the face of a turbulent political and environmental crisis, the artists make their own appeal to change the future with a series of circular drawings on handmade paper in pastel and conte crayon. Panogolin Bonaparte and Medusa are among the drawings that illustrate the transformation of humans into animals, a fantasy of mankind’s integration with nature. These are presented as votive offerings to the Gods as a last attempt to bargain for a more hopeful future. About the artists: Nicholas Kahn and Richard Selesnick...

A portrait of a male head, in profile by BenFenske. The artist uses a variety of colors to convey a naturalist impression. Artist Bio Ben Fenske (b. 1978) although a native of Minn...

Graphite and conté crayon on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in Ne...

A study in red chalk of a girl sitting and reading a book. Red chalk on paper under glass in a giltwood and gesso frame. This small drawing has a sense of intimacy in the capturing of a moment where the sitter is seemingly unaware of being observed, unlike the feeling of formailty and self-awareness in a staged portrait sitting Provenance: Private collection, Somerset With J. Davey & Sons Ltd, Liverpool William Hoare...

Stately sanguine portrait of Leopold Hamilton Myers (Novelist) by Sir William Rothenstein (English, 1872-1945). Captured in Rothenstein's characteristic style, Myers looks directly at the viewer with a neutral expression. Although this portrait uses only two colors and minimal shading, the likeness of Myers is incredibly well captured. Leo (Leopold) Hamilton Myers (1881 – 1944) was a British novelist. Numerous examples like this one of the writer are in the Tate Museum. Initialed and dated in the lower right corner ("W.R. 1936") Inscription on verso indicating materials, subject, and artist. Presented in a new cream colored mat with foamcore backing. Mat size: 18"H x 12"W Paper size: 15.25"H x 10.75"W William Rothenstein (English, 1872-1945) was born into a German-Jewish family in Bradford, West Yorkshire. His father, Moritz, emigrated from Germany in 1859 to work in Bradford's burgeoning textile industry. Soon afterwards he married Bertha Dux, and they had six children, of which William was the fifth. Rothenstein was knighted in 1931. Rothenstein left Bradford Grammar School at the age of sixteen to study at the Slade School of Art*, London (1888-1893), where he was taught by Alphonse Legros, and the Académie Julian* in Paris (1889-1893), where he met and was encouraged by James McNeill Whistler, Edgar Degas and Henri Toulouse-Lautrec. Whilst in Paris he also befriended the Anglo-Australian artist Charles Conder, with whom he shared a studio in Montmartre. In 1893 he returned to England to work on "Oxford Characters" a series of lithographic* portraits. In Oxford he met and became a close friend of the caricaturist* and parodist Max Beerbohm, who later immortalised him in the short story Enoch Soames (1919). During the 1890s Rothenstein exhibited with the New English Art Club* and, in 1900, won a silver medal for his painting The Doll's House at the Exposition Universelle. In 1898 he co-founded the Carfax Gallery in St. James' Piccadilly with John Fothergill. During its early years the gallery was closely associated with such artists as Charles Conder, Philip Wilson Steer, Charles Ricketts and Augustus John. It also exhibited the work of Auguste Rodin, whose growing reputation in England owed much to Rothenstein's friendship and missionary zeal. The gallery was later the home for all three exhibitions of The Camden Town Group*, led by Rothenstein's friend and close contemporary Walter Sickert. Rothenstein is best known for his portrait drawings of famous individuals and for being an official war artist in both World War I and World War II. He was also a member of the International Society of Sculptors, Painters & Gravers. The style and subject of his paintings varies, though certain themes reappear, in particular an interest in 'weighty' or 'essential' subjects tackled in a restrained manner. Good examples include Parting at Morning (1891), Mother and Child (1903) and Jews Mourning at a Synagogue (1907) - all of which are owned by the Tate Gallery. The National Portrait Gallery owns over two hundred of his portraits. In 2011 the BBC and the Public Catalogue Foundation began cataloguing all of his paintings in public ownership online. Between 1902 and 1912 Rothenstein lived in Hampstead, London, where his social circle included such names as H.G.Wells, Joseph Conrad and the artist Augustus John. Amongst the young artists to visit Rothenstein in Hampstead were Mark Gertler...

The work represents a carefully rendered and meticulously observed environmental portrait of a young girl absorbed in study in front of a book case. It celebrates the intelligence o...