"Diagonal Net" Wall-Hanging Sewn Cotton Fiber Sculpture by Doug Johnston

-Made in 2014 -cotton cord, sewing thread, wood wall mount This piece was made by coiling a single length of cotton cord, and repetitively and discretely sewing the coil together with an industrial sewing machine. The cord is raw cotton and is sewn with red and navy blue sewing thread. The piece undulates in relief from the wall, and the excess sewing thread is left intact lending detail and texture. This piece was originally part of the "Brooklyn Nets" solo exhibition at Aberson Exhibits in Tulsa, OK in 2014 and has been included in several group exhibitions around the USA from 2015-2019. Since 2010 Doug Johnston has produced a wide range of functional and sculptural objects using a process of coiling and stitching rope using industrial sewing machines...

-Made in 2017 -poly cord, nylon sewing thread This piece was made by coiling a single length of polyester cord, and sewing the coil together with an industrial sewing machine. The c...

-Made in 2015 -cotton cord, and sewing thread. "Untitled (Vessel 6)" was made in 2015 as part of a body of work for my exhibition "what it is." It is a sculptural vessel-form object made by coiling and sewing cotton rope with an industrial zig-zag sewing machine. The piece is not made with a specific form in mind when started, so its shape emerges somewhat organically during its making. Multiple smaller, individual vessels are made, then joined together. More rope is coiled and sewn onto the new form, and new parts are incorporated and built upon from there. This piece features a large base sewn with black-dyed cotton rope, which acts as a visual and physical anchor for the object. The form is simultaneously architectural and creature-like while retaining a conceptual and actual openness. Since 2010 Doug Johnston has produced a wide range of functional and sculptural objects using a process of coiling and stitching rope using industrial sewing machines...

-Made in 2015 -Nylon and cotton cord, sewing thread. "Pitchdrop" was made in 2015 as part of a body of work for my exhibition "what it is." It is a sculptural vessel-form object made by coiling and sewing nylon and cotton rope with an industrial zig-zag sewing machine. The piece is not made with a specific form in mind when started, so its shape emerges somewhat organically during its making. Multiple smaller, individual vessels are made, then joined together. More rope is coiled and sewn onto the new form, and new parts are incorporated and built upon from there. This piece features a main body sewn with black nylon cord, which acts as a visual and physical anchor for the object. From this, a series of smaller arm-like appendages grow ni coiled cotton cord. Since 2010 Doug Johnston has produced a wide range of functional and sculptural objects using a process of coiling and stitching rope using industrial sewing machines...

"Untitled (Navy Shroud)", 2015 coiled nylon cord, sewing thread, urethane resin "Untitled (Navy Shroud)" was made as part of a group of works exploring objects as shroud spaces. The pieces create a space, the contents unknown, upon which the viewer's understanding becomes one reality, while another reality of the object itself is in continuous withdrawal from the viewers' perception. The exploration was based on contemplations of "Schrödinger's cat" and Object-Oriented Ontology. The work was made by coiling nylon cordage and sewing it together on an industrial zig-zag sewing machine. In the process of coiling, irregularities are introduced that alter the overall form as it is being made. These irregularities are placed and responded to improvisationally, working towards a composition that appears as if a thick cloth is loosely draped over an object of indeterminate form. The interior of the nylon vessel was then coated by hand with a black epoxy resin, which solidified the textile into a rigid shell. The result is a free-standing shroud-like object, which is to be placed into a space as a sculptural object, to conceal other objects, unsightly architectural features, etc. This work was first exhibited in 2015 at Patrick Parrish Gallery as part of my solo exhibition "what it is". It was later shown in 2017-2018 at the Cranbrook Art Museum in Bloomfield Hills, Michigan, as well as several other group exhibitions. It has also appeared in several design and art publications in print and online. Since 2010 Doug Johnston has produced a wide range of functional and sculptural objects using a process of coiling and stitching rope using industrial sewing machines...

-Made in 2015 -nylon and cotton cord, wood and metal base, lighting components (e26 bulb socket, 18/3 SVT electrical cord with white braided nylon sleeve, grounded USA plug) Doug Johnston’s collection of lighted works is hand-made in Brooklyn, New York of coiled and machine-sewn cord. The opaqueness of the cotton cord is juxtaposed with contrasting nylon cord, which allows for a warm luminosity. Originally created in 2012 - 2013, the pieces have been exhibited at Patrick Parrish Gallery in New York City, Cranbrook Art Museum in Bloomfield Hills, Michigan, Design/Miami, and installed in locations around the world including Australia, the Maldives, Brazil, Japan, Bahamas, France, The Netherlands, England, Austria, and across the United States and Canada. Since 2010 Doug Johnston has produced a wide range of functional and sculptural objects using a process of coiling and stitching rope using industrial sewing...

Artist: Armarinhos Teixeira Nebulares series (no title) Unique piece Brazil 2018 Materials: polyester, copper and leather The sculpture is hanging on by a leather cord Dimensions Variable Exhibited - São Paulo, Brazil, Legado Arte...

1986 ELEGANT BRASS AND COPPER WALL SCULPTURE SIGNED AND DATED BY CURTIS JERE. Curtis Jere© is a brand name for the company Artisan House. The founders of Artisan House, Jerry Fels and his brother-in-law Curtis Freiler, started Artisan House in 1964 with the intention of providing original high gallery quality metal art for the masses. The name “Curtis Jere? was created by simply combing their two first names Curtis and Jer. We don't know why the French ampersand was added but can guess that it was to promote a high quality image as items from France...

Wall sculpture signed and dated by Curtis Jere Jere is a brand name for the company Artisan House. The founders of Artisan House, Jerry Fels and his brother-in-law Curtis Freiler, started Artisan House in 1964 with the intention of providing original high gallery quality metal art for the masses. The name “Curtis Jere? was created by simply combing their two first names Curtis and Jer. We don't know why the French ampersand was added but can guess that it was to promote a high quality image as items from France...

'Calibrated to Balance' is a unique red, green, yellow, teal and amber hand-blown and cut glass hanging artwork with steel frame by the American and Swiss artists, Philip Baldwin and Monica Guggisberg. Exquisitely handblown and cut to the highest quality and refinement, the elements have been composed and suspended on a steel frame ready for wall hanging. Increasingly the artists have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, primarily through blown glass, but also using steel, and constructions in other materials. Baldwin (1947, New York) and Guggisberg (1955, Bern) have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass. The list of museums and collections which have acquired their works is long and impressive. Individual showings, as well as participation in group shows, have given them opportunities to present their works at leading galleries and in major museums in Europe, Japan and the United States and their works rank among the best to be found in the international glass art scene. Working freelance, they have also designed successful products for international glass manufacturers since 1985. Their clients have included renowned firms like Rosenthal, Steuben, Corning and Venini. Over time their work has developed its own distinctive signature, based in Italian cold-working (battuto) combined with the Swedish overlay process for layering colours. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Colour, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines. Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning. In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral...

1970s Elegant brass copper "Bouquet Of Flowers" wall sculpture.

Firecracker 2010 20.25" x 6.5" Ceramic wall sculpture by William Edwards William received his BFA in sculpture from the historic San Francisco Art Institute and his MFA from UC Dav...