Mario Sabot Italian Midcentury set of two Chairs Mid 70's

Set of six Chiavari model “Gobbetta or Three s” chairs. Sturdy and versatile chair. Particular care was given to ergonomics. The seat was restored by a renowned artisan from the lowe...

Set of five Italian chairs from the 1950s in wood and vintage faux leather, designed by Carlo De Carli at the end of the 1950s.

Set of six chairs curved iron frame synthetic fabric seat designer George Coslin production Faram 1960s .

Elegant set consisting of six chairs with velvet seat and wooden frame with slender back, attributable to Carlo De Carli Italian production late 1950s. The unique design of this mode...

Set of six chairs in the style of Danish designer Folke Pålsson.

Superb set of two ministerial chairs (armchairs) in curved wood and sheepskin upholstery. the price is fo only two chairs.

Set of four armchairs designed by Vittorio Introini for Mario Sabot, 1970s. Chromed steel structure, seat and back upholstery in fuchsia cloth. They measure 70 cm in height, 64...

Set of 6 dining chairs designed by Willy Rizzo and manufactured by the Italian producer Mario Sabot in 1970. Willy Rizzo, a renowned photographer, was not only a master of his craft...

Mid-Century Modern set of 4 chairs by Mario Sabot, Italy, 1970s.

Elegant lines and solid structures for this stunning set of six dining chairs, recently restored. The structure is made of black lacquered walnut. They have been reupholstered in stain-resistant green color microfibre fabric. This set, designed in 1950, is an excellent example of Italian design of the era. You can also purchase his stylish dining table.

Set of 3 Italian Mid-century Modern Wooden and Green Velour Chairs, 1948 Coveted set of 3 chairs in perfect shape, beautiful details on the wooden structure and precious cushioning in great conditions. BBPR was a studio of architects, urban planners and designers, composed by Gian Luigi Banfi, Lodovico Barbiano di Belgiojoso, Enrico Peressutti and Ernesto Nathan Rogers. Founded in Milan in 1932, the studio was a vivid part of the debate of the modern movement, becoming one of the leading exponents and masters of the Italian design. The first important intervention project was designed in 1946, after the war and the loss of Banfi: the planning of the reconstruction of Milan. At the IX Triennale in Milan, when the birth of Italian design (1951) began, they organised the exhibition “The shape of usefulness” (with Francesco Buzzi Ceriani and Max Huber...

Set of wicker and oak chairs. They are not exactly the same. When joined together they form a small wicker bench. The backrest is composed of a series of ...