Jules Dupre Furniture

The 19th century oil on canvas portrays a landscape painted in the style of the French Barbizon School. A flowing river is on the lower right while a road borders it on the lower lef...

Italian male nude oil painting on wood panel, circa 1930. Stunning and unusual framed Italian male nude oil painting on a wood panel. This Italian A...

Probably a variation of ‘Spring’ After Boucher’s Four Seasons. Highly decorative. Typical rococo frivolity and color palette. Garlands and festoons of flowers with intertwined ribbon...

Mid century oil on canvas landscape painting showing a tree lined river with two figures washing linens. Signed in the lower left G. Rovatti. Measures: 21” x 1.75” x 17” / Sans fr...

A large scale 19th century Hudson River School landscape painting depicting people fishing on a moonlit lake. Unsigned. Original giltwood and gesso frame is in good condition with minor repair and touch-ups to gilt. Artist unknown, but similar in subject and composition to the Albert Bierdstadt painting "Lake Tahoe, Spearing Fish by Torchlight" and similar in style to the François Regis Gignoux Painting...

19th century oil on wood sea landscape painting. Signed.

Antique French Late 19th Century Barbizon School Framed Oil on Canvas Landscape Painting, "Boat Along the Grassy Shore." unsigned/undistinguishable

Antique framed impressionist oil painting on board. Lovely artist signed antique framed impressionist oil painting on board. This beauty d...

A French Barbizon School framed oil on canvas painting from the early 20th century, depicting a pastoral farmyard scene and signed Theodore Linsyer. Born in France during the early y...

17th century, Tuscan school Madonna and Child Oil on canvas, 31 x 21 cm With frame, cm 37,5 x 27,5 The pearly incarnations and the thoughtful play of looks between the Virgin, turned to the Son, and Questi, warmly open to the viewer, pour out the present painting with compositional perfection. Virginal fabrics become mottled at the folds, wrapping the Madonna in a thin vitreous mantle. The pastel colors, shining on the pink robe just tightened at the waist by a gold cord, enliven the faces of the divine couple in correspondence of the cheeks, lit by an orange warmth. Even the left hand of the Virgin, composed in perfect classical pose (Botticelli, Madonna with Child, 1467, Musée du Petit Palais, Avignon), is sprinkled with warmth thanks to the immediate touch with Christ. From the nimbus of the Mother a delicate luminous disk is effused, which takes back, in the most distant rays, the colour of the hair of the Son, from the tones of the sun. The Child Jesus is represented intent in a tender gesture of invitation with the right hand, while with the other he offers a universal blessing: with his hand he retracts the index and annular palms, extending the remaining three fingers, symbol of Father, Son and Holy Spirit. The painting welcomes and re-elaborates that typically Tuscan formalism that boasted in the rest of Italy the constant appreciation by the most up-to-date artists and collectors. Arrangement, composition and mixing of colors place the canvas in the middle between the changing mannerist and the sculptural figures of Michelangelo, essential yardstick of comparison in terms of anatomical and expressionistic rendering. In the present, silvery and pinkish powders act as three-dimensional inducers to the Child’s mentioned musculature and to the vivid folds of the clothes, expertly deposited on the lunar whiteness of the skins. While these colours recall the equally brilliantly transparent colours of Pier Francesco Foschi...

This is an antique Scottish Highlands landscape painting. A British school, original oil on canvas signed G. Dawson, dating to the late Victorian period, circa 1900. Signed G Dawso...

A 19th century French oil painting on canvas depicting classical figures in landscape, with a standing gentleman presenting bouquet of flowers to a sitting lady. Signed: Jules Garson...