CTRLZAK Studio Clocks

Perfectly balanced between two different colours, the sand flows through the sleek glass chambers made using the Incalmo technique, taking on its colour and becoming a part of it. Grains of sand, impalpable and imperceptible as a whole, yet so real, like time passing. Fulvio Bianconi and Paolo Venini sealed it in the Clessidra in 1957 Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. Clessidra – designed by Fulvio Bianconi and Paolo Venini in 1957 – evolves in 2015, taking on a more sinuous, feminine appearance. Perfectly balanced between two different colors, sand flows through sleek glass, crafted using the Incalmo technique; as it flows, it gradually colors and becomes an integral part of the glass. Additional Information: Material: Glass, sand Color: Gray/red Dimensions: Ø 15 x H 28 cm Available in other color options: Green river /Powder pink...

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so...

Clessidra hourglass in amber Murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so...

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1...

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1...

Marble clock designed by Arch. Elda Lippi Size: cm. 12 x 12 x 6 H. Materials: Bianco Carrara - Nero Marquina - Pietra serena - Pietra dorata.   

A lovely pair of optical blown art glass hourglasses with a ribbed surface by unknown artist.

Limoges, France. Clock and decorative object in porcelain, decorated with 22-karat gold leaf and a beautiful royal blue glaze. Scène galante. Approximately 1970. Provenance: From a ...

For your consideration is this 1982 Howard Miller Limited Edition Mahogany Hourglass II wall Mantle Clock. Hour glass II has a secret link with the futu...

21st Century violet porcelain and silver bronze table clock. This clock is finely chiseled lost wax castings and the porcelain is decorated in plati...

Sand hourglass, brass container with circular base and tapered columns in the center and blown glass cruet. Duration 45 minutes. English manufacture of the early 1900s. Measures height 20 cm, diameter 11.5 cm – 7.9x4.5 inches. Shipping is insured by Lloyd's London; our gift box is free (look at the last picture). In Greece, the use of hourglasses was introduced in 325 BC, in the form of stone containers with a truncated cone shape that let water flow out of a hole in the bottom at a constant rate. Other hourglasses were cylindrical or cup-shaped and were slowly filled by a constant flow of water. Some signs on the inner surface of the container indicated the passage of hours as the liquid level rose. Another version consisted of a metal container with a hole in the bottom which, placed to float in a larger container, sank in a given time. This system remained in use until the 20th century in North Africa. These clocks were typically used at night, but not during the day, when the more accurate sundials were available. In the first half of the III century BC. Ctesibius transformed the hourglass into the more complex water clock. Various mechanisms were introduced by him and others to increase the precision of the watch by regulating the pressure and keeping the flow of water constant, but also to offer a better display of the time. The most advanced specimens could ring bells or gongs, open windows to display images, or had movable indicators, dials or representations of celestial bodies. Among the designers of watches...

Perfectly balanced between two different colours, the sand flows through the sleek glass chambers made using the Incalmo technique, taking on its colour an...