Abbott Pattison Furniture

Modern bronze with gold patina figural sculpture, in the style of Alberto Giacometti (Swiss, 1901-1966), not signed, depicting abstract nude male a figures, in a parcel gilt finish, ...

The coffee table 'Origami' is made of extra-clear crystal glass. Each sheet of extra-clear crystal glass is cut and ground with extreme precision, then the sheets are assembled by ha...

Beautiful grey, white and pink marble table. The heavy eye-shaped top rests on two marble blocks with a metal structure between. This table is really standing-out.

Vintage Abstract Cubist Sculpture Bronze Granite XX Century DIMENSIONS Height: 7 inches Width: 3-3/8 inches Depth: 3-3/8 inches ABOUT This is a brillia...

A whimsical and bold 20th century American Folk Art cared wood sculpture depicting a stylized seated cat with a long neck, expressive face, and a beautiful chip carved surface. It cr...

This vintage Folk Art hand carved and polychrome painted sculpture is missing the paper label from its base, but being attributed to the ANRI group of carvers from Italy and done in circa 1960. This carving was bought from a private estate with another one of a Lumberjack, which has the identical script on the front and back and does have the ANRI label. These carvings were done by the master carvers of the ANRI factory who worked from a model, usually unique to them, but this one shows it is an example of a work done by the Master Quebec wood...

Ruth Asawa Bronze Flower, 1979 Cast Bronze relief plaque with original presentation box 5 1/4 × 6 1/4 × 1/4 inches Numbered from the Edition of 2500 Signed and dated 'Asawa 1979' (lower edge) incised in the bronze; numbered; stamped "Designed Exclusively for Crown Zellerbach Corporation"; foundry copyright Cast at the Berkley Arts Foundry for Crown Zellerbach Ruth Asawa's estate is represented by David Zwirner. Unframed This beautiful, limited edition signed cast bronze flower plaque makes a distinctive and original gift! It bears the artist's incised signature and is uniquely numbered from the limited edition of 2500. In 1979, the Crown Zellerbach Corporation of San Francisco, which had worked closely with her on neighborhood arts programs, commissioned Asawa to make a series of bronze bas-relief plaques, including this beautiful piece, which were cast by the Berkeley Arts Foundry. Cast at Berkley Arts Foundry for Crown Zellerbach Another example of this work was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri. It is reproduced on page 13 of the exhibition catalogue. Ruth Asawa Biography American artist, educator, and arts activist Ruth Asawa (1926-2013) is known for her extensive body of wire sculptures that challenge conventional notions of material and form through their emphasis on lightness and transparency. Born in rural California, Asawa was first exposed to professional artists while her family and other Japanese Americans were detained at Santa Anita, California, in 1942. Following her release from an internment camp in Rohwer, Arkansas, eighteen months later, she enrolled in 1943 in Milwaukee State Teachers College. Unable to receive her degree due to continued hostility against Japanese Americans, Asawa left Milwaukee in 1946 to study at Black Mountain College in North Carolina, then known for its progressive pedagogical methods and avant-garde aesthetic environment. Asawa's time at Black Mountain proved formative in her development as an artist, and she was particularly influenced by her teachers Josef Albers, Buckminster Fuller, and the mathematician Max Dehn. She also met architectural student Albert Lanier, whom she would marry in 1949 and with whom she would raise a large family and build a career in San Francisco. Asawa continued to produce art steadily over the course of more than a half century, creating a cohesive body of sculptures and works on paper that, in their innovative use of material and form, deftly synthesizes a wide range of aesthetic preoccupations at the heart of postwar art in America. Asawa’s work has been exhibited widely since the early 1950s, including early solo exhibitions at Peridot Gallery, New York in 1954, 1956, and 1958. In 1965, Walter Hopps organized a solo exhibition of the artist’s sculptures and drawings at the Pasadena Art Museum (now Norton Simon Museum) in California, where Asawa completed a residency at the Tamarind Lithography Workshop the same year. Other solo presentations include those held at the San Francisco Museum of Art (1973); Fresno Art Museum, California (2001; traveled to Oakland Museum of California, 2002); de Young Museum, San Francisco (2006); Amon Carter Museum of American Art, Fort Worth, Texas (2012); and Norton Simon Museum of Art, Pasadena, California (2014). In 2018 to 2019, the Pulitzer Arts Foundation in St. Louis presented Ruth Asawa: Life’s Work, the first major museum exhibition of the artist’s work in more than a decade. An accompanying catalogue published by Pulitzer Arts Foundation and Yale University Press includes essays by Aruna D’Souza, Helen Molesworth, and Tamara H. Schenkenberg. The two-person exhibition, Lineage: Paul Klee and Ruth Asawa was on view at the San Francisco Museum of Modern Art in 2021. In 2022, Ruth Asawa: Citizen of the Universe was on view at Modern Art Oxford, England, and later traveled to the Stavanger Kunstmuseum, Norway. Opening September 16, 2023 at the Whitney Museum of American Art, New York is Ruth Asawa: Through Line, a solo presentation which will later travel to the Menil Drawing Institute in Houston. The artist’s works have also been included in significant group exhibitions, including Leap Before You Look: Black Mountain College 1933–1957, Institute of Contemporary Art, Boston (2015; traveled to Hammer Museum, Los Angeles, and Wexner Center for the Arts, Columbus, Ohio, 2016-2017); America Is Hard to See, Whitney Museum of American Art, New York (2015); Revolution in the Making: Abstract Sculpture by Women, 1947–2016, Hauser & Wirth, Los Angeles (2017); Making Space: Women Artists and Postwar Abstraction, The Museum of Modern Art, New York (2017); The Pencil Is a Key: Drawings by Incarcerated Artists, The Drawing Center, New York (2019); and In a Cloud, in a Wall, in a Chair: Six Modernists in Mexico at Midcentury, Art Institute of Chicago (2019). A selection of the artist's work was presented at the 59th Venice Biennale, The Milk of Dreams (2022). In addition to her wire sculptures, Asawa is well known for her public commissions, particularly in San Francisco and the wider Bay Area. These include the much beloved Andrea fountain in Ghirardelli Square (1966-1968) and the San Francisco Fountain outside the Grand Hyatt Union Square (1970-1973), the latter of which includes hundreds of baker’s clay images molded by local schoolchildren, friends, and other artists cast...

Beautiful grey, white and pink marble table. The heavy eye-shaped top rests on two marble V blocks.

Bronze sculpture in the manner of Alberto Giacometti. Female nude with arms crossed mounted on walnut plinth. Signed Billing.

A fine folk-art papier-mache sculpture. In the form of a teddy bear. The papier mache appears to be from various 20th Century Philippine comic books, such as Superkat by L.S. M...

Abstract sculpture of a dancer using mixed metal copper and bronze. The sculpture is affixed to a black granite base. Signed and numbered.

This vintage folk art hand carved and polychrome painted sculpture is signed with the maker's label of the ANRI group of cavers from Italy and done in circa 1960. This carving was bought from a private estate with another one of one entitled "Old Habitant", which has the identical script on the front and back, but posted separately. These carvings were done by the master carvers of the ANRI factory who worked from a model, usually unique to them, but this one shows it is an example of a work done by the Master Quebec wood...