Westnofa Siesta Chair Highback With Ottoman

While Norway comprises something of an unsung chapter in the history of Scandinavian modernism, an export company called Westnofa shouldn’t be overlooked. It represented a collective of the country’s leading manufacturers to promote and export their furniture worldwide. Westnofa was key to the success of Norway’s mid-century designers and furniture brands, and fostered the growth of entities that might otherwise be unknown to today’s design aficionados.

Norway’s furniture factories were largely destroyed during World War II, and while the country’s sophisticated works — designed in teak, pine and other prized woods — had earned a place in Scandinavian modernism, its output was overshadowed by big names such as Alvar Aalto and Arne Jacobsen who’d earned icon status in Finland and Denmark, respectively. Westnofa, a name derived from “West Norway Factories,” took shape in the late 1950s in order to circumvent the limitations that the country’s furniture industry had faced in the areas of marketing and production. Some of the manufacturers connected to Westnofa were P.I. Langlo Møbelfabrikk, Ekornes, Stokke and Vestlandske.

Westnofa took great pains to devise the most cost-effective and efficient method of packing and shipping worldwide. Flat-pack assembly for lightweight shipping was the result. In neighboring Sweden during the late 1940s, DUX president and furniture designer Folke Ohlsson put the same idea into practice. Flat-pack assembly saved space in warehouses and money on transportation. It’s a breakthrough that survives today — namely at popular Swedish brand IKEA.

While it’s unclear if Westnofa also produced furniture in addition to exporting the goods of a group of manufacturers, some of the more well-known designers that are today mentioned alongside the company include Ingmar Relling, Torstein Nilsen and Jens Nielsen. Relling is best known for seating and his most famous piece associated with Westnofa is his high-backed Siesta chair, which features supple leather cushions atop a bentwood frame. Torstein Nilsen designed an elegant glass-topped bentwood dining table that is also commonly linked with Westnofa. Jens Nielsen created minimalist, sculptural lounge chairs in birch and plywood that are connected with the Westnofa name.

On 1stDibs, find vintage Westnofa seating, tables, case pieces and storage cabinets.

While this specific seating is known to all for its comfort and familiar form, the history of how your favorite antique or vintage lounge chair came to be is slightly more ambiguous.

Although there are rare armchairs dating back as far as the 17th century, some believe that the origins of the first official “lounge chair” are tied to Hungarian modernist designer-architect Marcel Breuer. Sure, Breuer wasn’t exactly reinventing the wheel when he introduced the Wassily lounge chair in 1925, but his seat was indeed revolutionary for its integration of bent tubular steel.

Officially, a lounge chair is simply defined as a “comfortable armchair,” which allows for the shape and material of the furnishings to be extremely diverse. Whether or not chaise longues make the cut for this category is a matter of frequent debate.

The Eames lounge chair, on the other hand, has come to define somewhat of a universal perception of what a lounge chair can be. Introduced in 1956, the Eames lounger (and its partner in cozy, the ottoman) quickly became staples in television shows, prestigious office buildings and sumptuous living rooms. Venerable American mid-century modern designers Charles and Ray Eames intended for it to be the peak of luxury, which they knew meant taking furniture to the next level of style and comfort. Their chair inspired many modern interpretations of the lounge — as well as numerous copies.

On 1stDibs, find a broad range of unique lounge chairs that includes everything from antique Victorian-era seating to vintage mid-century modern lounge chairs by craftspersons such as Hans Wegner to contemporary choices from today’s innovative designers.