Frederic Zaavy

While the House of Fabergé is best known for creating the lavishly ornate and intricately devised Imperial Easter eggs given by the last czars to their families as annual holiday gifts, it was the most prestigious Russian luxury goods maker of the late 19th and early 20th centuries.

Serving the aristocracy and the well-to-do through stores in St. Petersburg, Moscow and as far afield as London, Fabergé crafted a wide range of brooches and other jewelry, clock cases, silver and myriad objets de vertu that included picture frames, cigarette cases, cufflinks and carved hardstone floral and animal figurines. Following the revolution, the firm was closed by the Soviet state in 1918.

Master goldsmith Gustav Fabergé, a descendant of Huguenot emigrées, founded the company in St. Petersburg in 1842. The firm did a brisk trade among the lesser nobility and the merchant class, but it flourished under the guidance of Gustav’s eldest son Peter Carl Fabergé — known also as Karl Gustavovich Fabergé — who took over in 1872.

Cosmopolitan, widely-traveled and himself a master goldsmith — he was sent on a Grand Tour in the 1860s — the younger Fabergé drew early design inspiration when he volunteered to catalogue and restore pieces in the imperial jewelry collection in the Hermitage.

Fabergé pieces based on historical jewelry from the Hermitage caught the attention of Czar Alexander III at a Moscow exhibition in 1882, and three years later he commissioned the first Imperial Easter egg as a gift for the czarina. Czar Nicholas II continued the tradition, presenting two eggs each Easter — one for his wife and one for his mother.

Relatively simple in design compared to the complex cloisonné-adorned eggs that followed, the first Fabergé egg was a white-enameled ovoid containing a gold “yolk” that held a gold hen, which in turn contained a replica of the imperial crown from which hung an egg-shaped ruby pendant.

As the appointed goldsmith to the royal court, the House of Fabergé became the darling of Russian aristocrats as well as wealthy patrons across Europe. Many and varied objets — hundreds of thousands by one count — were made to meet their demand. The firm employed some 500 craftsmen and designers when it was shuttered.

After the Russian Revolution, the Fabergé name and trademark endured a checkered passage through the 20th century.

Family members left their homeland in 1918 and set up a new business in Paris that was mainly concerned with repairing and restoring earlier-made wares. The name was adopted by an American fragrance and beauty products maker in the late 1930s, and later authorized by the family in a 1951 agreement. The trademark has been subsequently sold several times, and attached to numerous products including jewelry.

Fabergé pieces are richly redolent of a romantic past, and a source of thorough delight — for connoisseurs, true Fabergé refers to items made in the firm’s brief, golden decades from 1885 to 1917.

Collectors are advised to make a study of Fabergé works in museum collections such as the Victoria & Albert and the Royal Collection in London to gain an understanding of the quality of genuine goods made by the original firm, and then to purchase only from reputable and reliable dealers, such those at 1stDibs.

Find Fabergé eggs for sale and other objects and vintage jewelry on 1stDibs.

Today, antique and vintage bracelets are versatile and universally loved accessories that can add polish and pizzazz to any ensemble.

Bracelets were among the jewels discovered to have been buried with Pharaoh Tutankhamun when his tomb was unearthed in 1922, and wrist and arm bracelets were allegedly worn by Queen Puabi in Sumer, southern Mesopotamia. But preceding the adornments of Ancient Egypt and elsewhere, the people of prehistoric times likely wore the decorative accessory, fashioning it from shells and fish bones. When the Bronze Age allowed for more durable materials and semiprecious stones to be incorporated into jewelry, bracelets became a treasured symbol of wealth.

In the thousands of years following the debut of the world’s first bracelets, the artistry behind this common accessory has only broadened, with designers at popular jewelry houses growing more venturesome over time. David Webb looked to nature for his Animal Kingdom bracelets, and for her best-selling bracelets and more at Tiffany & Co., Elsa Peretti would frequently do the same. From bangles to tennis bracelets, the modern age offers plenty of options.

Internationally acclaimed bracelet designs have on occasion become powerful symbols of status, style and, in the case of Cartier's iconic design, love. The Cartier Love bracelet can be found on the wish list of most jewelry lovers and on the wrist of some of the world’s biggest stars. Its arrangement of mock screwheads and distinctive functionality — it was initially locked and unlocked with an accompanying vermeil screwdriver — is an enduring expression of loyalty, unity and romance. (Do you know how to spot a fake Cartier Love bracelet?)

While the Love bracelet has played a role in the skyrocketing popularity of cuff-style bracelets, they are far from the only glamorous option for collectors. Make a statement with an Art Deco design, a style that sees all kinds of iterations fitted with studded cuffs, one-of-a-kind shapes and dazzling insets. A chunky vintage gold bracelet in the Retro style will prove eye-catching and elevate any outfit.

One of the best things about bracelets, however, is that you never have to choose just one. Style icon Jacqueline Kennedy stacked her Croisillon bracelets — designed by Jean Schlumberger for Tiffany & Co. — with such frequency that the ornate bangles were eventually dubbed “Jackie bracelets” by reporters. Contemporary silver pieces can easily complement each other, rendering a layering of luxury almost a necessity.

Find a diverse collection of bracelets that you can sort by style, stone cut and more on 1stDibs.