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Jeff Koons
Jeff Koons, Split Rocker Vase, Art, Limited Edition, Interior, Limoges porcelain

About the Item

Jeff Koons Split-Rocker (Vase), 2012 Limoges Porcelain Stamp-signed and numbered Edition of 3500 36 x 40 x 33 cm (14.1 x 15.7 x 12.9 in) In mint condition, in the original packaging and accompanied by a certificate of authenticity Split Rocker is a prime example of Koons‘ persistent fascination with dichotomies. A monstrous sculpture constructed from the halves of two toy rockers (a pony and a dinosaur), Split Rocker plays with the idea of the “split” and the irritation this hybrid figure causes. With a reference to both Cubist and Surrealist influences, the two non-congruent halves of the heads form a strange in-between shape with open spaces (= splits) that offer shifting perspectives and a dynamic form which celebrates the idea of irregularity. Signed and numbered on the box. “I was always intrigued by porcelain, by both the economic and the sexual aspect of the material. Porcelain was the emperor's material but today it has been democratized and everybody can enjoy porcelain. That's why for these qualities of its material being it is the reason I used it in the Banality series. I am really thrilled to be a part of the Bernardaud collection.„ —Jeff Koons ABOUT THE ARTIST Jeff Koons Jeff Koons (born 1955) playfully tests the boundaries of commerce, celebrity, banality, and pleasure. He rose to prominence in the mid-1980s as part of a generation of artists who explored the meaning of art in a media-saturated era. Koons turns banal commercial or everyday objects into art icons by using seductive materials, a shift of scale, and a contextual displacement. Jeff Koons’s “Balloon Dog” (featuring his enormous iconic chromium stainless steel dogs); his large-scale vinyl “Inflatables”; or the giant “Split-Rocker” all follow this principle. For instance, Jeff Koons in “Puppy” engaged the past and the present, referencing the eighteenth-century formal garden, while adding the most sugary of iconography. Originally licensed as a commodities broker, Koons decided to become an artist in the late 1970s and moved from Wall Street into a factory-like studio in SoHo with hundreds of assistants. Since then, he has produced different iconic series, like the “Pre-New”, a series of domestic objects in strange new configurations, and “The Equilibrium” series, consisting of basketballs floating in distilled water tanks. The “Banality” series, which includes Jeff Koons´s “Michael Jackson and Bubbles” and “Woman in Tub”, among others, is characterized by oddly eroticized, comic, and kitsch images. However, it is indeed Koons’s “Made in Heaven” series that is his most provocative and controversial work, in which he examines the place of sexuality in visual culture. Koons is widely regarded as one of the most important, influential, and controversial contemporary artists. He constantly tests the boundaries between art and commerce, high culture and mass culture, ready-made and art objects, by decontextualizing his objects and lifting them to iconic status. Jeff Koons´s art is the result of his intention to bring it out of the enclave of the genius-driven artist into the realms of contemporary pop and commerce-driven culture. “ It’s basically the medium that defines people’s perceptions of the world, of life itself, how to interact with others. The media defines reality. ” —Jeff Koons
  • Creator:
    Jeff Koons (1955, American)
  • Dimensions:
    Height: 14.18 in (36 cm)Width: 13 in (33 cm)Depth: 15.75 in (40 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Zug, CH
  • Reference Number:
    1stDibs: LU1562214182202
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