Safet Zec

Window

unknown

Original color aquatint and etching, 1980. Edition of 30 signed and numbered impressions on Arches paper. Kyu-Baik Hwang is contemporary painter and printmaker, from South Korea. He served in the military during the Korean War, and after the war he began to paint. Latter, he traveled across Europe and America and got inspired by many of their cultures and artists. Displacing ordinary objects from their original environments, typical for his works is often compared to surrealist’s art from the 20th-century. Unlike surrealists, who rejected mind control and try to show the world of the unconscious, Hwang stimulates viewers’ imagination. He presents an extra-ordinary, imaginary world through ordinary spaces and objects, using different methods from printmaking to painting. The Bois de Boulogne...

Balloon. Original color silkscreen on aluminum foil, 1983. Edition of 15 signed and numbered impressions on Arches paper. Art and Sport portfolio: The Yugoslav Olympic Committee of the Winter Olympic Games Sarajevo 1984...

Tennis tree. Original color etching and aquatint, unknown year. Edition of 150 signed and numbered impressions on Arches paper. Jean-Michel Folon was a Belgian contemporary artist, i...

Flower. Original color aquatint and etching, 1976. Edition of A.P. (artist’s proof) signed and numbered impressions on Arches paper. Kyu-Baik Hwang is contemporary painter and printm...

Flowers. Original silkscreen and hand Watercolor, 1974. Initialed "AW" in pencil lower right and signed on verso in pencil. Edition of 250 signed and numbered impressions on Arches p...

Flowers. Original silkscreen and hand Watercolor, 1974. Initialed "AW" in pencil lower right and signed on verso in pencil. Edition of 250 signed and numbered impressions on Arches p...

Harland Miller Hate's Outta Date (Yellow), 2022 Screenprint on paper 39 2/5 × 27 3/5 in 100 × 70 cm Edition of 125 hand-signed and numbered by the artist on verso published by White...

Kate Brinkworth. Coke and Stripey Straw- limited edition silk screen print, printed on 400gsm Somerset paper with a beautiful gloss finish. Signed by the artist Limited edition of 50...

Kate Brinkworth. Coke, Jelly Beans and Lifesavers- limited edition silk screen print, printed on 400gsm Somerset paper with a beautiful gloss finish. Signed by the artist. Limited ed...

Snowdrop II [2022] limited_edition and hand signed by the artist screenprint Edition number 30 Image size: H:22.5 cm x W:23.5 cm Complete Size of Unframed Work: H:26 cm x W:26 cm x D:0.01cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Part of my flower print series, Snowdrop is a four colour screenprint, printed on Somerset Satin Archival quality cotton paper. Discover new works by Anna Harley available to buy online and in our art gallery. Anna Harley is a professional fine art screen-printer, making prints at Spike Print Studio in Bristol. She has a Masters Degree in Multi-Disciplinary Printmaking and lives in South Bristol...

Kerry Day Cactus II Limited Edition Screen Print Edition of 20 Sheet Size: H 42cm x W 29cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indication of how a pi...

Anna Harley Creation IV Limited Edition Print Screenprint on Somerset Satin Paper, printed to the deckle paper edge Edition of 30 Size: H 39cm x W 39cm x D 0.5cm Signed Sold Unframed Please note that any insitu images are purely an indication as to how a piece may look. Anna Harley is a professional fine art screen-printer, making prints at Spike Print Studio in Bristol. She has a Masters Degree in Multi-Disciplinary Printmaking and lives in South Bristol. Her handmade prints are produced in limited editions, so each print is an original artwork, not a reproduction of an artwork made in a different medium. She says, "the screenprinting process suits my practice, because it allows me to build images in fine layers of ink, printing layer upon layer until I am happy with the final print. I use a combination of drawing, digital photography and objects directly exposed on the screen, to create these individual layers. I enjoy the tension this creates in my images – is the print based on a drawing or photograph? Is it attached fabric, pencil marks or ink? While engaged in the creative process, I try to stay open minded about how the finished print will look, to allow the print to make itself – print is an extremely process led way of making art and allowing the unexpected to happen and taking advantage of these happy accidents allows the work to stay fresh and exciting." She is inspired by how it feels to be outside, tree silhouettes, passing seasons, the weather, and the sky and how it changes from sunrise to evening. "I love things that sparkle and twinkle. I often use metallic pigments and, in a move that fully embraced my inner kitsch, I have recently made a snow print using white glitter. " Anna’s work is rooted within the Landscape tradition, while the fabric textures in her prints are an echo of her Scandinavian Arts and Crafts...