Salvador DalíMoses1975
1975
About the Item
- Creator:Salvador Dalí (1904 - 1989, Spanish)
- Creation Year:1975
- Dimensions:Height: 33.5 in (85.09 cm)Width: 27.5 in (69.85 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:framing sold as is.
- Gallery Location:Boston, MA
- Reference Number:1stDibs: LU23713345852
Salvador Dalí
Instantly recognizable by his waxed, upturned mustache, the flamboyant Salvador Dalí is one of modern art’s most distinctive figures. He is also one of the icons of the 20-century avant-garde Surrealist movement, whose dreamlike images, drawn from the depths of the unconscious, he deployed in paintings, sculptures, prints and fashion, as well as in film collaborations with Luis Buñuel and Alfred Hitchcock.
Dalí was born in Figueres, Catalonia, and even as a youngster, displayed the sensitivity, sharp perception and vivid imagination that would later define his artworks. In these, he conjured childhood memories and employed religious symbols and Freudian imagery like staircases, keys and dripping candles to create unexpected, often shocking pieces.
Dalí's use of hyperrealism in conveying Surrealist symbols and concepts that subvert accepted notions of reality is epitomized in what is perhaps his most recognizable painting, The Persistence of Memory (1931), in which he depicts the fluidity of time through melting clocks, their forms inspired by Camembert cheese melting in the sun. His artistic genius, eccentric personality and eternal quest for fame made him a global celebrity.
“Each morning when I awake, I experience again a supreme pleasure,” he once said. “That of being Salvador Dalí.”
Find original Salvador Dalí paintings, prints, sculptures and other works on 1stDibs.
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- Return PolicyThis item cannot be returned.
- Portrait of RonsardBy Salvador DalíLocated in Boston, MAArtist: Dali, Salvador Title: Portrait of Ronsard Series: Les Amours de Cassandre Date: 1968 Medium: drypoint with added color on japon Un...Category
1960s Surrealist Prints and Multiples
MaterialsDrypoint
- BenjaminBy Salvador DalíLocated in Boston, MAArtist: Dali, Salvador Title: Benjamin Series: Twelve Tribes of Israel Date: 1972 Medium: drypoint with stenciled color Framed Dimensions: 33" x 27.25" Signature: Pencil...Category
1970s Surrealist Prints and Multiples
MaterialsDrypoint
- Edipus and the SphinxBy Salvador DalíLocated in Boston, MAArtist: Dali, Salvador Title: Edipus and the Sphinx Series: The Mythology Date: 1963 Medium: Drypoint and Aquatint on Japon paper Unframed Dimensions: 30" x 18 1/8" Signa...Category
1960s Surrealist Prints and Multiples
MaterialsDrypoint, Aquatint
- JosephBy Salvador DalíLocated in Boston, MAArtist: Dali, Salvador Title: Joseph Series: Twelve Tribes of Israel Date: 1972 Medium: drypoint with stenciled color Framed Dimensions: ...Category
1970s Surrealist Prints and Multiples
MaterialsDrypoint
- NaphtaliBy Salvador DalíLocated in Boston, MAArtist: Dali, Salvador Title: Naphtali Series: Twelve Tribes of Israel Date: 1972 Medium: drypoint with stenciled color Framed Dimensions: 33" x 27.25" Signature: Pencil...Category
1970s Surrealist Prints and Multiples
MaterialsDrypoint
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1970s Surrealist Prints and Multiples
MaterialsEngraving, Drypoint
- Aphrodite - Héliogravure and Drypoint attr. to Salvador Dali - 1963By Salvador DalíLocated in Roma, ITS. Dalì, "Aphrodite", Heliogravure and dry-point. Paris, Argillet. 1963-65. Image dimensions 49,2 x 39,7 cm. Beautiful Proof on vélin filigrané “Arches”, full margins, not signed....Category
1960s Surrealist Nude Prints
MaterialsDrypoint
- Nude - Original Etching and Drypoint - Mid-20th CenturyLocated in Roma, ITNude is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century. In very good conditions. The artwork created through deft s...Category
Mid-20th Century Surrealist Figurative Prints
MaterialsEtching, Drypoint
- Mr. Thirteen (the insignificance of the significant)By Seyed M. S. EdalatpourLocated in New Orleans, LA"Mr. Thirteen" is an etching, engraving and drypoint created in 1995, edition: 12 signed in pencil. The print has an embossed chop in the lower right corner, a capital P in a circl...Category
1990s Surrealist Portrait Prints
MaterialsEtching, Engraving, Drypoint
- Le Demon Ailé - Etching and Drypoint - 1969By Salvador DalíLocated in Roma, ITLe demon Ailé is a wonderful black and white drypoint realized in 1969. The artwork is from the portfolio "Vénus aux fourrures", edited by Pierre Argillet, Parigi, 1969. Hand signed in pencil by the artist on the lower margin. Dry stamp on the lower right margin Numbered on the lower left margin. Ed.21/75. Good conditions except for some light yellowing of paper along the margin. Ref: Michler Lopsinger, "Salvador Dali Catalogue Raisonne of Etchings and Mixed-Media Prints 1924-1980", Prestel 1994, n. 371. Salvador Dalí (Figueres, 1904 – Figueres, 1989) is considered one of the most versatile and prolific artists of the XX century and the founding father of Surrealism. In the course of his long career, he successfully experimented with sculpture, fashion, writing, and filmmaking. Dalí epitomizes the idea that life is the greatest form of art; André Breton said about him: “It is with Dalí that, for the very first time, the windows of the mind are wide open”. He always pushed boundaries, and he did the same with conventional lithography. He experimented a lot, also with techniques that would not be allowed today. He was a prolific printmaker, using techniques as drypoint, etching, woodcut and lithography. His output is esteemed at 1700 prints...Category
1960s Surrealist More Prints
MaterialsDrypoint, Etching
- 'European Landscape' —Mid-century American SurrealismBy Lawrence KupfermanLocated in Myrtle Beach, SCLawrence Kupferman, 'European Landscape', drypoint, edition 50, 1942. Signed, dated, titled, and numbered '7/50' in pencil. A superb, finely nuanced impression, on cream wove paper; the full sheet with margins (1 to 1 3/4 inches); in excellent condition. Image size 10 7/8 x 13 3/8 inches; sheet size 13 1/8 x 16 1/2 inches. Archivally matted to museum standards, unframed. An impression of this work is included in the permanent collection of the Syracuse University Art Museum. ABOUT THE ARTIST Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe. Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston. In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press: “The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.” The other speakers were Karl Knaths...Category
1940s Surrealist Abstract Prints
MaterialsDrypoint
- CleopatraBy Salvador DalíLocated in New York, NYA very good impression of this large color drypoint with strong colors. Signed and numbered 203/325 in pencil by Dali.Category
1970s Surrealist Abstract Prints
MaterialsColor, Drypoint