Items Similar to Sketch of Anne
Want more images or videos?
Request additional images or videos from the seller
1 of 8
George Wesley BellowsSketch of Anne1923-24
1923-24
About the Item
Sketch of Anne
Lithograph, 1923-1924
Signed and titled by the artist, signed by his printer Bolton Brown
Edition: 42
Printed by Bolton Brown (see photo of his signature in pencil)
Provenance:
Frederick Keppel & Co., New York
References And Exhibitions:
Lauris Mason; assisted by Joan Ludman, The Lithographs of George Bellows: A Catalogue Raisonne (New York: KTO Press, 1977), 186.
Condition: excellent
Image: 9 7/8 x 7 5/8 inches
Sheet: 12 1/4 x 10 3/16 inches
"Biography
George Bellows was born in Columbus, Ohio, on August 12, 1882, the only child of a successful building contractor from Sag Harbor, Long Island, New York. He entered Ohio State University in 1901, where he played baseball and basketball and made drawings for college publications. He dropped out of college in 1904, went to New York, and studied under Robert Henri (American, 1865 - 1929) at the New York School of Art, where Edward Hopper (American, 1882 - 1967), Rockwell Kent (American, 1882 - 1971), and Guy Pène du Bois (American, 1884 - 1958) were his classmates. A superb technician who worked in a confident, painterly style, Bellows soon established himself as the most important realist of his generation. He created memorable images of club fights, street urchins swimming in the East River, and the Pennsylvania Station excavation site and garnered praise from both progressive and conservative critics. In 1909 he became one of the youngest artists ever admitted as an associate member of the National Academy of Design.
In 1910 Bellows began teaching at the Art Students League and married Emma Story, by whom he had two daughters. After 1910 Bellows gradually abandoned the stark urban realism and dark palette characteristic of his early work and gravitated toward painting landscapes, seascapes, and portraits. His style changed as he explored the color theories of Hardesty Maratta and Denman Ross, and later Jay Hambidge’s compositional system of dynamic symmetry.
Bellows helped organize the Armory Show in 1913, in which five of his paintings and a number of drawings were included. That year he was elected a full member of the National Academy of Design. He had leftist political views and contributed illustrations to the Socialist publication The Masses from 1912 to 1917. Bellows began to make lithographs in 1916, and his exceptional talent engendered a revival of interest in the medium. He worked in Maine, in Carmel, California, and in Middletown, Rhode Island, and was a founding member of the Society of Independent Artists and a charter member of the Association of American Painters and Sculptors. In 1919 he taught at the Art Institute of Chicago. After painting the landscape near Woodstock, New York, in 1920, he bought a house there the following year. He died of appendicitis in New York on January 8, 1925, at the age of 42.
Bellows, who never went to Europe, is regarded as a quintessential American artist whose vigorous style enabled him to explore a wide range of subjects from scenes of modern urban life to portraits of his daughters, to turbulent Maine seascapes. As an early biographer noted, Bellows “caught the brute force of the prize fighter, the ruggedness of the country pasture, the essence of childhood and recorded them appropriately not only for his own generation but for all time.”
Courtesy National Gallery of Art, Washington
- Creator:George Wesley Bellows (1882-1925, American)
- Creation Year:1923-24
- Dimensions:Height: 9.88 in (25.1 cm)Width: 7.63 in (19.39 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:
George Wesley Bellows
George Bellows, an American artist, was born in Columbus, Ohio in 1882, the only child of a successful building contractor from Sag Harbor, New York. He entered Ohio State University in 1901, where he played baseball and basketball and made drawings for college publications. He dropped out of college in 1904, went to New York, and studied under Robert Henri (American, 1865 – 1929) at the New York School of Art, where Edward Hopper (American, 1882 – 1967), Rockwell Kent (American, 1882 – 1971), and Guy Pène du Bois (American, 1884 – 1958) were his classmates. A superb technician who worked in a confident, painterly style, Bellows soon established himself as the most important realist of his generation. He created memorable images of club fights, street urchins swimming in the East River, and the Pennsylvania Station excavation site and garnered praise from both progressive and conservative critics. In 1910 Bellows began teaching at the Art Students League and married Emma Story, by whom he had two daughters. After 1910 Bellows gradually abandoned the stark urban realism and dark palette characteristic of his early work and gravitated toward painting landscapes, seascapes, and portraits. Bellows helped organize the Armory Show in 1913, in which five of his paintings and a number of drawings were included. That year he was elected a full member of the National Academy of Design. He had leftist political views and contributed illustrations to the Socialist publication The Masses from 1912 to 1917. Bellows began to make lithographs in 1916 and his exceptional talent engendered a revival of interest in the medium. He worked in Maine, in Carmel, California, and in Middletown, Rhode Island, and was a founding member of the Society of Independent Artists and a charter member of the Association of American Painters and Sculptors. In 1919 he taught at the Art Institute of Chicago. Bellows, who never went to Europe, is regarded as a quintessential American artist whose vigorous style enabled him to explore a wide range of subjects from scenes of modern urban life to portraits of his daughters, to turbulent Maine seascapes. As an early biographer noted, Bellows “caught the brute force of the prizefighter, the ruggedness of the country pasture, the essence of childhood and recorded them appropriately not only for his own generation but for all time.”[1] [1] [Frederick A. Sweet], George Bellows: Paintings, Drawings and Prints (Art Institute of Chicago, IL, 1946). Robert Torchia September 29, 2016
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1978
1stDibs seller since 2013
716 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Fairlawn, OH
- Return PolicyA return for this item may be initiated within 10 days of delivery.
More From This SellerView All
- Portrait De CezanneBy Edouard VuillardLocated in Fairlawn, OHPortrait De Cezanne Lithograph, 1914 Unsigned (as issued in 1914) Edition: Either 100 (per Roger Marx) or 400 impressions on various papers Published in, Cezanne, Bernheim Jeune, 1914 Reference: Roger-Marx 51 ii/II, printed in greenish-grey ink on laid paper Condition: Excellent Image: 9 1/2 x 9" Sheet: 14 3/4 x 11 1/8" Edouard Vuillard French, 1868 - 1940 Vuillard's work straddles two centuries: he was a major post-impressionist in the 1890s, as well as a participant in the renewal of decorative art before and after 1900. Vuillard was one of the central figures of "Les Nabis...Category
1910s French School Portrait Prints
MaterialsLithograph
- Programme poour Le Chariot de Terre CutteBy Henri de Toulouse-LautrecLocated in Fairlawn, OHProgramme poour Le Chariot de Terre Cutte Lithograph printed in blue on pink tint thin wove paper, 1895 Signed with the artist's "TL" monogram (see photo) lower center edge Published...Category
1890s Art Nouveau Portrait Prints
MaterialsLithograph
- Un plaideur auquel manquent malheureusementBy Honoré DaumierLocated in Fairlawn, OHUn plaideur auquel manquent malheureusement les pieces les plus importantes, les pieces de cent sous. (A litigant who unfortunately doesn't have the most important details to succes...Category
1860s Romantic Prints and Multiples
MaterialsLithograph
- The Century MagazineBy Edward Henry PotthastLocated in Fairlawn, OHAfter Edward Henry Potthast July 7, 1896 Printed by W.B. Orcutt Co., NY Note: This image won an honorable mention in a poster contest sponsored by The Century in 1896. As a result...Category
1890s Art Nouveau Portrait Prints
MaterialsLithograph
- Self Portrait (With Model)By Raphael SoyerLocated in Fairlawn, OHSelf Portrait (With Model) Lithograph, 1959-1960 Signed and numbered in pencil (see photos) Edition: 50 (30/50) Commissioned by ACA Gallery, NYC Depicts the artist in his studio at S...Category
1950s American Modern Portrait Prints
MaterialsLithograph
- UntitledBy Andre MinauxLocated in Fairlawn, OHUnsigned Edition: Large edition as published and bound into the catalog raisonne of the artist's lithographs From: Minaux Lithographe Published by Leon Amiel, Paris Printed by Fe...Category
1970s Portrait Prints
MaterialsLithograph
You May Also Like
- Lucile Haynes, (Two Women with Child in Baby Carriage)Located in New York, NYIt's clear to me that that baby carriage is so beautifully drawn that it could be re-constructed from here if necessary. Without really knowing anything about Lucile Haynes I'm sure...Category
1930s Ashcan School Figurative Prints
MaterialsEtching
- Owen Weiri (also Wiiri), The Coal MinerLocated in New York, NYOwen Weiri (also Wiiri, 1916-1974) was a Finnish-American who served in the Spanish Civil War and then, during World War ll, in the American armed forces as a marine. Industrial sub...Category
1940s Ashcan School Portrait Prints
MaterialsEtching, Aquatint
- Charles Pont, SplicingLocated in New York, NYAn old sailor is shown at work on a what must be a huge sailing vessel. He's splicing, or joining ropes together -- probably still a useful skill in the mi...Category
1930s Ashcan School Figurative Prints
MaterialsWoodcut
- UNTITLED (PLATE 6)By Keith HaringLocated in Aventura, FLFrom Untitled 1-6, Keith Haring's first series of printed works. Lithograph on Arches paper. Hand signed, dated and numbered in red crayon by the artist. Published by Barbara Gladsto...Category
1980s Pop Art Figurative Prints
MaterialsLithograph, Paper
- Double Marilyn - 20th Century - Alejo Vidal Quadras - Portrait - ContemporaryLocated in Roma, ITDouble Marilyn is a black and white lithograph realized by Alejo Vidal-Quadras in the 1960s. Hand-signed by the artist in pencil on the lower centre. Numbered in pencil on the lower ...Category
1960s Contemporary Figurative Prints
MaterialsLithograph
- Young Woman - Original Lithograph by Sandro Trotti - 1980sBy Sandro TrottiLocated in Roma, ITYoung Woman is an original litograph, realized by Sandro Trotti in 1980s. Representing a young woman exalted by a wonderful contrast of colors, this original print is hand-signed in...Category
1980s Contemporary Figurative Prints
MaterialsLithograph