Items Similar to Nude I
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Jacob GildorNude I1996
1996
About the Item
JACOB GILDOR b. 1948
(German / Israeli)
Title: Nude I, 1996
Technique: Original Hand Signed and Numbered Colour Etching and Aquatint on Arches Wove Paper
Paper size: 65 x 50 cm / 25.6 x 19.7 in
Plate size: 49 x 39,5 cm / 19.3 x 15.6 in
Additional Information: This colour etching is hand signed in pencil by the artist "Gildor" both in Hebrew and in English at the lower right margin.
Additionally, the work is hand numbered in pencil 10/20 at the lower left margin.
It was printed in a limited edition of 20 hand signed and numbered impressions aside five Artist Proofs.
It was printed at Galilee Italgo Press, Kibbutz Kabri, Israel
Literature:
1. Galerie Barbara Ruetz, Munich, No. 13
2. Jacob Gildor: Second Generation, Gilden's Arts, London, No. 1996/13, page 164.
- Creator:Jacob Gildor (1948, Israeli)
- Creation Year:1996
- Dimensions:Height: 25.6 in (65.03 cm)Width: 19.7 in (50.04 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU1805613141
About the Seller
4.7
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 1981
1stDibs seller since 2013
160 sales on 1stDibs
Typical response time: 9 hours
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Frontal Nude, Right Leg Folded Nu de face, jambe droite repliée, 1929By Henri MatisseLocated in London, GBHENRI MATISSE 1869-1954 (Emile Benoît) Le Cateau-Cambrésis 1869-1954 Nice (French) Title: Frontal Nude, Right Leg Folded Nu de face, jambe droite repliée, 1929 Technique: Original...Category
1920s Impressionist Nude Prints
MaterialsEtching
- Nude with a Fan - Female Nude with Fan French Russian Ecole de ParisBy Marc ChagallLocated in London, GBThis original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right corner. It is also hand numbered in pencil from the edition of 100, at t...Category
1920s Modern Nude Prints
MaterialsDrypoint, Etching
- Nude Bather among the Trees Baigneuse nue aux arbres - French FauvismBy André DerainLocated in London, GBANDRÉ DERAIN 1880-1954 Chatou, Paris 1880-1954 Garches (French) Title: Nude Bather among the Trees Baigneuse nue aux arbres, 1919 Technique: Original Hand Signed and Numbered Etch...Category
1910s Nude Prints
MaterialsEtching
- Two Reclining Nudes / Deux Nus AllongesBy Tsuguharu Leonard FoujitaLocated in London, GBTSUGOUHARU FOUJITA 1886-1968 Edogawa Tokyo 1886-1968 Zurich (French/Japanese) Title: Two Reclining Nudes / Deux Nus Allonges, 1930 Technique: Original Hand Signed and Numbered Etc...Category
1930s Post-Impressionist Nude Prints
MaterialsEtching
- Nude with a Small Bouquet Nu au petit bouquet - French Russian Flowers BouquetBy Marc ChagallLocated in London, GBThis original lithograph in colours is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered in pencil from the edition of 50, at the...Category
1980s Nude Prints
MaterialsLithograph
- Seated NudeLocated in London, GBMOISE KISLING 1891-1958 Krakow, Poland 1891- 1953 Sanary, France (Polish/French) Title: Seated Nude / Nu Assis, 1923 Technique: Original Hand Signed and Numbered Lithograph i...Category
1920s Other Art Style Nude Prints
MaterialsLithograph
You May Also Like
- Attesa di Maja - Original Aquatint and Etching by Leo Guida - 1973By Leo GuidaLocated in Roma, ITAttesa di Maja is an original Contemporary artwork realized in 1973 by the italian artist Leo Guida (1992 - 2017). Original Print: Aquatint and Etching on paper with Black Ink. Edi...Category
1970s Contemporary Nude Prints
MaterialsEtching, Aquatint
- Reclining Nude - Original handsigned etching - 50exBy Jean-Baptiste ValadieLocated in Paris, FRJean-Baptiste VALADIE Reclining nude Original etching and aquatint Handsigned in pencil Limited /199 copies On vellum 50 x 65 cm (c. 20 x 26 in) Excellent conditionCategory
Late 20th Century Realist Nude Prints
MaterialsAquatint, Etching
- Hlubina IVBy Karel DemelLocated in Palm Springs, CASigned, titled and numbered from the edition of 130. Fanciful image of a person taking hitching a ride on a large fish. The title Hlubina means "deep". Karel Demel was born in Prag...Category
Early 2000s Contemporary Animal Prints
MaterialsEtching, Aquatint
- Nude with Winter Bouquet, Vintage Modernist Black & White Etching, Female FigureBy Doel ReedLocated in Denver, CO'Nude with Winter Bouquet 11/30', vintage aquatint etching on paper by Doel Reed (1894-1985) with a reclining female figure posed with a flowers in a vase and drapery from 1972. Signed by the artist lower right margin, numbered 11 of an edition of 30 lower left margin. Presented in a custom frame with archival materials, outer dimensions measure 20 ½ x 26 ¼ x 1 inches. Image size is 11 ¾ x 17 ¾ inches. Illustrated in Doel Reed: The Graphic Works by Harry B. Cohen and Ann L. Rogers, page 83, plate 124. Collections: University of Wyoming; Museum of Fine Arts, Santa Fe; University of Oklahoma; Oklahoma State University Exhibited: 147th National Academy of Design, New York; Indiana Printmakers, 1972; 32nd Annual Print Show, Philbrook Museum, 1972; 53rd Annual Exhibition, Society of American Graphic Artists, New York, 1975 About the Artist: Early in his artistic career, Dole Reed knew he wanted to be a printmaker. Influenced by Goya’s aquatints...Category
1970s American Modern Portrait Prints
MaterialsAquatint, Etching
- Large Donald Saff Surrealist Pop Art Aquatint Etching Leopard Cheetah Big CatsBy Donald SaffLocated in Surfside, FLArtist: Donald Saff Title: Leopard or Cheetah, big cats in interior Year: 1980 Medium: Etching with Aquatint, Hand signed and numbered in pencil Edition: 150 30 in. x 22.5 in. (76.2 cm x 55.88 cm) Donald Jay Saff (born 12 December 1937) is an artist, art historian, educator, and lecturer, specializing in the fields of contemporary art in addition to American and English horology. Saff was born in Brooklyn, New York. Donald Saff began his undergraduate degree at Queens College, City University of New York, in 1955, initially envisioning a career as an electrical engineer. However, the following year Saff changed his major to art and learned printmaking, to graduate with a B.A. in 1959 and a M.A. in art history from Columbia University in 1960. In the years following, Saff was awarded a M.F.A. from Pratt Institute in 1962 and an Ed.D. in studio art and art history from Columbia University in 1964. In his early career, Saff studied with Robert Goldwater, Robert Branner, Louis Hechenbleikner, and Meyer Schapiro. Saff is primarily known for his work and collaboration with the leading artists of the late-twentieth century, including Robert Rauschenberg, Jim Dine, Roy Lichtenstein, James Rosenquist, Nancy Graves, Philip Pearlstein, and James Turrell. Saff's prolific career is the subject of Marilyn S. Kushner's book, Donald Saff: Art in Collaboration (2010). Saff began his teaching career at Queens College as a lecturer in Art History, Design, and Drawing, from 1961 to 1964. In 1965, Saff was appointed as an associate professor in the visual arts department of the University of South Florida in Tampa, Florida, and became professor and chairman of the visual arts department two years later. In 1971, Saff became the founding dean of the College of Fine Arts at U.S.F., and was awarded the rank of distinguished professor at the university in 1982. Saff was later named dean emeritus by USF in 1989, and distinguished professor emeritus in 1996. In 1999, Saff was awarded the honorary degree of Doctor of Fine Arts at U.S.F. He was appointed the Director of Capital Projects of the Solomon R. Guggenheim Foundation, New York, in 2001, followed by the appointment of Senior Curator of Prints and Drawings in 2002. In 1968, Saff founded Graphicstudio at U.S.F. through funding by a seed grant from the Florida Arts Council and community supporters; the following year, Philip Pearlstein was the first artist invited to Graphicstudio to collaborate with Saff and his team. Saff became Founding Dean of the College of Fine Arts at U.S.F. in 1971. Under Saff's directorship, Graphicstudio collaborated with artists such as James Rosenquist, Robert Rauschenberg, Richard Anuszkiewicz, Shusaku Arakawa, Jim Dine, Lee Friedlander, Nancy Graves, Ed Ruscha, and Roy Lichtenstein. The collection of Graphicstudio is archived in the National Gallery of Art in Washington, D.C. Graphicstudio was founded by Dr. Donald Saff as part of the renaissance in American printmaking in the 1960s, in the company of studios such as ULAE, Tamarind, and Gemini GEL. This renaissance brought artists involved in the Pop art movement, such as Robert Rauschenberg, James Rosenquist, and Jim Dine, together with a growing number of trained printmakers from around the world. After Saff retired from U.S.F., he continued to collaborate with these artists, as well as James Turrell, at Saff Tech Arts in Oxford, Maryland, which was established in 1991. While Saff and Rauschenberg were traveling in China, Rauschenberg conceived of the Rauschenberg Overseas Culture Interchange (ROCI) in 1982, which began in 1984 with Saff as the artistic director. Saff travelled to over twenty countries and met with poets and writers in order to decide which were the most appropriate venues for the show and prepare for Rauschenberg's visit and exhibition. In recent years, Saff has continued to lecture and write on art and the history and mechanics of nineteenth-century clocks; in particular, the work of Charles Fasoldt, in addition to the development of time distribution from the Harvard College Observatory, and the horological innovations of Richard F. Bond. He has lectured on Fasoldt for the Antiquarian Horological Association in Cincinnati, OH (2001), the National Association of Watch and Clock Collectors in Pittsburgh, PA, and Anheim, CA (2003), and at the 26th Annual Ward Francillon Time Symposium in Houston, TX (2004), among other venues. Saff continues to work with the Royal Observatory in Greenwich, collaborating with Jonathan Betts and Rory McEvoy, on the trials of Burgess Clock B. (See "Honors.") Exhibitions Saff's individual work spans across his career of collaborative art. As early as 1965, Saff produced Duino Elegies, a print suite that was published and exhibited by Martin Gordon Gallery in New York and at the Galleria Academia in Rome; it was acquired by the Library of Congress, the Brooklyn Museum, and Lessing Rosenwald. Saff also collaborated with printers Galli and Arduini in Urbino to create print suites Breezes (1969), exhibited and published by the Martin Gordon Gallery. Additionally, Saff collaborated with Galli on print suites Paradise Lost (1970) and Numbers (1972), the former printed in Tampa, FL, and exhibited at the Martin Gordon Gallery, the University of South Florida Gallery, the Toronto Art Gallery, and the Loch Haven Art Center, FL. Numbers was exhibited at Multiples Gallery, New York. In 1979, Saff produced print suite Fables that was published and exhibited by the Getler/Pall Gallery in New York, followed by the print suite Constellations (1980), which was also exhibited at the Tom Lutrell Gallery in San Francisco. In 1981, Saff had solo exhibitions of his artwork in the Galleria d'Arte Moderna in Udine, Italy, Youngstown State University, OH, the Leo Castelli Gallery, NY, and in "Recent Acquisitions" at The Museum of Modern Art, NY. Additionally, Saff had solo exhibitions at Dyansen Gallery, NY (1982), at I. Feldman Gallery, Sarasota (1983), and at Edison Community College, FL (1988). In 1989, the retrospective Donald Saff: Mixed Metaphors, 1956–1989 was held at the Tampa Museum of Art and traveled to the Virginia Beach Center for the Arts, followed by his solo exhibition Winged Metaphors: Sculpture and Prints by Donald Saff at the Barbara Gillman Gallery in Miami later that year. In 1997, Brenau University Galleries exhibits Poetics: The Work of Donald Saff in Gainesville, GA. The same year, the Tampa Museum of Art exhibited Donald Saff/Robert Rauschenberg: In Collaboration. Finally, the Academy Art Museum in Easton, MD, exhibited Donald Saff: Gravity and Constellations; Selected Works in 2006. Honors Saff was awarded a Teaching Fellowship at Queens College (1960), a Yaddo Fellowship, Saratoga Springs, NY (1963), and Fulbright Fellowship (1964) to Italy where he studied at Istituto Statale di Belle Arti. While in Urbino, Saff met lifelong friend and colleague Deli Sacilotto, with whom he would co-author Printmaking: History and Process (1978) and Screenprinting: History and Process (1979). He received the Governor's Award for the Arts from the State of Florida in 1973, and was awarded the Florida Endowment for the Arts Individual Artist Grant in 1980. In 1997, Saff was awarded the title "Printmaker Emeritus" by the 25th Southern Graphics Council Conference in Tampa, F.L. In 2002, he was appointed as Visiting Distinguished Professor of Rhode Island School of Design. In April 2015, Saff was awarded a certificate from the Guinness World Records for his work on completing the world's most accurate pendulum clock, "Clock B", which was started by Martin Burgess in 1975. The official title awarded by Guinness World Records, as "the most accurate mechanical clock with a pendulum...Category
1980s Pop Art Figurative Prints
MaterialsEtching, Aquatint
- Reclined Nude - Original Etching by Leo Guida - 1970By Leo GuidaLocated in Roma, ITReclined Nude is an original etching and aquatint in sanguine realized by Leo Guida in 1970s. Good condition for the 8 copies of the artwork. Mounted on a white cardboard (50x34 cm...Category
1970s Contemporary Figurative Prints
MaterialsAquatint, Etching