Items Similar to Our Fathers, To The Memory of the nameless Killed and Wounded.
Want more images or videos?
Request additional images or videos from the seller
1 of 9
William Lionel WyllieOur Fathers, To The Memory of the nameless Killed and Wounded.1913
1913
About the Item
Set of 4 etchings. Each 12 1/4 x 8 1/4. Poem by Captain Ronald A. Hopwood. R.N. Each etching in fine condition, on the full sheet of cream wove paper. Each signed in pencil lower left. Each sheet housed in a 20 x 16-inch archival mat
After the Battle of Jutland when the press was critical of Britannia’s apparent failure to pull off a clear victory, the Times of London published a poem by Captain Hopwood, R.N. entitled “The Old Way”. Within this was a further poem, “Our Fathers” which was written during the naval manoeuvres of 1913 and which first appeared in the Journal, The Naval & Military Record, in 1913. Wyllie, we are told, was much taken with the verses and he arranged to illustrate them with the agreement of their author. Thus was produced a set of 4 etchings tracing man’s endeavours at sea from the time of the Armada until the day of the coming of the Hyper-Super Dreadnought. Everything was illustrated in his incomparably skilful way - from galleons to seaplanes, fierce battles between ships of the line in Nelsonic times to dreadnoughts being spied upon by submarine periscope: all are used to illustrate Captain Hopwood’s verse.
William Lionel Wyllie was born in London on 5 July 1851. He studied art at Heatherley’s (1865) and at the Royal Academy Schools (1866-69), where he won the Turner Medal in his final year. He also made a study of the history of shipbuilding to help him with his paintings. He was influenced by Henry Moore (1831-1905), Whistler and Turner, of whom he later wrote a study (1905).
Wyllie worked as a marine illustrator for the Graphic between 1870 and 1890, and from 1883 produced etchings for Robert Dunthorne of the Rembrandt Gallery. In 1884, he published Tidal Thames, the first of a number of books that he both wrote and illustrated. He became Marine Painter to the Royal Yacht Squadron and the Royal Victoria Yacht Club, and did much work, including posters, for the Orient Company, the White Star Line and the Union Castle Line. Often sailing in the barge Ladybird and in yachts, he made painting trips to Holland and Northern France. In 1917 he painted an aerial view of the Battle of Bourlon Wood, for which Air Marshal Trenchard sent maps and aerial photographs. Between 1924 and 1930 he worked on a Panorama of Trafalgar for the Victory Museum, Portsmouth.
- Creator:William Lionel Wyllie (1851 - 1931, British)
- Creation Year:1913
- Dimensions:Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU33521623183
William Lionel Wyllie
William Lionel Wyllie was an artist in oil, watercolor, etching, and aquatint of marine and tidal Thames subjects. Born in London, he studied art at the Heatherleys in 1865, and at the Royal Academy Schools between 1866-69, winning the Turner Medal in 1869. Wyllie took up etching in 1883 when Robert Dunthorn commissioned an etching of Wyllie's painting 'Toil, Glitter, Grime and Wealth on a flowing Tide', which celebrated the industrial Thames, and had had great success at the Summer Exhibition at the Royal Academy, being bought by the Chantrey Bequest. He lived in Portsmouth for many years from 1907 and died in London on 6th April 1931. Acknowledged as one of the leading marine artists at the turn of the century. Marine Painter to the Royal Victoria Yacht Club, Ryde. Work in the National Maritime Museum.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1977
1stDibs seller since 2016
702 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Storrs, CT
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- The Venetian MastBy James Abbott McNeill WhistlerLocated in Storrs, CTThe Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog 219 state x/xii. 13 3/8 x 6 3/8. Glasgow records 53 impressions. A fine, atmospheric...Category
1870s American Impressionist Landscape Prints
MaterialsDrypoint, Etching
- Under the BridgeBy Lawrence WilburLocated in Storrs, CTUnder the Bridge. 1985. Etching and drypoint. 9 1/2 x 12 1/8 (sheet 20 1/16 x 22). Edition 27, #13. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in excellent condition, housed in an archival folder. The etching has never been matted. Titled and numbered in pencil. by the artist; signed and initialed in pencil by the artist's estate. Provenance: the artist's estate A dramatic view of the lower East Side in New York. Housed in an archival folder awaiting your choice of mat and frame. Painter and printmaker Lawrence Nelson Wilbur...Category
20th Century American Modern Figurative Prints
MaterialsDrypoint, Etching
- Fly Fishing, Saranac LakeBy Winslow HomerLocated in Storrs, CTFly Fishing, Saranac Lake. 1889. Etching, aquatint and burnishing. Goodrich 104. 14 1/4 x 20 5/8; sheet 18 1/2 x 24 1/2. Edition unknown but quite possibly intended 100; highest numb...Category
Late 19th Century American Modern Figurative Prints
MaterialsEtching
- New England Winter: The Old Homestead.By Gustave Adolph HoffmanLocated in Storrs, CTNew England Winter: The Old Homestead. 1896. Etching and aquatint printed in grey-green. 7 3/4 x 11 3/4 (sheet 10 x 13 1/16). A rich impression in p...Category
Late 19th Century American Modern Landscape Prints
MaterialsEtching, Aquatint
- The Gothic SpiritBy John Taylor ArmsLocated in Storrs, CTThe Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...Category
1920s American Modern Landscape Prints
MaterialsDrypoint, Etching
- Old Colony Statehouse, Newport, Rhode IslandBy Clifford Isaac AddamsLocated in Storrs, CTOld Colony Statehouse, Newport, Rhode Island. c. 1931-1933. Etching. Hausberg 187. iii. 7 7/8 x 6 (sheet 12 1/2 x 9 1/4). Printed on the full sheet of cream wove paper with deckle ed...Category
Early 20th Century American Modern Landscape Prints
MaterialsEtching
You May Also Like
- View of Mausoleo of Cecilia Metella - Etching by G. B. Piranesi - 1773By Giovanni Battista PiranesiLocated in Roma, ITView of Mausoleo of Cecilia Metella is an original etching realized by the italian artist Giovanni Battista Piranesi in 1773. Precoius roman edition. Complete title on the lower ma...Category
1770s Old Masters Figurative Prints
MaterialsEtching
- Palazzo Borghese - Etching by Giuseppe Vasi - 1747By Giuseppe VasiLocated in Roma, ITPalazzo Borghese is original black and white etching realized by Giuseppe Vasi . Beautiful etching representing Palazzo Borghese in Rome. Signed and...Category
Mid-18th Century Old Masters Figurative Prints
MaterialsEtching
- Interno della Basilica della Fortuna Prenestina - by L. Rossini - 1826By Luigi RossiniLocated in Roma, ITInterno della Basilica della Fortuna Prenestina Image dimensions: 40x53 cm. From the collection “Le antichità de’ contorni di Roma (...)”, published in Rome, 1826 an artist's proof w...Category
1820s Old Masters Figurative Prints
MaterialsEtching
- Rovine del Tempio de' Castori nella città di Cora - Etching by G. B. PiranesiBy Giovanni Battista PiranesiLocated in Roma, ITImage dimensions 40.6x56.8. Belongs to the Collection "Antiquities of Cori, described and etched by Giovambat Piranesi", and printed in 1764. Beautiful first roman edition/1st state ...Category
1760s Landscape Prints
MaterialsEtching
- Veduta della Spelonca, detta il Bergantino - Etching by G. B. Piranesi - 1762By Giovanni Battista PiranesiLocated in Roma, ITVeduta della Spelonca, detta il Bergantino is an original etching realized by G. B. Piranesi in 1762. Image Dimensions: 43 x 63 cm Very good condition. Ref. Ficacci., p.442Category
1760s Landscape Prints
MaterialsEtching
- Palazzo Odescalchi - Etching by Giuseppe Vasi - 1754By Giuseppe VasiLocated in Roma, ITPalazzo Odescalchi is original black and white etching realized by Giuseppe Vasi in 1754 Beautiful etching representing Palazzo Odescalchi in Rome. Signed and titled on plate lower...Category
Mid-18th Century Old Masters Figurative Prints
MaterialsEtching