Nicolas Party

Trees

Offset lithograph on wove paper. Published in 2020 by Éditions du Centre Pompidou, Paris. Edition of 450. Within accompanying exhibition catalogue and slipcase. As issued. Signed and...

A hand painted three dimensional, Reverspective print, inspired by Paris. Produced in 2023. This print comes housed in a bespoke perspex display case. A limited edition of 75 pieces....

Drypoint etching on BFK Rives 270 gsm paper. Limited edition of 100. Signed and numbered in pencil.

Etching on BFK Rives paper. Produced in 2020. Edition 36/68. Published by Paragon Press, London. Framed in artist's moulding. Signed lower right and numbered verso in pencil by Grays...

A hand painted three dimensional, Reverspective print, inspired by Venice. Produced in 2024. This print comes housed in a bespoke perspex display case. A limited edition of 75. Hand...

Kenny Schachter "Pay Nothing". Archival digital print on wove paper. Published in 2020. Edition of 60. Hand signed and numbered by the artist, verso. ‘At the height of Covid, various activist groups arose to protect artists and others from unlawful evictions for non-payment of rent due to their lack of earning capacity by an economy that all but ground to a halt—other than for the multinationals that always seem to prosper in times of crisis. One such grassroots advocacy initiative in April of 2020, was CANTPAYMAY which I spotted on artist Nicole Eisenman’s Instagram feed by way of a poster she created which proclaimed: “RENT STRIKE! STAND IN SOLIDARITY WITH THOUSANDS OF NEW YORKERS ON RENT STRIKE DURING #CANTPAYMAY. WITH MILLIONS OF NEW YORKERS OUT OF WORK, WE CAN AND MUST #CANCELRENT. SIGN THE RENT STRIKE PLEDGE TO JOIN THE MOVEMENT!” Pay Nothing is an appropriation of Ed Ruscha’s 2003 painting Pay Nothing Until April; though Ruscha attempts to disclaim meaning in his text works, it clearly references the loaded notion of having to pay-up in April, which is when both State and Federal taxes are owed across the country, as all US taxpayers are only painfully all too aware. “Says Ruscha: ‘I’m empty headed in many ways, and don’t know why I follow what I follow. Like most people, I operate on an automatic mode, and everything is an involuntary reflex. Logic flies out of the window when you’re making a picture, at least it does with me. And thank God it does.’” @tate In the context of the Covid pandemic, Pay Nothing signifies the fact that if a population is deprived of the means to earn a living, we still must eat and have a roof over our heads to feed and shelter ourselves and families. For, if we don’t have the ready capacity to provide, as Malcom X...

Ex Libris Marta Eterka is a Contemporary Artwork realized in the mid-20th Century.  Colored Lithograph Artwork on ivory-colored paper.   The work is glued on cardboard.  Total dim...

A limited edition woodcut on paper print by Mychael Barratt of Vincent Van Gogh enjoying a game of pool. A cat appears next to the pool  with a group of people sat at tables, in a house of burgundy...

A limited edition woodcut on paper print by Mychael Barratt of Vincent Van Gogh with a lady on a walk in london, passing a grand tree and Great Pagoda. The print is compromised of blue, green, purple, pink and yellow tones Additional information: Mychael Barratt  Once upon a time in London, Afternoon [2023] Woodcut on paper Signed and titled in pencil Numbered from the edition of 100  Please note that insitu images are purely an indication of how a piece may look Please note sheet sizes may differ. Image size: Height: 28cm Width: 28cm Complete size of sheet: Height: 39.5cm Width: 38.3cm Depth: 0.1cm ARTIST BIO: Mychael Barratt was born in Toronto, Canada, however, considers himself to be a Londoner since arriving for what was supposed to be a two-week stay thirty years ago. He is a narrative artist whose work is steeped in imagery relating to art history, literature, theatre and everything else that overfills his bookshelves. He was an artist in residence for Shakespeare’s Globe Theatre...

A limited edition woodcut on paper print by Mychael Barratt of Vincent Van Gogh on a night walk though London, as blue, turquoise and browns outline Big Ben and the Parliament in the distance.  Additional information: Mychael Barratt  Once upon a time in London, Night  [2023] Woodcut on paper Signed and titled in pencil Numbered from the edition of 100  Please note that insitu images are purely an indication of how a piece may look Please note sheet sizes may differ. Image size: Height: 28cm Width: 28cm Complete size of sheet: Height: 39.5cm Width: 38.2cm Depth: 0.1cm ARTIST BIO: Mychael Barratt was born in Toronto, Canada, however, considers himself to be a Londoner since arriving for what was supposed to be a two-week stay thirty years ago. He is a narrative artist whose work is steeped in imagery relating to art history, literature, theatre and everything else that overfills his bookshelves. He was an artist in residence for Shakespeare’s Globe Theatre...

French Landscape is a modern artwork realized by Andre Roland Brudieux. Original woodcut on paper. Hand-signed on the lower right. Numbere...

John Buck is well known for his carved wood and bronze sculptures and monumental woodblock prints. In recent years, he has turned his attention to creating ever-more-complex mechanic...