Items Similar to Beaudin, Feuilles évadées, Souvenirs et portraits d'artistes (after)
Want more images or videos?
Request additional images or videos from the seller
1 of 12
Beaudin, Feuilles évadées, Souvenirs et portraits d'artistes (after)1972
1972
About the Item
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Published by Fernand Mourlot, Éditeur, Paris, Alain A.C. Mazo, Éditeur, Paris, Leon Amiel, Éditeur, New-York; printed by Mourlot Frères, Paris, April 5, 1972. Excerpted from the folio (translated from French), Printing completed in Paris on April 5, 1972, this folio was printed on vélin d'Arches in DCCC numbered examples. Examples have also been printed for the artists, friends and collaborators of this project. The original lithographs were printed by Mourlot and the typography is by Fequet and Baudier. Alain A.C. Mazo, Paris, and Leon Amiel, New York, publishers.
ANDRE BEAUDIN (1895-1979) developed his individual style during the 1930’s and became regarded as one of the leading painters of the École de Paris. His technique has its origins in the early 1920’s. By that time Cubism had become a formulaic and intellectualised system of painting which left little artistic liberty to its adherents. Beaudin was one of the first younger artists to have reacted pictorially against the continuation of the movement, and though considered a descendant of Cubism and especially of his friend Juan Gris, the art of Beaudin became a search for all that was contrary to formula. He relished the freedom to paint intuitively, creating lyrical harmonious compositions for which he is internationally renowned. Having studied at the École des Art Décoratifs in Paris from 1911-1913, Beaudin was called up to serve during WWI, so his artistic motivation was suppressed until he visited Italy in 1921 with his new wife Suzanne Roger. On his return to Paris he began to paint zealously and in 1922 his close friend André Masson introduced him to Max Jacob who organised an exhibition for Beaudin the following year at Galerie Percier. The success of this show lead to further shows over the next few years at Galerie Georges Bernheim and Galerie Simon. In 1937 Beaudin exhibited at the International Paris exhibition, and the following year participated in the L’Art Français Exhibition in Buenos Aires. By the 1940’s he had established an international reputation and held major solo shows in Dublin, 1947; New York and Zurich, 1949; Berne 1953; Stockholm, 1956; Maison de la Culture du Harvre, 1962; Chicago, 1967; Milan, 1970; Grand Palais, Paris, 1970. Also major group shows including École de Paris, Berne 1946; Carnegie International, Pittsburgh, 1950; School of Paris, Royal Academy, London, 1951; Biennale de Sao Paulo, 1951, 1955; Art from France, Museum of Art, San Francisco, 1956; École de Paris, Tate Gallery, London, 1962; Venice Biennale, 1964. He was furthermore awarded the prestigious Grand Prix National des Arts in 1962 in recognition of his contribution to Modern Art. The artist is represented in numerous museums of modern art including Musée National d’Art Moderne, Centre Georges Pompidou, Centre National d’Art Contemporain, Paris; Grenoble; Marseille; Baltimore; Caracas; Dortmund; Luxembourg; Santiago; Sao Paulo; Stockholm; Vienna.
- Creation Year:1972
- Dimensions:Height: 12.75 in (32.39 cm)Width: 10 in (25.4 cm)
- Medium:
- Movement & Style:
- After:Andre Beaudin (1895 - 1879, French)
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465214435852
About the Seller
4.9
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2002
1stDibs seller since 2021
869 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Clinton Township, MI
- Return PolicyA return for this item may be initiated within 1 day of delivery.
Auctions on 1stDibs
Our timed auctions are an opportunity to bid on extraordinary design. We do not charge a Buyer's Premium and shipping is facilitated by 1stDibs and/or the seller. Plus, all auction purchases are covered by our comprehensive Buyer Protection. Learn More
More From This SellerView All
- Vasarely, Beryll, Souvenirs et portraits d'artistes (after)By Victor VasarelyLocated in Auburn Hills, MILithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Published by Fernand Mourlot, ...Category
1970s Modern Landscape Prints
MaterialsLithograph
- Delaunay, La Seine et La Tour (Habasque 720-728), Allo! Paris! (after)By Robert DelaunayLocated in Auburn Hills, MILithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...Category
1920s Modern Abstract Prints
MaterialsLithograph
- Delaunay, Le Sacré-Cœur (Habasque 720-728), Allo! Paris! (after)By Robert DelaunayLocated in Auburn Hills, MILithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...Category
1920s Modern Abstract Prints
MaterialsLithograph
- Delaunay, La grue (Habasque 720-728), Allo! Paris! (after)By Robert DelaunayLocated in Auburn Hills, MILithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...Category
1920s Modern Abstract Prints
MaterialsLithograph
- Delaunay, Vue aérienne de la Tour (Habasque 720-728), Allo! Paris! (after)By Robert DelaunayLocated in Auburn Hills, MILithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...Category
1920s Modern Abstract Prints
MaterialsLithograph
- Delaunay, La Madeleine et les Boulevard (Habasque 720-728), Allo! Paris! (after)By Robert DelaunayLocated in Auburn Hills, MILithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...Category
1920s Modern Abstract Prints
MaterialsLithograph
You May Also Like
- The Hanging Gardens of Babylon, Eggenberger 1970.8 signed/n lithograph Swiss ArtLocated in New York, NYFranz Eggenschwiler The Hanging Gardens of Babylon (Eggenberger 1970.8), 1970 Lithograph with Embossing Hand signed and numbered 26/200 on the lower front 19 3/4 × 25 3/4 inches Unfr...Category
1970s Modern Landscape Prints
MaterialsLithograph, Pencil
- Black/White Lithograph American Modernist Gregory Amenoff Abstract ExpressionistBy Gregory AmenoffLocated in Surfside, FLGregory Amenoff (Contemporary American abstract painter, b. 1948), Title: Haven, STATE II Lithograph, 1986 Edition 4/4 Printer Proof Image Size 21.5 x 30.75" Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy. In 2011 he received the John Solomon Guggenheim Fellowship. Museum Collections Albright-Knox Art Gallery; Buffalo, NY Art Institute of Chicago; IL Baltimore Museum of Art; Brooklyn Museum of Art; Brooklyn, NY Butler Institute of American Art; Youngstown, OH Cleveland Museum of Art; Cleveland, OH Currier Gallery of Art; Manchester, NH Frances and Sidney Lewis Foundation; Richmond, VA Hood Museum of Art; Hanover, NH Honolulu Academy of Art; Honolulu, HW Kemper Museum of Contemporary Art; Kansas City, MO Maier Museum of Art; Lynchburg, VA Metropolitan Museum of Art; New York, NY Milwaukee Museum of Art; Milwaukee, WI Minneapolis Institute of Art; MN Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA Museum of Fine Arts; Boston, MA Museum of Modern Art; New York, NY National Museum of American Art; Washington, DC Neuberger Museum, State University of New York at Purchase; NY New York Public Library, Spencer Collection...Category
1980s American Modern Abstract Prints
MaterialsLithograph
- Sandscapes #4 Florida Artist Abstract Modernist Signed PrintBy Kathy StarkLocated in Surfside, FLFine piece of Florida abstract Landscape art. With a French Art Deco feel to it.Category
1990s American Modern Abstract Prints
MaterialsLithograph
- Singapore Singapour Original Modernist Lithograph on Arches vellumBy Joan Gardy ArtigasLocated in Surfside, FLOriginal lithograph, handsigned and numbered HC On Arches vellum ragpaper Dimensions : 69 x 54,5 cm (27.2 x 21.5 inches) Joan Gardy Artigas (born 1938) is a Catalan ceramist, artist...Category
20th Century Modern Abstract Prints
MaterialsLithograph
- Monoprint Lithograph American Modernist Gregory Amenoff Abstract ExpressionistBy Gregory AmenoffLocated in Surfside, FLGregory Amenoff (Contemporary American abstract painter, b. 1948), Monotype Monoprint (1990) Hand signed in pencil lower right plate: 16 x 16 inches frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing Provenance: Corporate Collection of Bank BNP Paribas Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro, Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy. In 2011 he received the John Solomon Guggenheim Fellowship. Museum Collections Albright-Knox Art Gallery; Buffalo, NY Art Institute of Chicago; IL Baltimore Museum of Art; Brooklyn Museum of Art; Brooklyn, NY Butler Institute of American Art; Youngstown, OH Cleveland Museum of Art; Cleveland, OH Currier Gallery of Art; Manchester, NH Frances and Sidney Lewis Foundation; Richmond, VA Hood Museum of Art; Hanover, NH Honolulu Academy of Art; Honolulu, HW Kemper Museum of Contemporary Art; Kansas City, MO Maier Museum of Art; Lynchburg, VA Metropolitan Museum of Art; New York, NY Milwaukee Museum of Art; Milwaukee, WI Minneapolis Institute of Art; MN Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA Museum of Fine Arts; Boston, MA Museum of Modern Art; New York, NY National Museum of American Art; Washington, DC Neuberger Museum, State University of New York at Purchase; NY New York Public Library, Spencer Collection...Category
1980s American Modern Abstract Prints
MaterialsLithograph, Monoprint, Monotype
- Monoprint Monotype American Modernist Gregory Amenoff Abstract ExpressionistBy Gregory AmenoffLocated in Surfside, FLGregory Amenoff (Contemporary American abstract painter, b. 1948), Monotype Monoprint (1990) Hand signed in pencil lower right plate: 16 x 16 inches frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing Provenance: Corporate Collection of Bank BNP Paribas Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. He works in woodcut, lithograph and monoprint techniques. He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro, Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy. In 2011 he received the John Solomon Guggenheim Fellowship. Museum Collections Albright-Knox Art Gallery; Buffalo, NY Art Institute of Chicago; IL Baltimore Museum of Art; Brooklyn Museum of Art; Brooklyn, NY Butler Institute of American Art; Youngstown, OH Cleveland Museum of Art; Cleveland, OH Currier Gallery of Art; Manchester, NH Frances and Sidney Lewis Foundation; Richmond, VA Hood Museum of Art; Hanover, NH Honolulu Academy of Art; Honolulu, HW Kemper Museum of Contemporary Art; Kansas City, MO Maier Museum of Art; Lynchburg, VA Metropolitan Museum of Art; New York, NY Milwaukee Museum of Art; Milwaukee, WI Minneapolis Institute of Art; MN Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA Museum of Fine Arts; Boston, MA Museum of Modern Art; New York, NY National Museum of American Art; Washington, DC Neuberger Museum, State University of New York at Purchase; NY New York Public Library, Spencer Collection...Category
1980s American Modern Abstract Prints
MaterialsLithograph, Monoprint, Monotype
Recently Viewed
View AllMore Ways To Browse
La Palais Vintage
Formula Vintage
Royal Palais
French Souvenir
Souvenir Vintage
Little Venice London
Vintage Dublin
Italy Souvenirs
Max Simons
Royal Vienna Style
Paris Souvenir
Liberty Vintage London
Royal Vienna Group
Souvenir De Paris
Souvenirs De Paris
Painting Palais Royal
Juan Gris Lithograph
Vintage Palais Royal