Jennifer Bartlett

6p.m. from Air: 24 Hours

1994

Robert Rauschenberg Autobiography, 1968 Three panel offset lithograph on three sheets of paper 66 1/4 x 48 3/4 inches each Ed. 2000, unsigned Unframed Can be displayed horizontally o...

Richard Serra Backstop I, 2021 1-color etching and Paintstik 60 x 64 in (152.4 x 162.6 cm) 62 1/2 x 66 1/2 in (15778.5 x 16794.5 cm) Framed Edition of 50

Terry Winters Models for Synthetic Pictures, 1994 Intaglio with aquatint on Gampi laid down on Lana Gravure paper 19 3/8 x 22 1/4 inches Edition of 35

Peter Halley Untitled Number 2, Cell with Conduit and Smokestack, 1991 Lithograph 22 3/4 x 29 3/4 inches ed. 40 Framed

Mary Heilmann Mint Boy, 1998 Etching 38 x 29 1/2 inches Edition of 40

Kate Shepherd Nina Simone Sings Pirate Jenny (Full Bleed) #141, 2020 Unique screenprint on Coventry Rag paper 38 3/4 x 23 3/4 in (98.4 x 60.3 cm)

Vola is an original Contemporary artwork realized in 1972 by the italian artist Leo Guida (1992 - 2017). Original Etching and Drypoint. Hand-signed, dated, numbered on the lower ma...

Drypoint signed M. L. TURCATO, dated 1978 Author's proof, signed and dated in pencil lower right Excellent condition, the artwork is framed and protected with glass

Izzy, a charming characterful terrier stands alert, holding her ball in her mouth. Colour etching hand made and printed by the artist. Helen Fay's art for sale online and in our gallery at Wychwood Art. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert. I have long been a fan of Munch for his direct mark-making, colour and intensity and at the other end of the spectrum, Hammershoi for his limited palette, sense of space and calm. I am interested in black and white photography and film and have recently discovered and been amazed by the films of Yasujiro Ozu...

Chris Ofili (British, b. 1968) Untitled, 2000 Medium: Etching, aquatint and drypoint, on Hahnemühle wove paper Dimensions: 25.7 × 20.8 cm (10 1/10 × 8 1/5 in) Edition of 100: Hand-si...

Ana Maria Pacheco portrays the fear and feelings of the displacement of refugees cowering beneath helicopters overhead. The title of the work refers ...

Artist: Tom Marioni – American (1937- ) Title: Finger Print Year: 1991 Medium: Color soft ground etching with sugar lift aquatint, drypoint, fingerprint ...