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Pierre-Auguste Renoir"La Danse à la Campagne", 2nd plate by Pierre-Auguste Renoir1890
1890
About the Item
RENOIR, PIERRE AUGUSTE
(1841 -1919)
"La Danse à la Campagne", 2nd plate
(The Country Dance (second plate))
Delteil 2, Stella 2
Soft-ground Etching in black ink, c. 1890
Only State on smooth wove paper
With the stamped signature, as issued
Image Size: 8 5/8” x 5 1/3”
Fine strong and tonal impression with full margins
The most famous etching in Renoir’s oeuvre. Renoir’s third attempt at soft-ground etching was reproducing his famous picture of 1883, Dancing at Bougival. The model he actually took was not the painting itself but one of the preparatory drawings for it, representing Suzanne Valadon and perhaps Renoir’s brother Edmond (some say it is his friend Paul Lhote) dancing at Bougival, a popular place of resort on the Seine, a few miles outside Paris, where young people gathered on Sundays for dancing, boating and country amusements. Not far away, on a small island in the Seine opposite Croissy, between Bougival and Chatou, was the bathing spot known as La Grenouillère where Monet and Renoir had painted side by side in 1869. The pencil drawing of Dancing at Bougival which Renoir took as his model is, of course, in reverse with respect to the etching; but in the latter the subject faces the same way as in the painting (now in the Museum of Fine Arts, Boston). This shows that the artist studied the presentation of the dancing couple from two different angles.Renoir chose the soft-ground medium as corresponding more closely to his drawing, since this etching technique permits the artist to work with a drawing pencil on a sheet of paper laid on the grounded copper plate. This is a charming print. The woman’s hand tenderly placed on the back of the man’s neck is a moving touch; the parted fingers are full of grace and femininity. A Partial Listing of Public Collections: Bibliothéque Nationale, Paris; Museum of Fine Arts; Boston; Art Institute of Chicago
- Creator:Pierre-Auguste Renoir (1841-1919, French)
- Creation Year:1890
- Dimensions:Height: 20 in (50.8 cm)Width: 17 in (43.18 cm)Depth: 2 in (5.08 cm)
- More Editions & Sizes:Rare, edition unknownPrice: $35,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hinsdale, IL
- Reference Number:
Pierre-Auguste Renoir
An early 20th-century master, Pierre-Auguste Renoir created thousands of figurative prints and paintings and is credited as one of the founders of the Impressionist movement. His frequently reproduced works are appreciated for their luminous appearance, rich colors and soft, feathered brushstrokes.
Renoir was born in Limoges, France, in 1841. He began painting as a child while working in a porcelain factory, which led to a formal study of art in Paris under Charles Gleyre. In the early 1860s, he often visited the Louvre to study French master painters, and he became friends with Claude Monet and Alfred Sisley, both leading Impressionists.
Renoir first exhibited his paintings in 1864, but he did not rise to prominence until his first exhibition with the Impressionists in 1874. In 1877, Renoir stopped exhibiting with the Impressionists and embarked on a series of travels. In 1881, he went to Algeria and Spain, meeting the artists Eugène Delacroix and Diego Velázquez. He continued to Rome, Sicily, Algeria and Guernsey, where he created 15 paintings in one month in the summer of 1883.
In 1890, Renoir married Aline Victorine Charigot, a portrait model and muse for many of his works. They had three sons, and in 1907, Renoir moved his family to the village of Cagnes-sur-Mer, near the Mediterranean. By this time, he had developed arthritis in his hands, and he had a stroke in 1912, after which he used a wheelchair. Renoir continued to paint for the rest of his life, even strapping a brush to his paralyzed fingers.
Shortly before his death in 1919, Renoir visited the Louvre to see his paintings now hanging next to the artistic icons that he used to study and admire. He returned to his home village and died in December of that year.
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