Items Similar to Portrait de femme en buste, de profil a gauche, un tres large ruban noir du cou
Want more images or videos?
Request additional images or videos from the seller
Paul César HelleuPortrait de femme en buste, de profil a gauche, un tres large ruban noir du cou1901
1901
About the Item
Portrait de femme en buste, de profil a gauche, un tres large ruban noir du cou, Mme Marthe Letellier
Drypoint, 1900-1901
Signed in pencil lower left (see photo)
Titled in pencil lower center in pencil (see photo)
Very small edition
Titled in pencil in the lower center of the image: "Madame Henri Letellier" in pencil
Translation from IFF: Bust portrait of a woman, in profile to the left, a very wide black ribbon at the neck, Ms. Letellier
Reference: IFF Vol 10, No. 206
SEM depicted the Grand Hotel (Henri Letellier, Marthe Letellier, SEM and Paul Helleu), from Monte Carlo, 2nd Serie, c. 1910 (see photo)
(see photo)
Marthe (ne Fourton) Letellier (1878-1954) was one of Helleu's favorite models
Condition: Excellent, professionally cleaned
Image/Plate size: 21 1/2 x 13 1/4 inches
- Creator:Paul César Helleu (1859-1927, French)
- Creation Year:1901
- Dimensions:Height: 21.5 in (54.61 cm)Width: 13.25 in (33.66 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:
Paul César Helleu
Rich impression with dramatic drypoint burr and tone no other artist epitomizes the whole atmosphere of elegance and hedonistic pleasure which pervaded Paris society at the first decade of the century as does Helleu. A close friend of Proust and the inspiration for one of the principal characters in La Recherche du Temps Perdu, Helleu’s whole life style echoed the incomparable elegance and flow of his drawing, the sheer style of his art, and his eye for the poses of the beautiful women who were his friends and his patrons. During the 1870’s, Helleu had come to know the painters of Impressionism and also artists Sargent and Whistler who became his special friends and inspiration. By the early 1880’s, he had already developed the quality of expressive sweeping line, which is the essence of his drawing, but in 1885 he was encouraged by Tissot to try working on prints in drypoint. At this time, Tissot had decided, after the death of his lover and model Kathleen Newton, to travel to the Holy Land on an artistic pilgrimage. Having decided he would no longer engrave, he gave Helleu his diamond stylus…a literal and figurative “passing of the baton”. It was in the incision and texture of drypoint that his art was to reach one of its greatest peaks. He had an innate feel for the balance between a lightly curving stroke and the deeply cut highly tonal burr of the strongest drypoint. Around the turn of the century he started to combine drypoint with multi-inking in colors, the areas of color restricted to such touches as the bows on the hats, the hair color or the red of the lips. The plate was drawn at a single sitting, and then the color inks were brushed onto it. The results are some of the most splendid and decorative of all Belle Époque prints.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1978
1stDibs seller since 2013
713 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Akron, OH
- Return PolicyA return for this item may be initiated within 10 days of delivery.
More From This SellerView All
- The ForgeBy James Abbott McNeill WhistlerLocated in Fairlawn, OHThe Forge Drypoint, 1861 Signed in the plate lower right (see photo) Published as part of the Thames Set, 1871 Printed between 1894 and 1896 when the plate was canceled. This impress...Category
1860s Impressionist Figurative Prints
MaterialsDrypoint
- Le banc de jardin (The Garden Bench)By James Jacques Joseph TissotLocated in Fairlawn, OHLe banc de jardin (The Garden Bench) Mezzotint and engraving on cream chine collé laid down on ivory wove paper, 1883 Signed in the plate (see photo) Condition: Brilliant impression...Category
1880s Impressionist Figurative Prints
MaterialsMezzotint
- Darius IIBy Darius StewardLocated in Fairlawn, OHSigned in pencil lower right Edition: 3 impressions Signed, dated and annotated “1 of 3” Exhibited: Zygote Press, Cleveland, 2016 Tregoning & Co. 2017Category
2010s Contemporary Figurative Prints
MaterialsDrypoint
- Darius at 10By Darius StewardLocated in Fairlawn, OHDarius at 10 Drypoint, 2022 Signed, titled and numbered in pencil Printed by Rebekah Wilhelm Her drystamp lower right Published by the artist Edition 14, plus pr...Category
2010s American Realist Figurative Prints
MaterialsDrypoint
- La Soeur ainee The Elder SisterBy James Jacques Joseph TissotLocated in Fairlawn, OHBased on a photograph of Mrs. Newton with a woman and child, presumably her sister, Mary Hervey and her niece Lilian. From the 1st edition, printed in London by Goulding Edition: 100 impressions printed by Goulding, London, 1881 200 impressions printed by Delatre, paris, 1882/3 In the estate vente there were 18 impressions "in different states" The plate was canceled and in the collection of the Sagot-LeGarrec heirs, Paris Printed on Dutch, Van Gelder watermark laid paper Signed and dated in the plate upper center plate edge Good morning, Thanks for your email about James Jacque Joseph Tissot works on paper. In addition to the example you wanted more information on, I have the following work by Tissot listed on 1st Dibs. Access them by place the LU_____ number (which is below the title) in the search box. It should take you right to the product page. Le Matin (Morning) LU1409989932 La Soeur ainee The Elder Sister LU1405402222 In Foreign Climes LU1406944542 Au bord de la mer (At the Sea Side) LU1409990002 Tissot is a very interesting artist. He was a close friend of both James Whistler and Edgar Degas. You can find a good biographical sketch on Wikipedia. There have been numerous museum exhibitions dedicated to his works in the United States, Europe and Japan. Please let me know if you have any other questions. All the best, Tom French...Category
1880s Victorian Figurative Prints
MaterialsDrypoint
- If you're too cool, you lose.By Darius StewardLocated in Fairlawn, OHSigned, dated and numbered in pencil Printer: Rebekah Wilhelm, Zygote Press, Cleveland Created at Zygote Press, Cleveland, 2015, while the artist was an Artist in Residence. Exhib...Category
2010s Contemporary Figurative Prints
MaterialsDrypoint
You May Also Like
- In the Café - German Impressionism Berlin Society Cafe SceneBy Lesser UryLocated in London, GBThis original etching and drypoint is hand signed in pencil by the artist "L. Ury" at the lower left margin. It was published in an edition of 110 hand signed impressions by Propyläe...Category
1920s Impressionist Figurative Prints
MaterialsDrypoint, Etching
- Dans les Cendres (In the embers)By Albert BesnardLocated in Storrs, CTDans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing. Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work. In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain...Category
Late 19th Century Impressionist Figurative Prints
MaterialsDrypoint, Etching
- Hélène of Septeuil (enfant au perroquet) (child with a parakeet).By Mary CassattLocated in Storrs, CTHélène of Septeuil (enfant au perroquet) (child with a parakeet). c. 1889-1890. Drypoint. Breeskin, 134.v. 9 3/8 x 6 1/4 (sheet 15 3/4 x 9 7/8). A rich impression with burr and plate...Category
19th Century Impressionist Portrait Prints
MaterialsDrypoint, Watercolor
- Barcarolle.By James McBeyLocated in Storrs, CTBarcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...Category
1920s Impressionist Landscape Prints
MaterialsDrypoint, Etching
- Portrait of Whistler with the Monacle.By Paul César HelleuLocated in Storrs, CTPortrait of Whistler with the Monacle. 1897. Drypoint. 13 3/4 x 10 1/4 (sheet 16 3/4 x 11 5/8). A carefully wiped impression with plate tone, from the cancelled plate (there were onl...Category
19th Century Impressionist Portrait Prints
MaterialsDrypoint
- Madame Helleu Looking at Watteau drawings at the Louvre..By Paul César HelleuLocated in Storrs, CTMadame Helleu Looking at Watteau drawings at the Louvre. (En regardant les Watteau de Louvre). c. 1895. Drypoint printed in 2 colors - black and sepia. 11 3/4 x 15 7/8. Goncourt 3, d...Category
Late 19th Century Impressionist Portrait Prints
MaterialsDrypoint, Color
