Adolf Dehn

Four End Girls

1930

untitled (Woman with Hands on Hips) Lithograph on tan wove paper, c. 1910's Signed in pencil lower right and in the plate, lower right (see photo) Edition: c. 100 Condition: Excellent Image size: 11-1/4 x 4-1/2 inches Sheet size: 18 1/8 x 11 3/8 inches Provenance: Estate of the Artist Borghi & Company, New York Herb Lerner, Boca Raton, FL Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel...

Circle of Life Lithograph on tan paper, c. 1910's Signed in pencil lower right; signed in the plate lower right (see photo) Annotated "No. 50" in pencil lower left (see photo) Provenance: Estate of the artist Borghi & Company, New York Herb Lerner, Boca Raton, FL Condition: Excellent Image size: 11-3/4 x 17-1/2 inches Sheet size: 19 x 22 1/2 inches Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art. Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...

For Lisa Color lithograph, 1984 Signed in pencil lower left (see photo) Numbered lower right corner Published to benefit the Los Angeles Children's Museum Printed by Brand X Editions...

Die Bettler (The Beggars) Lithograph, 1922 Signed in pencil lower right (see photo) From: Berliner Reise Series, Plate 7 Printed on wove paper Edition: 100...

Lithograph, 1930 Edition: 20; this print numbered 9/20 Printed by Meister Schulz, Berlin Excellent condition Signed, numbered and titled in pencil Provenance: Estate of the Artist Cr...

Plate 12 From: 10 Origi, 1942 Signed in the block with the artist's initials lower left (printed) From: 10 Origin Not from the First edition 100, published by Allianz-Verlag, Zurich,...

In the Brothel is an original lithograph realized by Eugen Hamm in 1922. In good conditions. This artwork represents a brothel with several nude women. H...

KATHE KOLLWITZ (German 1867 -1945) STADTISCHES OBDACH (Urban Shelter) 1926 (Knesebeck 226, Klipstein 219.bB), Lithograph from the unsigned edition for the annual edition of the Kuns...

Artist: Rufino Tamayo Title: Iron Cross Year: 1988 Medium: Color lithograph Edition: Numbered CCXLV/CCC in pencil Paper: Wove Image size: 22.5 x 30...

This piece is an original lithograph done by Francisco Zúñiga in 1986. Francisco Zúñiga was a Costa Rican-born Mexican artist best known for his stylized figurative paintings and scu...

Artist: Teo Tobiasse (French/Israeli, 1927-2012) Title: "Naomie Aux Longues Tresses" Year: Circa 1970 Medium: Color lithograph Edition: Numbered 146/150 in pencil Paper: Japan...

Artist: Jean Jansem (French/Armenian, 1920-2013) Title: Street Vendor with Little Girl Year: c. 1960 Medium: Color lithograph Edition: Numbered 144/200 in pencil Paper: Arches p...