Dwight Baird

DWIGHT BAIRD Art of Baseball, 1998 - Hand-Signed

1998

Dwight Baird-Red, White 'N Blue (No Text)-16" x 12"-Watercolor-1994

Paper Size: 20 x 30 inches ( 50.8 x 76.2 cm ) Image Size: 20 x 30 inches ( 50.8 x 76.2 cm ) Framed: No Condition: A: Mint Additional Details: Watercolour on Crescent Watercolour Boa...

Original hand-drawn postcard by Jean-Michel Folon, addressed to Evelyn Farland from France to New York. This unique, one-of-a-kind piece is framed in a silver metal and wood frame wi...

Watercolour / Ink on Board.

Canadian born artist Dwight Baird has been painting full-time for the last forty-five years. For the last twenty years, Baird has been working in acrylics, developing a new style of ...

Paper Size: 11 x 9 inches ( 27.94 x 22.86 cm ) Image Size: 6.5 x 5.5 inches ( 16.51 x 13.97 cm ) Framed: No Condition: A: Mint Additional Details: Original painting Signed and ...

Lithograph with hand-painted ribbons by Patricia Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. Another version of this ...

Lisa’s organic shapes and textures rotate and recombine deftly, jumping easily between prints. But the serendipitous quality of Lisa’s work belies the controlled, methodical nature o...

This is a limited edition (21" x 29”) archival pigment print, of an original watercolor and graphite piece, with hand embellished details on print by LA based artist. Hand painted wa...

For regulars of our online gallery, you won't be surprised to see another work by Brennan, Californian artist, very secretive about himself, whose prolific and intensely surprising work we follow again and again. Today's featured work is a watercolor and black-and-white ink piece entitled "Rocket Launch," which has a landscape layout that ingeniously facilitates storytelling - A highly humorist piece -. signed and dated 2021. The quality of the drawing, the simplified lines, and the extremely elaborate organization of the elements deliver a reading from left to right and from right to left of a rocket that seems to have taken off. On the left, the main character is a cosmonaut who ultimately did not participate in the “intergalactic trip.” His mouth is represented by a simple hyphen, two wide-open eyes like marbles, and the hilarious double presence of a horseshoe that will not be enough to protect him from his fears and give him enough confidence to board the rocket. It's astounding with what economy of details Brennan brings to life the cosmonaut's dilemma: “Should I board the rocket or stay on solid ground?” By creating a back-and-forth effect from left to right, Brennan brings the "I'm going, I'm not going" dilemma of the cosmonaut to humorous life, with his helmet glued to his knees. Brennan pays an amazing tribute to all the great illustrators who have been contributors to major magazines, such as Art Spiegelman for the New Yorker, demonstrating his astonishing ability to activate a whole tragicomic aspect in a single image. Christopher Mark Brennan...

"Floating Panel" - Realistic Hand Painted Lithograph Lithograph with hand-painted ribbons by Patricia Pearce (American, b. 1948). In this composition, the pane with four bars is a l...

LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts) in the studios of professors Władysław Strzemiński, Adam Rychtarski, Stefan Wegner and Ludwik Tyrowicz. He graduated with special award from the Academy of Fine Arts in Krakow in 1954. In 1958 he became a member of the Piąte Koło association ("Fifth Wheel...