21st Century and Contemporary Abstract Prints

mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic pool reflections paintings by artist David Hockney H2O l by Erik ...

an homage to Caspar David Friedrich, towering thunder clouds over the Mediterranean Sea, captured with a large format camera to allow epic scale photograph...

mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from Christian Stoll‘s body of works titled 'Hemisphere' Hemisphere I by Christian Stoll 58 x 58 inches (147 x 147cm) signed edition of 7 48 x 48 inches (122 x 122cm) signed edition of 7 40 x 40 inches (102 x 102cm) signed edition of 25 archival fine art pigment print signed + numbered by artist on certificate label „frameless“ glass face mounting available on request _________________________ Christian Stoll has experimented with the photography medium since 1991. His predominant interest is the still-life on a monumental scale. As his subject matter, Stoll shoots static objects, forms...

From a series of large scale abstract photographs of muted color monochromatic ocean water surface and cloudscapes SEASCAPE IV by Frank Schott an homage t...

large format photograph of sun reflections on pool water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic ...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the bo...

From Christian Stoll's body of works BURST (2015), an abstract exploration of high speed photographs capturing mesmerizing explosions of caleidoscopic color 27 x 40 inches (68 x 102...

From Christian Stoll's body of works BURST (2015), an abstract exploration of high speed photographs capturing mesmerizing explosions of caleidoscopic color 48 x 72 inches (122 x 18...

mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic pool reflections paintings by artist David Hockney H2O IV by Erik...

large scale photograph of sunny cactus landscape, from a series of highly detailed large format nature observations, an homage to the photo realistic ...

Screenprint in colors on paper. Hand signed, dated and numbered by the artist. Sheet size 31 x 26 inches. Image size approx 29 x 23.75 inches. From the edition of 200. Certificate...

DE YOUNG by Frank Schott an hommage to the architectural details of Herzog DeMeuron's famous de Young Museum in San Francisco's Golden Gate Park 29 x 40 in...

mesmerizing large scale capture of a strikingly abstract water surface WAVE II by Christian Stoll 48 x 48 inches (122 x 122cm) signed edition of 7 5...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Hemisphere' Hemisp...

LA Parking by Frank Schott a burst of red in an urban landscape of striking minimalism from a series of photographs capturing the mid century modern architecture and architectural el...

WALLSCAPE IV by Frank Schott from a series of photographic observances capturing urban textures and wallscape color palettes 48 x 72 inches / 122cm x 182...

From a series of large scale abstract photographs of muted color monochromatic water surface color clouds and horizon SEASCAPE IV by Frank Schott an homage to Mark Rothko 60" x 48" / 152cm x 122cm signed edition of 7 75 x 58 inches / 190cm x 147cm signed edition of 7 archival quality fine art pigment print limited art edition published by Edition EKTAlux...

LUV is a masterful play of eccentric neon colors that creates beautiful visual harmony between line, typography, and depth. Miller emulates collective human expressions of love, emot...

Kenneth Noland Untitled Target, 2004 Lithograph on hand made paper with deckled edges Signed and numbered in pencil from the limited edition of 75 on the lower front; bears the artis...

This is a Five colour screen print Including a metallic Silver layer. This print is then finished off by drawing over the print with multi-coloured paint including Gold, Yellow and G...

Artwork details: Jamie Williams, Nightlies, image 23cm x 23cm sheet size 26.5cm x 26.5cm, on Hahnemuhle Photo Rag Paper Signed with Edition 1/20 ve...

Artwork details: Jamie Williams, Nightlies, image 23cm x 23cm, sheet size 26.5cm x 26.5cm, on Hahnemuhle Photo Rag Paper Signed with Edition 1/20 verso...

Color lithograph, Edition 30 Richert, who was intuitively observing shadows cast by three-dimensional forms, found that one such structure – the rhombic tricontahedron – placed un...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** "America" is a unique eagle design by Mauro Oliveira. This exquisite...

"Frond" Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait artist with a BFA in c...

From his body of "Illustrated Set" work, this print by Terry Winters takes the printmaking process itself as subject. Winters became inspired by how his prints appeared before press,...

Deborah Kass (born 1952) Being Alive, 2012 nine-color silkscreen, one color blend on 2-ply museum board Image 24 x 24 image. Frame 29 x 29 x 2 inches Edition 1/65 Hand signed and dated in pencil, lower right verso; numbered lower left verso Being Alive is from a vibrant and uplifting body of work entitled Feel Good Paintings for Feel Bad Times. Finding inspiration in pop culture, political realities, film, Yiddish, art historical styles, and prominent art world figures, Deborah Kass uses appropriation in her work to explore notions of identity, politics, and her own cultural interests. She received her BFA in painting at Carnegie Mellon University and studied at the Whitney Museum Independent Study Program and the Art Students League of New York. Deborah Kass (born 1952) is an American artist whose work explores the intersection of pop culture, art history, and the construction of self. Deborah Kass works in mixed media, and is most recognized for her paintings, prints, photography, sculptures and neon lighting installations. Kass's early work mimics and reworks signature styles of iconic male artists of the 20th century including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha. Kass's technique of appropriation is a critical commentary on the intersection of social power relations, identity politics, and the historically dominant position of male artists in the art world. Deborah Kass was born in 1952 in San Antonio, Texas. Her grandparents were from Belarus and Ukraine, first generation Jewish immigrants to New York. Kass's parents were from the Bronx and Queens, New York. Her father did two years in the U.S. Air Force on base in San Antonio until the family returned to the suburbs of Long Island, New York, where Kass grew up. Kass’s mother was a substitute teacher at the Rockville Centre public schools and her father was a dentist and amateur jazz musician. At age 14, Kass began taking drawing classes at The Art Students League in New York City which she funded with money she made babysitting. In the afternoons, she would go to theater on and off Broadway, often sneaking for the second act. During her high school years, she would take her time in the city to visit the Museum of Modern Art, where she would be exposed to the works of post-war artists like Frank Stella and Willem De Kooning. At age 17, Stella’s retrospective exhibition inspired Kass to become an artist as she observed and understood the logic in his progression of works and the motivation behind his creative decisions. Kass received her BFA in Painting at Carnegie Mellon University (the alma mater of artist Andy Warhol), and studied at the Whitney Museum Independent Study Program Here, she created her first work of appropriation, Ophelia’s Death After Delacroix, a six by eight foot rendition of a small sketch by the French Romantic artist, Eugène Delacroix. At the same time Neo-Expressionism was being helmed by white men in the late Reagan years, women were just beginning to create a stake in the game for critical works. “The Photo Girls” consisted of artists like Sherrie Levine, Cindy Sherman, and Barbara Kruger. Kass felt that content of these works connected those of the post-war abstract painters of the mid-70s including Elizabeth Murray, Pat Steir, and Susan Rothenberg. All of these artists critically explored art in terms of new subjectivities from their points-of-view as women. Kass took from these artists the ideas of cultural and media critique, inspiring her Art History Paintings. Kass is most famous for her “Decade of Warhol,” in which she appropriated various works by the pop artist, Andy Warhol. She used Warhol’s visual language to comment on the absence of women in art history at the same time that Women’s Studies began to emerge in academia. Reading texts on subjectivity, objectivity, specificity, and gender fluidity by theorists like Judith Butler and Eve Sedgwick, Kass became literate in ideas surrounding identity. She engaged with art history through the lens of feminism, because of this theory which “The Photo Girls” drew upon. Kass's work is in the collections of the Museum of Modern Art; Whitney Museum of American Art; Solomon R. Guggenheim Museum; Jewish Museum (New York); Museum of Fine Art, Boston; Cincinnati Museum of Art; New Orleans Museum; National Portrait Gallery, Smithsonian Institution; Fogg Museum, Harvard Art Museums; and Weatherspoon Museum, among others. In 2012 Kass's work was the subject of a mid-career retrospective Deborah Kass, Before and Happily Ever After at The Andy Warhol Museum in Pittsburgh, PA. An accompanying catalogue published by Skira Rizzoli, included essays by noted art historians Griselda Pollock, Irving Sandler, Robert Storr, Eric C. Shiner and writers and filmmakers Lisa Liebmann, Brooks Adams, and John Waters. Kass's work has been shown at international private and public venues including at the Venice Biennale, the Istanbul Biennale, the Museum Ludwig, Cologne, the Museum of Modern Art, The Jewish Museum, New York, the National Portrait Gallery, and the Museum of Fine Arts, Boston. A survey show, Deborah Kass, The Warhol Project traveled across the country from 1999–2001. She is a Senior Critic in the Yale University M.F.A. Painting Program. Kass's later paintings often borrow their titles from song lyrics. Her series feel good paintings for feel bad times, incorporates lyrics borrowed from The Great American Songbook, which address history, power, and gender relations that resonate with Kass's themes in her own work. In Kass's first significant body of work, the Art History Paintings, she combined frames lifted from Disney cartoons with slices of painting from Pablo Picasso, Jasper Johns, Jackson Pollock, and other contemporary sources. Establishing appropriation as her primary mode of working, these early paintings also introduced many of the central concerns of her work to the present. Before and Happily Ever After, for example, coupled Andy Warhol’s painting of an advertisement for a nose job with a movie still of Cinderella fitting her foot into her glass slipper, touching on notions of Americanism and identity in popular culture. The Art History Paintings series engages critically with the history of politics and art making, especially exploring the power relationship of men and women in society. Deborah Kass's work reveals a personal relationship she shares with particular artworks, songs and personalities, many of which are referenced directly in her paintings. In 1992, Kass began The Warhol Project. Beginning in the 1960s, Andy Warhol’s paintings employed mass production through screen-printing to depict iconic American products and celebrities. Using Warhol’s stylistic language to represent significant women in art, Kass turned Warhol’s relationship to popular culture on its head by replacing them with subjects of her own cultural interests. She painted artists and art historians that were her heroes including Cindy Sherman, Elizabeth Murray, and Linda Nochlin. Drawing upon her childhood nostalgia, the Jewish Jackie series depicts actress Barbra Streisand, a celebrity with whom she closely identifies, replacing Warhol's prints of Jackie Kennedy Onassis and Marilyn Monroe. Her My Elvis series likewise speaks to gender and ethnic identity by replacing Warhol's Elvis with Barbra Streisand from Yentl: a 1983 film in which Streisand plays a Jewish woman who dresses and lives as a man in order to receive an education in the Talmudic Law. Kass's Self Portraits as Warhol further deteriorates the idea of rigid gender norms and increasingly identifies the artist with Warhol. By appropriating Andy Warhol's print Triple Elvis and replacing Elvis Presley with Barbara Streisand’s Yentl, Kass is able to identify herself with history’s icons, creating a history with powerful women as subjects of art. The work embodies her concerns surrounding gender representation, advocates for a feminist revision of art, and directly challenges the tradition of patriarchy. America's Most Wanted is a series of enlarged black-and-white screen prints of fake police mug shots. The collection of prints from 1998–1999 is a late-1990s update of Andy Warhol’s 1964 work 13 Most Wanted Men, which featured the most wanted criminals of 1962. The “criminals” are identified in titles only by first name and surname initial, but in reality the criminals depicted are individuals prominent in today's art world. Some of the individuals depicted include Donna De Salvo, deputy director for international initiatives and senior curator at the Whitney Museum of American Art; Thelma Golden, director and chief curator of the Studio Museum in Harlem, and Robert Storr, dean of the Yale School of Art. Kass's subjects weren’t criminals. Through this interpretation, Kass show's how they are wanted by aspirants for their ability to elevate artists’ careers. The series explores the themes of authorship and the gaze, at the same time problematizing certain connotations within the art world. In 2002, Kass began a new body of work, feel good paintings for feel bad times, inspired, in part, by her reaction to the Bush administration. These works combine stylistic devices from a wide variety of post-war painting, including Ellsworth Kelly, Frank Stella, Jackson Pollock, Andy Warhol, and Ed Ruscha, along with lyrics by Stephen Sondheim, Laura Nyro, and Sylvester, among others, pulling from popular music, Broadway show tunes, the Great American Songbook, Yiddish, and film. The paintings view American art and culture of the last century through the lens of that time period's outpouring of creativity that was the result of post-war optimism, a burgeoning middle class, and democratic values. Responding to the uncertain political and ecological climate of the new century in which they have been made, Kass's work looks back on the 20th century critically and simultaneously with great nostalgia, throwing the present into high relief. Drawing, as always, from the divergent realms of art history, popular culture, political realities, and her own political and philosophical reflection, the artist continues into the present the explorations that have characterized her paintings since the 1980s in these new hybrid textual and visual works. OY/YO In 2015, Two Tree Management Art in Dumbo commissioned of a monumentally scaled installation of OY/YO for the Brooklyn Bridge Park. The sculpture, measuring 8×17×5 ft., consists of big yellow aluminum letters, was installed on the waterfront and was visible from the Manhattan. It spells “YO” against the backdrop of Brooklyn. The flip side, for those gazing at Manhattan, reads “OY.”[ An article and photo appeared on the front page of the New York Times 3 days after its installation in the park. An instant icon, OY/YO stayed at that site for 10 months where it became a tourist destination, a favorite spot for wedding, graduation, class photos and countless selfies. After its stay in Dumbo it moved to the ferry stop at North 6th Street in Williamsburg, Brooklyn for a year, where it greeted ferry riders. Since 2011, OY/YO has been a reoccurring motif in Deborah Kass's work in the form of paintings, prints, and tabletop sculptures. Kass first created “OY” as a painting riffing on Edward Ruscha’s 1962 Pop canvas, “OOF.” She later painted “YO” as a diptych that nodded to Picasso's 1901 self-portrait, “Yo Picasso” (“I, Picasso”). OY/YO is now installed in front of the Brooklyn Museum. Another arrived at Stanford University in front of the Cantor Arts Center late 2019. A large edition of OY/YO was acquired by the Jewish Museum in New York in 2017 and is on view in the exhibition Scenes from the Collection. On December 9, 2015 Deborah Kass introduced her new paintings that incorporated neon lights in an exhibition at Paul Kasmin Gallery entitled "No Kidding" in Chelsea, New York. The exhibition was an extension of her Feel Good Paintings for Feel Bad Times, but it sets a darker, tougher tone as she reflects on contemporary issues such as global warming, institutional racism, political brutality, gun violence, and attacks on women's health, through the lens of minimalism and grief. The series is ongoing. Deborah Kass has spoken about creating an “ode to the great Louises,” a space dedicated to her works inspired by famous Louise’s which she would call the “Louise Suite.” The earliest of these odes is “Sing Out Louise,” a 2002 oil on linen painting from her Feel Good Paintings Feel Bad Times collection. “Sing out Louise” is driven by her fondness for Rosalind Russel and the fact Kass feels it is her time to “Sing Out] “After Louise Bourgeois” is a 2010 sculpture made of neon and transformers on powder-coated aluminum monolith; it is a spiraling neon light with a phrase inspired by French-American artist Louise Bourgeois.[22] The neon installation reads “A woman has no place in the art world unless she proves over and over again that she won’t be eliminated.” Kass changed the quote slightly to better represent her beliefs but it was derived from Bourgeois. “After Louise Nevelson” is a 2020 spiraling neon work of art that reads "Anger? I'd be dead without my anger" a quote from American sculptor, Louise Nevelson. Award and Grants New York Foundation for the Arts, inducted into NYFA Hall of Fame (2014) Art Matters Inc. Grant (1996) Art Matters Inc. Grant (1992) New York Foundation for the Arts, Fellowship in Painting 1987 National Endowment for the Arts, Painting (1991) National Endowment For The Arts (1987) Selected solo and group exhibitions The Jewish Museum, New York, NY, “Scenes from the Collection” National Portrait Gallery, Washington, DC “Eye Pop: the Celebrity Gaze” Paul Kasmin Gallery, New York, NY, “No Kidding” (2015-2016) Sargent...

Screenprint with glaze and diamond dust Edition of 100 Signed and numbered on the back Condition upon request Float-mounted with UV-resistant low glare glass Frame: 94.5 x 79.5 x 5 c...

The painter, filmmaker, photographer, and graphic artist Sarah Morris (*1967, Sevenoaks, UK) shot to prominence in the 1990s, becoming one of the most important abstract artists of t...

large scale conceptual environmental still life photographs playing with viewer's perspective creating individual letters from found objects spelling the word HOPE H-O-P-E by Christian Stoll Incredible details in this body of work: focusing in on this epic photograph work, you will find yourself lost in the artwork's details. Reminiscent of the appropriation artwork of Vik Muniz, Christian Stoll arranges everyday objects to spell letters of the alphabet. Only at close inspection does the viewer realize he/she is looking at an actual photograph, created in camera rather than with digital manipulation. _________________________ Artwork can be installed vertically, horizontally, square or across multiple walls 4 individual photographs individual artwork size 24 x 24 inches (61 x 61cm) horizontal artwork composition 24 x 96 inches (61 x 244cm) vertical artwork...

Brice Marden in London (Hand signed), 2017 Offset lithograph poster. Hand signed by Brice Marden Signed in black marker by Brice Marden on the fron...

This Limited-Edition abstract print, "A Summer Day in Nantucket," by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and r...

Agent X MADONNA (TRUE BLUE) Limited Edition Giclee Print Edition of 50 Paper Size: 101 cm x 101 cm x 1cm Sold Unframed Free Shipping Please note that in situ images are purely an indication of how a piece may look. Pop Art for the twenty-first century, ‘Madonna (True Blue)’ depicts the illustrious singer in all her 80s glory – red lips and thick eyebrows; iconic crucifix necklace...

This contemporary abstract Limited Edition giclee print features cool blues and contrasting warm pinks, with light grey and white highlights. Stark charcoal black accents are placed ...

Timothy Goodman’s art and words have populated walls, buildings, packaging, cars, people, shoes, clothing, book jackets, magazine covers and galleries all over the world. His clients...

This abstract landscape limited edition print captures a forest in cool blue tones accented by warm yellow-greens and reds. It is an edition size of 100. Printed on canvas, this gicl...

"The Weaver" Series inviting viewers into a world where memory and present interweaving in a mesmerizing display of visual creativity. 2024, Shizico Yi takes on a ground-breaking art...

Tribute to Mirò is a colorful artwork realized by Martine Goeyens in the Late-20th century. Digital Print. Numbered, Edition, 5/99. Hand-signed in the lower right margin.

Brian Clarke Collages 2023 Diasec-mounted Giclée print on aluminium composite panel 50 × 35.4 cm (19.7 × 13.9 in) Hand-signed on the label and numbered Edition of 100 + 25 APs In exc...

Brian Clarke Collages 2023 Diasec-mounted Giclée print on aluminium composite panel 50 × 35.4 cm (19.7 × 13.9 in) Hand-signed on the label and numbered Edition of 100 + 25 APs In exc...

This is an offset print, limited edition out of an edition of 300, signed and numbered by Artist. Enjoy video of the unwrapping of this brand new print at our Los Angeles framer! This print is now sold framed, in Los Angeles, CA. "Kansei : The Golden Age" 潤声 ゴールデンエイジ 4c offset w/cold stamp + spot varnishing オフセット印刷4色＋箔＋厚盛ニス Diameter: 710 mm / 28 in. Framed: approx 34 x 34 x 2 in. Edition 300 Signed and numbered: edition 118 of 300 Made in Japan Pristine condition, brand new, framed in Los Angeles, California Seller in Los Angeles...

Cy Twombly’s Cat by Mychael Barratt [2022] Cy Twombly's Cat is a limited edition hand made print by artist Mychael Barratt. Part of his series of artists pets this print presents a...

Yves Klein’s Cat by Mychael Barratt [2022] Yves Kleins Cat is a limited edition hand made print by artist Mychael Barratt featuring this brilliant shade of blue taking inspiration ...

José Manuel Broto - IRIS 4 Date of creation: 2006 Medium: Etching on Paper Edition: 50 Size: 100 x 70 cm Condition: In perfect conditions and never framed Observations: Etching on pa...

Jenny Holzer (American, b. 1950) These Enhanced Techniques, 2012 Medium: Black pulp on white handmade paper, stenciled Dimensions: 90.5 × 70 cm (35 3/5 × 27 3/5 in) Edition: From the...

Georg Baselitz (German, b. 1938) Untitled #7 (from Farewell Bill), 2013 Medium: Aquatint and line etching on wove paper Dimensions: 85.1 x 64.9 cm Edition of 15: Hand-signed and numb...

Gerhard Richter Motorboot, 1965/2022 Medium: Hybrid raster dissolved digital art print on Rives 260 gsm paper Dimensions: 27 3/5 × 27 3/5 in 70 × 70 cm Edition of 500: Not signed, n...

Gert & Uwe Tobias (German, b. 1973) Untitled, 2008 Medium: Opaque white, gouache and pastel crayon over drypoint on wove paper (and artist’s book) Dimensions: 36 x 26.4 cm Unique edi...

Original Oklahoma Contemporary exhibition poster, based on Ed Ruscha’s pencil and charcoal drawing named Oklahoma-E from 1962. Ed Ruscha (American, b. 1937) Ed Ruscha: OKLA, 2021 Me...

Invader (French, b. 1969) Rubik Shot Red Marilyn (NVDR1-4), 2023 Medium: Giclée print on aluminum composite panel with Diasec mounting Dimensions: 100 x 100 cm (39 2/5 × 39 2/5 in) E...

Invader (French, b. 1969) Rubik Camouflage (NVDR1-2), 2023 Medium: Giclée print on aluminum composite panel with Diasec mounting Dimensions: 100 x 100 cm (39 2/5 × 39 2/5 in) Edition...

Tribute to Mirò is a colorful artwork realized by Martine Goeyens in 2023. Digital Print. Numbered, Edition, 5/99. Hand-signed in the lower right margin.

Tribute to Mirò is a colorful artwork realized by Martine Goeyens in 2023. Digital Print. Numbered, Edition, 5/99. Hand-signed in the lower right margin.

Tribute to Mirò is a colorful artwork realized by Martine Goeyens in 2023. Digital Print. Numbered, Edition, 5/99. Hand-signed in the lower right margin.

This is an Iris print in soft yellow and red tones. It is signed and numbered. The total edition size is 72 plus 18 APs. "Calling to mind the work of Martin Puryear, Paul Klee, Alex...

Ed Ruscha EE-NUF! (hand signed by Ed Ruscha), 2020 Color lithographic poster on wove paper (hand signed by Ed Ruscha) Boldly signed by Ed Ruscha in black marker on the front 32 1/4 ×...

Damien Hirst
 Fruitful (small), 2020 Laminated Giclée print on aluminium composite panel

 Digitally signed by the artist 
 39 x 39 cm Edition of 3308 The editions titled Fruitful feature bright, abstract details from Hirst's new series of Cherry Blossom paintings...

ANISH KAPOOR MOIRÉ 2 Date of creation: 2015 Medium: Etching on paper Edition: 39 Size: 96 x 72.4 cm Condition: In perfect conditions, brand new Etching on paper hand signed and numbe...