Items Similar to "Night Transitions" by James Rosenquist, 1985
Want more images or videos?
Request additional images or videos from the seller
1 of 5
James Rosenquist"Night Transitions" by James Rosenquist, 19851985
1985
About the Item
JAMES ROSENQUIST
(B. 1933)
"Night Transitions"
12 color lithograph on Arches, 1985
Catalog #204
Sheet size: 47” x 30”
Printers Proof 2/4 – full edition of 35, and 7 AP
Signed, numbered, dated, and titled in lower margin
James Rosenquist, born in 1933 in Grand Forks, North Dakota, is one of the most important American artists of our time. In 1955 Rosenquist left the Midwest for New York City, where he received his artistic training at the Art Students League amidst the popularity of Abstract Expressionism and artists such as Willem de Kooning. His artistic education led to a brief, but significant, career as a billboard painter, where he spent his days perched on scaffolding high above Times Square.
In the 1960’s Rosenquist transformed the visual language of commercial painting onto his canvases, filling his large-scale pictures with fragmented advertising imagery in bright Day-Glo colors. Rosenquist’s paintings of this era, such as the iconic F-111 (1965) in the permanent collection of the Museum of Modern Art in New York, are pictorial critiques of contemporary American culture and he is considered a pioneer of the Pop Art movement along with fellow artists Robert Rauschenberg, Jasper Johns, Andy Warhol and Roy Lichtenstein. Rosenquist’s paintings since the 1970’s have retained his trademark aesthetic and focus primarily on geo-political, existential and environmental themes.
The work of James Rosenquist is represented in major private and public collections worldwide, including the Metropolitan Museum of Art, the Los Angeles Museum of Contemporary Art and the Tate Modern in London. Aside from his many gallery and museum exhibitions, James Rosenquist has had more than fifteen retrospectives, with two at the Whitney Museum of American Art. In 2003-2004 the Guggenheim Museum organized a retrospective that traveled to Houston, New York, Bilbao and Wolfsburg. His 2009 autobiography Painting Below Zero: Notes on a Life in Art is a best-seller.
- Creator:James Rosenquist (1933, American)
- Creation Year:1985
- Dimensions:Height: 61 in (154.94 cm)Width: 42 in (106.68 cm)Depth: 2 in (5.08 cm)
- More Editions & Sizes:Printers Proof 2/4 plus editions of 35Price: $4,000
- Medium:
- Movement & Style:
- Period:
- Condition:This piece is in custom frame with UV protective plexiglass.
- Gallery Location:Hinsdale, IL
- Reference Number:
James Rosenquist
Although he insisted that he and his fellow Pop artists developed their art-making styles independently, American painter James Rosenquist belonged at the table with Andy Warhol and Roy Lichtenstein.
Known for his distinctive use of visual montage, Rosenquist produced large, vibrantly colored tableaux marked by fragmentation and overlap. He often employed familiar motifs and objects drawn from popular contemporary culture — hot dogs, lipstick tubes, American flags — which he manipulated to form disorienting compositions whose constituent elements are nearly unrecognizable.
Born in North Dakota to Swedish parents, Rosenquist was encouraged to pursue painting by his mother, who was also an artist. He studied painting for two years at the University of Minnesota, but dropped out at the age of 21 to attend the Art Students League in New York on a scholarship. A job as a billboard painter in the late 1950s set him up to pursue his signature style, which borrowed its bold graphics and remixed kitschy aesthetic from the visual vocabulary of advertising. Works like Flamingo Capsule (1983) embody his trademark visual dissonance, drawing cigarette-ad motifs into conversation with stripes from the American flag and aluminum foil wrappers.
In addition to enormous paintings, Rosenquist created drawings, prints and collages. The 2011 lithograph The Memory Continues but the Clock Disappears is a montage of melting clocks and confetti, all submerged in a pool of water. While wryly hinting at the inevitability of decay and deterioration — suggesting that life is a ticking clock — the composition also alludes to Salvador Dalí's signature motif, the defining symbol of Surrealism. Such compositions demonstrate how Rosenquist masterfully combined seemingly incongruous elements into a harmonious and poetic whole.
Find James Rosenquist art today on 1stDibs.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1994
1stDibs seller since 2020
38 sales on 1stDibs
Typical response time: 3 hours
- ShippingRetrieving quote...Ships From: Hinsdale, IL
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- "American - La France Variation VIII"By Robert MotherwellLocated in Hinsdale, ILRobert Motherwell American - La France Variation VIII Lithograph in colors from five aluminum plates with collage in Arches, 1984 Arches collaged on Oatmeal Australian Bemboka hand...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph
- "Dusk in August" from the Portfolio of NineBy Louise NevelsonLocated in Hinsdale, ILNEVELSON, LOUISE (1899-1988) "Dusk in August" Lithograph in colors, 1967 Signed, dated, titled, and numbered in pencil lower margin This impression is XVIII/XX Sheet Size: 17” x 22” Published by Hollander’s Workshop with their blindstamp This lithograph by Louise Nevelson was made in collaboration with eight other artists in 1967. The other artists included in this portfolio collaboration are Roy Lichtenstein, Louise Nevelson, Willem de Kooning, Robert Motherwell, Henry Pearson, Sam Francis, Richard Lindner, and Saul Steinberg. Louise Nevelson is one of American’s foremost artists, Nevelson’s sculpted wood assemblages transcended space and transformed the viewer’s perception of art. She was an American sculptor best known for her monochromatic wooden assemblages. During the 1950s, she began to create unique arrangements contained in wooden frames amassed from a range of found objects—usually woodcuts or bits of furniture—that were then painted a uniform black, white, or gold, as seen in her seminal work Royal Tide I (1960). Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and "readymades." Nevelson’s prints share with her sculpture an interest in silhouetted forms and the layering of elements, but distinguish themselves by their vivid color, depth and movement.. Louise Nevelson experimented in several different print mediums. A 1963 Ford Foundation grant enabled June Wayne of the Tamarind Lithography Workshop, Los Angeles, to extend an invitation to Nevelson. This initial collaboration led to twenty six lithographs, mostly black with dark blue or red, which combined hand-drawn elements with printed lace. Nevelson returned to Tamarind in 1967 to complete sixteen large scale lithographs know as Double Imagery. In these lithographs Nevelson played with landscapes of shadows and reflections using irregular shaped papers and a limited palette of black, red, grey and blue. For her brilliant compositions in varied mediums critics hailed her as the leading sculptor of the twentieth century. A pioneering grand dame of the art works, Nevelson’s iconic persona was characterized by her skilled mixing and matching of ethnic clothing...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- "Flower Garden" original color lithograph by James RosenquistBy James RosenquistLocated in Hinsdale, ILJAMES ROSENQUIST (B. 1933) "Flower Garden" Lithograph in colors on Hodgkin handmade paper, 1972 22” x 28 5/8” (55.9 x 72.7 cm) (image) 30 ½” x 36 ¼” (77.5 x 92.1 cm) (sheet) Edi...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph
- "The Star Thief" by James RosenquistBy James RosenquistLocated in Hinsdale, ILJames Rosenquist (1933-2017) Star Thief Color lithograph on white wove paper, 1978-1986 Image size: 31.75” x 32”, full margins. Impression 8 of edition of 25 Signed, titled, da...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph
- "Untitled" Robert Motherwell from the Portfolio of NineBy Robert MotherwellLocated in Hinsdale, ILRobert Motherwell Untitled (from Portfolio 9), 1967 Lithograph, 1967 22.25 x 17.25 in. (56.52 x 43.82 cm.) Signed; lower left with artist's trademark initials; numbered, Publisher...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Jim Dine "Five Paintbrushes (3rd State)"By Jim DineLocated in Hinsdale, ILJim Dine (b. 1935) "Five Paintbrushes (3rd State)" Etching with drypoint, mezzotint and aquatint on Copperplate Deluxe paper, 1973 20-1/2 x 27-1/4 inches (52.1 x 69.2 cm) (image) Ed. 18/28 Signed, numbered, and dated in pencil along lower edge Published by Petersburg Press, Inc., New York Printed by Alan Uglow...Category
1970s Abstract Expressionist Abstract Prints
MaterialsEtching
You May Also Like
- Blue/Green Abstract Lithograph by Bruce PorterBy Bruce PorterLocated in Long Island City, NYArtist: Bruce Porter, American (1948 - ) Title: Untitled III Medium: Lithograph, signed and numbered in pencil Edition: 14 Image Size: 24 x 18 inches Size: 28 x 22 in. (71.12 x 55.88...Category
1980s Abstract Abstract Prints
MaterialsLithograph
- Between Fog & Clarity, Colorful Abstract Lithograph by Calman ShemiBy Calman ShemiLocated in Long Island City, NYArtist: Calman Shemi, Argentine (1939 - ) Title: Between Fog & Clarity Medium: Lithograph, signed in pencil Edition: 300, Dedicated to Michel Size: 25 in. x 35.5 in. (63.5 cm x 90.17...Category
Late 20th Century Abstract Abstract Prints
MaterialsLithograph
- Figures - Lithograph by M. Gandini - 1970 ca.By Marcolino GandiniLocated in Roma, ITHand Signed. Edition of 25 pieces and some Artist's Proofs. Very good conditions.Category
1970s Abstract Abstract Prints
MaterialsLithograph
- The Stone ForestBy Tie Feng JiangLocated in Austin, TXTiefeng Jiang Title: The Stone Forest Edition: 9/20 Super Low Edition! Medium: Serigraph on hand-made paper Measurement...Category
1990s Abstract Geometric Abstract Prints
MaterialsLithograph, Handmade Paper
- UntitledBy Jean MiotteLocated in Paris, FRLithograph Handsigned by the artist in pencil and numbered 14/100 A lithograph representative of the "white period" of the French artist, a master of lyrical abstraction. Miotte conc...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Henry Cliffe Festival Gallery Bath Abstract Poster Modern British ArtLocated in London, GBTo see our other Modern British Art and works by Henry Cliffe, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Henry Cliffe (1919 - 1983) Festival Gallery Bath Poster Lithograph 51 x 38 cm Henry Cliffe was born in Scarborough, Yorkshire in 1919. After studying at the Bath Academy...Category
Mid-20th Century Abstract Abstract Prints
MaterialsLithograph
