Yakov Khalip

Worker Drinking (Thirst)

1950

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “In the 1950s few photographers, particularly men, chose their models from their own families. Meatyard, however, found inspiration in his three offspring. This was perhaps due to his interest in Ben Shahn’s postwar paintings of Italian children playing among the ruins of war; the dolls, puppets, and children in Rainer Maria Rilke’s poetry...

Gelatin silver print Studio stamp in red ink, verso 12 x 9.5 inches, sheet This photograph is offered by ClampArt, located in New York City. Robert Doisneau (1912-1994), along with ...

Chicago, 1963 / Printed 2009 Gelatin silver print (Edition of 100 + 5 APs) Signed and numbered by the artist 11 x 14 inches, sheet size 9 x 9 inches, image size This artwork is offered by ClampArt, located in New York City. In 1963, Danny Lyon spent time in a poor white area of Chicago called Uptown. Nicknamed ‘hillbilly heaven’, it was a very tough and deprived neighborhood. With a borrowed Rolleiflex...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7.5 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “Meatyard took his definition of romance from The Devil’s Dictionary (1911) compiled by American writer Ambrose Bierce from the satirical pieces he published weekly in the late nineteenth century. The American grotesque of Bierce’s tall tales is here combined with Meatyard’s Surrealist inclinations and the European, particularly French, interest in primitive masks, perhaps with the intention of creating a parody of high art. Rather than sports fans, the stadium benches...

Huntsville, Texas, 1968 / Printed 2011 The Ramsey prison farm is set on 16,000 acres of Brazos River bottomland about 30 miles south of Houston and is populated by 1400 men. The pri...

Huntsville, Texas, 1968 / Printed 2011 Ferguson is a prison for young men, ages 17-21. Gelatin silver print Signed and dated in pencil, verso 11 x 14 inches, sheet This photograp...

Ali In Training (1966) - Silver Gelatin Fibre Print (Photo by R. McPhedran/Hulton Archive/Getty Images) American heavyweight boxer Muhammad Ali throws bare-handed punches in the ri...

Hepburn With Dove 1966 by Terry O’Neill Lifetime hand signed Limited Print Paper size 12 x 16″ inches / 31 x 41 cm Gelatin Silver Print signed and numbered by artist 40/50 With...

Jean Shrimpton and Terence Stamp photo by Terry O’Neill 1963 A close cropped portrait of British actor Terence Stamp and model Jean ‘The Shrimp’ Shrimpt...

Man Ray (1890-1976) Juliet, 1945/1991 Medium: Silver Gelatin Print (posthumous print) Dimensions: 30.5 x 24 cm Stamped: "Copie d'une épreuve originale - ADAGP Man Ray Trust" Conditio...

Brigitte Anne-Marie Bardot is one of the most iconic French actresses and models in the world. She is one of the best known sex symbols of the 1950s and 1960s and was widely referred to by her initials, B.B. With her heavy fringe, kohl-lined eyes, pouty lips and seductive curves, Brigitte Bardot captured the sixties bombshell zeitgeist. Like Marilyn Monroe and Audrey Hepburn, her image not only portrayed an era but an ideal that has remained indelibly imprinted in popular culture. This photo of French actress Brigitte Bardot in Spain, 1971 was taken on the set of 'Les Petroleuses' a.k.a. 'The Legend of Frenchie King', a western comedy film directed by Christian-Jaque. While on the set of ‘The Legend of Frenchie King’, Terry O’Neill was doing a three part series on Brigitte Bardot. This was the last frame Terry had left to use on set. The Bardot cigar shot is considered to be one of his most iconic photographs and is part of the permanent collection of the National Portrait Gallery in London. “I noticed that when the wind gusted there was the potential for a great picture. When the time came, I only had one frame left – one shot at it. But suddenly the wind swept her hair across her face, and it was a knock-out.” -Terry O’Neill All Fine Art...

Brigitte Bardot on the set of ‘The Novices’ a.k.a. ‘Les Novices’, France, 1970 Lifetime Edition Gelatin Silver Print Available Sizes: 20”x24” -Co-Signed by Terry O'Neill and Brigitt...