Keith Carter b.1948

Blackberries, silver gelatin print, signed and numbered, limited edition, signed

2001

Sarumawashi, literally "monkey dancing" evolved over a 1000-year history in Japan. Ancient Japanese chronicles refer to it as a form of religious ritual designed to protect the horse...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Bottle With Sharon's Seeds, black and white, still life photograph, signed, ltd James Pitts, based in Santa Fe New Mexico, delicate still lifes are crafted as exquisite hand-coated...

Clover Flower, black and white, still life photograph, signed, numbered James Pitts, based in Santa Fe New Mexico, delicate still lifes are crafted as exquisite hand-coated platinu...

Dried Clematis Blossom, black and white, still life photograph, signed, numbered. James Pitts, based in Santa Fe New Mexico, delicate still lifes are crafted as exquisite hand-coate...

The images are created rather than found. There is a rearrangement of the sequence of events that leads to the existence of the image. The emotion (the looking in) is identified init...

Palm Springs Pool Side, photography from Richard Heeps Dream in Colour series, taken at the Ballantines Movie Colony. This artwork captures the ...

Buick in the Dust, features an American Car, on a British Beach (Hemsby, Norfolk) driven by a German. Richard spent years honing his skills as a drag racing photographer, a sport he ...

Thomas Brummett has been working as an artist and professional photographer since 1983 when he graduated with a Master of Fine Arts from the Cranbrook Academy of Art. His work has be...

Tress uses a bed, the juxtaposition of two rakes and a scattering of fallen leaves to enter a sexy anthropomorphic world. Often men are called "rakes" to suggest amoral activity. In...

“It takes the passage of time before an image of a commonplace subject can be assessed. The great difficulty of what I attempt is seeing beyond the moment; the everydayness of life gets in the way of the eternal.” --George Tice GEORGE TICE was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self taught photographer. Two years later, when his picture of an alleyway was commended by a pro photographer critiquing club members' work, Tice was off and running with what would become his life’s work.. Tice studied commercial photography for a short time at Newark Vocational and Technical High School then decided to join the Navy. After, he worked as a traveling portrait photographer for almost 10 years. In 1959, Edward Steichen, then director of photography at MOMA acquired Tice's photo of an explosion aboard the USS Wasp for the museum. Later he aided Lee Witkin in establishing the seminal Witkin Gallery in NYC. His work was included in the opening group show in 1969 and the first of many solo shows there began the following April. George’s change to larger format cameras in the 60’s furthered his ability to craft carefully toned and detailed prints. He portrayed traditional Amish and Shaker communities, as well as the hard lives of fishermen in Maine. In the 1970s, Tice began explore his native NJ and began to document the vestiges of American culture on the verge of extinction, the work he is best known for. Whether it is the rural people who reside in small communities or suburban buildings and neighborhoods in decline, his great talent is finding deep meaning and emotional content in the most mundane subjects. In 1972, Tice was the subject of a one-man show at the Metropolitan Museum of Art. A fellow of the Guggenheim Foundation and the National Endowment for the Arts, George Tice’s work is included in more than 80 major museum collections including the Museum of Modern Art (MoMA) in New York and the J. Paul Getty Museum in Los Angeles, as well as countless private collections. Some of his iconic New Jersey images form the scenic backdrop...

Sepia-toned gelatin silver print, mounted to archival board Signed, dated, and numbered, verso 9 x 9 inches (Edition of 50) 15 x 15 inches (Edition of 30) This artwork is offered ...