Workshop of Jan Brueghel II

A garland surrounding the Virgin and Child

Still life with playing cards, coral, shells, a jewelry box and a stone sculpture Oil on canvas We'd like to thank dr. Fred Meijer for his attribution. Carstian Luyckx was a 17th ...

Oil on panel In the refined strokes of a 17th-century Dutch artist, a captivating still life unfolds, showcasing a meticulous arrangement of culinary delights that transcend the mun...

Oil on copper Step into the world of Christoffel van den Berghe with this captivating small painting titled "The Robbery." This intriguing scene unfolds within a lush forest, where...

The temptation of Saint Anthony - Attributed to Cornelis de Baeillieur Oil on copper Cornelis de Baellieur the Elder was an Antwerp painter who was strongly influenced by Frans Fran...

“A portrait of three children, one of them holding a basket of grapes, while another plays the flute” Oil on canvas Housed in a blackened 17th-century frame. We'd like to thank dr...

Oil on canvas We like to thank Dr. Jan de Maere for his help. Certificate dating 10/04/2024 is available. In Jan Frans Beschey's captivating painting, a lively village nestled alo...

98 x 36 cm each without frame - 112 x 50 cm with frame Antique gilded and shaped wooden box frames Expertise by Prof. Giancarlo Sestieri This marvellous pair of flower vases has b...

Profusion of Flowers by Thomas Webster, British contemporary artist, late 20th century signed oil on board, unframed board: 30 x 18 inches provenance: private collection, UK conditi...

Classical Still Life of Flowers by Thomas Webster, British contemporary artist late 20th century signed oil on board, unframed board: 30 x 18 inches provenance: private collection, U...

Still life - Francesca Strino Italia 2005 - Oil on canvas cm.60x60 Francesca Strino, a Neapolitan painter, realises this still life with great pictorial realism. The painter has her ...

Indistinctly signed and dated In the first quarter of the 17th century a new form of flower painting was developed in Flemish painting, which, recreated by a large group of artists and workshops, would achieve considerable success throughout the century in much of Europe: the garland of flowers surrounding a central figure. Brueghel de Velurs was the initiator of this type of composition, however, it was his pupil, Daniel Seghers, who was the dominant figure in this specialised production and the creator of a prototype that would serve as a model for the numerous artists who followed in his wake. It seems undeniable that the artist of the present painting had seen the Garlands of Flowers Surrounding a Medallion Depicting the Triumph of Love by Daniel Seghers and Domenico Zampieri (now in the Musée du Louvre in Paris). In our painting, the present floral wreath encircles a carved cartouche within which sits Saint Dorothy of Caesarea and the attribute which often accompanies her in art, a basket of roses. The extremely delicate flowers have been rendered in meticulous detail, so that every species can be identified from exotic tulips to roses, irises and forget-me-nots; this obvious attention to naturalism is inherited from the Flemish manner. Each flower is so precise and refined that they are an individual study in their own right. The still-lifes are from the hand of Jan Anton van den Baren, with the central figures by another accomplished hand. Van den Baren’s arrangement of flowers would have delighted connoisseurs in both Flanders and in Vienna, where the impossibility of their all blooming at the same time of year would have been understood as a further statement of the wonder and beauty of the divine. Van den Baren worked first in Brussels, where he collaborated with Erasmus Quellinus II for the figures in his works, before moving with Archduke Leopold Wilhelm, his patron, to Vienna in 1656, where he instead worked with fellow Flemish émigré painter Nikolaus van Hoy. The iconography relates to an eighth century legend where she was presented a basket of roses by a child. In addition to the brilliance of his handling of still-lifes Van den Baren played an important art historical role as Director of Archduke Leopold Wilhelm’s Picture Gallery in Vienna, then one of the greatest collections in the world and the core of what was to become the present collection of the Kunsthistorisches Museum, Vienna. Van der Baren compiled an inventory of the collection in 1659, and his predecessor as Director of the Archduke’s Picture Gallery (when it was still housed in Flanders), David Teniers, depicted van der Baren (third from right) in his celebrated Archduke Leopold Willem in his gallery at Brussels, conserved at the Kunsthistorisches Museum. It is a shining example of the Flemish Baroque and is a very rare object indeed, considering there are only 14 paintings accepted as authentic works by this artist. We are grateful to Fred Meijer for confirming the attribution to Johannes Antonius van der Baren. A feature of this painting is its outstanding carved and gilded frame with a plethora of flowers and foliage. Titan Fine Art

Giovanni Paolo Castelli called Spadino (Rome 1659 - Rome 1730) Still life Oil on canvas, cm. 81x31 - with frame cm. 92x41 Shaped and gilded wo...