Italian Baroque School

'Rebekah at the Well', Follower of Luca Giordano, Early 19th Century Figural Oil

Scandinavian School, early twentieth century. Inscribed, verso, on stretcher bar, 'Anna Ancher' with indistinct inscription and painted circa 1910. A psychologically-penetrating portrait of a young woman shown in profile, wearing a gold earring and a polychrome silk headscarf...

American school, Signed indistinctly lower right and dated 1988. A bravura, psychologically-penetrating oil study of a man, shown wearing a turban and contrasted against a scumbled ...

Signed lower right, 'Zipin' for Martin Zipin (American, 1920-1991) and painted circa 1960. Displayed in the original, hand-carved giltwood frame. Framed ...

A substantial and psychologically penetrating study of the American musician. Signed lower right with monogram; titled and dated, verso, 1977. Born in England, Pearl Took first studied at the Skipton Art School (1943-7) and, subsequently, at Sir John Cass College (1947-9). After immigrating to California in 1957, Took commenced her active career as a fine artist, also becoming an art teacher at Pasadena City College and a freelance illustrator with the Pasadena City News. As her painting style matured and evolved, she continued to further her studies, including at such prestigious institutions as the California State College, the Art Center of Design, the Otis Art Institute and the Parsons School...

A charming and fresh portrait of the musician and composer standing in front of Mendips, the house where he was mostly raised by his mother's sister Mimi, with his aunt standing behind him holding her large ginger and white cat, Timmy, that he grew up with. Signed lower left, 'S. Bower'; additionally inscribed with dedication verso 'To Mrs. Smith - Best Wishes, S. Bower', titled 'John Lennon with his Aunt Mimi and Tim at Mendips' and dated October 1982. This listed English plein-air painter, attended Manchester College of Art from 1970 to 1974 and currently lives in Totnes, Devon. He describes himself as "a colorist who is inspired by flower gardens, especially English cottage gardens in early summer. I have spent successive summers painting in Monet’s garden at Giverny, Northern France." Exhibitions: Nothern Young Contemporaries, Liverpool – 1974 Marlborough Gallery, London (Buddy Holly...

Signed lower left, 'Leon Franks'; additionally signed and titled, 'Portrait of a Girl', on old label verso. A bravura brushwork study of a young woman wearing a floral patterned shirt gazing calmly towards the viewer. A noted portrait and still life painter, Leon Franks studied at the Academie Julian and Grande Chaumiere in Paris and, subsequently, in Los Angeles at the Chouinard Art Institute and the Los Angeles Art Center. Franks additionally studied privately with Nicolai Fechin, Will Foster and F. Tolles Chamberlain. Before settling in Los Angeles in 1936, where Franks continued his education and began designing for the movie industry, he did portraits and decorations for Vancouver theaters. The author of several 'How to Paint' books, including titles 'How to Do Still Life' (1952) and 'Leon Franks on Techniques' (1964), Franks was a teacher. He privately taught several artists, including Vernon...

John Clostermann (Osnabrück 1660 - 1711 London) Portrait of a boy, maybe Charles Hinde Oil on canvas, 61 x 74,6 cm John Closterman (also Klosterman) was a portrait painter of the late 17th and early 18th centuries. He primarily portrayed English noblemen and European aristocratic families. His father was already an artist and he trained his son. In 1679 he went to Paris and studied with Francois de Troy. In 1681 he was in London and worked for the artist John Riley, whose studio he took over after his death. In 1696 he was invited to the Spanish court...

Francesco Fracanzano (Monopoli 1612-Napoli 1656) Testa di vecchio Olio su tela, cm 66x52,5 La tela presenta la figura di un uomo anziano a mezza figura con lo...

Oil on canvas, 62 x 51 cm (without the frame) Even if on the background there is an attribution to “Francesco Gessi pupil of Guido Reni” by the bolognese art historian Guido Zucchini (dated 1945), recent studies are tending to add it to the corpus of Girolamo Negri called Il Boccia (Bologna 1648-1718) due to lots of similarities with his style (the pale and warm palette chosen, the profile) The painting represents a lady on profile wearing a brown turban, a yellow clock...

The Pilgrim and Angel Spanish School, 17th Century oil on canvas, gilt framed framed: 48 x 37 inches canvas: 43 x 32 inches provenance: private collection, Barcelona, Spain condition...

Dipinto di scuola toscana della seconda metà del XVII secolo raffigurante un ritratto maschile di tre quarti, immerso nell'eleganza e nella maestosità proprie dell'epoca. La figura è...

Erasmus Quellinus The Continence of Scipio Oil on Canvas The painting is included in the Catalogue Raisonné of the artist. The Roman commande...