Early 20th Century Landscape Paintings

The Highland Loch Scottish School, early 20th century oil on board, framed framed: 7 x 8.5 inches board: 6 x 7.5 inches provenance: private collection, UK condition: very good and s...

Alfred de Breanski Jr, oil on canvas, "Invergary Castle, Loch Oich", Grazing sheep in the foreground and cattle in the background. A beautiful lake and mountain landscape with meadows, trees and snow capped peaks. The colors are vibrant. Signed: A De Breanski B/L. Titled and signed verso. Painting size: 18 inches x 24 inches Framed size: 24.25 inches x 30.75 inches Condition: Very Good with brilliant colors and no damage or restoration. Original frame with restorations. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described.  Alfred Fontville De Breanski Jr...

Impressive early American impressionist interior scene oil painting. Framed. Oil on canvas. Signed.

A wonderful depiction of a colorful landscape with puffed trees by the country side. For this beautiful depiction, we find distinct elements that are unique to the earlier works of O...

Point Lobos, California Oil on artist's board, c. 1925 Signed lower right: Wm J Edmundson (see photo) Condition: Very good condition Frame: Period McBeth Gallery style frame (see pho...

Nicely painted early American impressionist view of Brooklyn and the Hudson River by Martin Petersen (1866 - 1956). Oil on board. Framed. Signed verso.

A fine New England Cape Cod landscape by American artist Aldro Thompson Hibbard (1886-1972). Hibbard was born in Falmouth, MA, studied at the Massachusetts College of Art and at the Boston Museum School with artists such as Edmond Tarbell, Frank W. Benson, Joseph R. DeCamp, and later became one of the founders of the Rockport Art Colony, living on Cape Ann in Massachusetts and summering in Jamaica...

William Henry Howe (1846–1929) was an esteemed American painter known for his remarkable depictions of rural landscapes and livestock, particularly ...

Large early 20th century oil on canvas of the vendange or wine harvest. Though not signed this is probably the preparatory study for the later painting by Michel Maximilien Leenhardt...

‘Children of the New Forest’ by Edgar Barclay (1842-1913). Depicting two girls gathering kindling in winter woodland, this very large painting is signed by the artist and was exhibit...

Early 20th Century Pebble Beach Surf Seascape by Abel Warshawsky Significant and period early 20th century Plein Air seascape painting of crashing surf at Pebble Beach by listed Ca...

Gorgeous, vibrant early 20th century seascape painting of Point Lobos looking toward Monastery Beach, Carmel by Rinaldo Cuneo (American, 1877-1939). Signed "Cuneo" lower right. Presented in a giltwood frame. Image, 11"H x 12"W. Dubbed “The Painter of San Francisco." Well received at the Panama Pacific International Exhibition in 1915. Born in San Francisco, California and raised in the North Beach area, Rinaldo Cuneo was a painter of landscape, still lifes, city views and muralist who, commissioned by the Federal Art Project adminstrators, painted murals in Coit Tower in San Francisco in 1934. His studio and cottage in San Francisco, later in his career, had a panoramic view of the bay from Telegraph Hill. His family were painters including two of his brothers, Cyrus and Egisto Cuneo, and several family members were founders of the Tivoli Opera Company in San Francisco. He served in the Spanish-American War and then studied at the Mark Hopkins Institute of Art with Arthur Mathews and Gottardo...

Manuel Isidor Valle Micolau (1874-1959) - Spanish landscape - Oil on board Oil mesures 11.5x19 cm. Frame measures 22x28 cm. Photographer and artist from Lleida trained at the "Círcu...

"Cherry Trees in Bloom on the Seine (Cerisiers en Fleurs sur la Seine)" Raymond Thibesart (France, 1874-1968) Pastel on paper, circa 1920s Signed l.l. Circa 15 1/2 x 12 1/2 inches (u...

Work on canvas

WWI American Scene Ashcan Modern 20th Century Historical Realism Industrial WPA "Constant Driving Will Win the War," 30 x 40 inches. Oil on canvas. Signed and dated 1918 lower right. In 1905, Gerrit Beneker began his art career as an illustrator. He married Flora Judd, his high school sweetheart from Grand Rapids and they moved to Brooklyn, NY. Gerrit's early passion was to create an art that would inspire and provide honor to the workingman. As such, he had no interest in painting portraits of pretty women, which were so often seen on the magazine covers of the day. Rather he wanted to seek out workingmen on the bridges, tunnels and skyscrapers of NYC, and paint them in their environments. He completed over 150 magazine covers, numerous ads including many for Ivory Soap...

This early 20th-century oil painting by French artist Charles Clair (1860-1930) depicts numerous sheep feeding in a stone barn. Hailing from the picturesque rural area of Mars-sur-A...

Signed, dated and inscribed oil on canvas landscape by French pre-impressionist painter Marie Joseph Leon Clavel Iwill. The work depicts a sil...

Herbert St John Jones, British artist, 1872-1939. Born in 1872 in Shrewsbury, St John Jones moved to Nantwich, Cheshire, as a young child, and lived ther...

Work on cardboard Golden wooden frame 54 x 45 x 4.5 cm

A. J. Bennett (South African, fl. Early 20th century) Light and Shade • Oil on canvas artist board ca. 42.5 x 29.5 cm • Later frame ca. 53.5 x 41 cm Worldwide shipping for this ob...

Landscape "Provencal Village" Provencal landscape from Henri Farré. According to Wikipedia, Henri Farré was a painter and aviator during WWI. Born in the South of France (Foix), he joined France while he was in Buenos Aires during the mobilization. He became an official Army painter specializing in aeronautical painting. According to Richard Norton Gallery, "Farre flew in the cockpits along with the pilots of the famed Lafayette Escadrille, sketching the air battles as they were taking place. After the battles, Farre created finished, larger oil paintings based on these dogfight sketches. He was given the title of "Observateur Bombardier au Groupe d'Escadreille de Bombardment" by the French government and received the Legion of Honor and the Croix de Guerre from France for his war efforts. Farre wrote a book of his exploits called "Sky Fighters of France" in 1919. He exhibited at the Paris Salons and won a gold medal at the Salon des Artists Francais in 1934. In 1918, a large collection of Farre's aerial combat paintings was exhibited at the Art Institute of Chicago to benefit the children of the French aviators killed in action. The exhibition received a nationwide audience, traveling to major cities such as New York, Boston, Philadelphia and Washington D.C. Laurance Rockefeller, the noted philanthropist and businessman, purchased approximately 75 of these paintings, which are today in the Collection of the Smithsonian's National Air & Space Museum in Washington, D.C. Farre spent time in the U.S. before the Great War and returned to France upon the outbreak of war. After WWI, he settled in Chicago and maried an heiress, who was a 'modiste' (couturier), Marguerite Grassino. Farre lived and painted in Chicago until his death in 1934. " Structural Analysis : Inside a street view of a Provencal Village with flat roofs. On the foreground, a street is crossing the scene. It is surrounding by ocher-colored buildings with orange awnings. On the right side of the painting, a massive vegetation hangs over a porch. In the background, there is a cloudy bluish sky. Concerning the structure, the painter used thick paints to create texture. Thus, light movement creates new system of shadow and lights on the painting. It's also a geometrical painting, composed with triangular shapes.It seems very basic with triangle overlay/ superposition. Color analysis: The painter used complementary colors blue of the sky and orange of the awnings, when placed side by side, each heightens the visual intensity of the other. Technique: oil on canvas 54x65 cm / 21.3x25.6 inch with gold frame: 71x82,5cm / 28 x 32.5 inch Thickness: 3,5cm It is signed Henri Farré. There is no date mentioned on the artwork but I can guess that the artwork is after WWI. He started to use thick painting for the representation of landscape or cityscape (see Chicago paintings) Condition : Good condition - No cracks, no discoloration, no missing parts of paint. There are 2 restorations. It warps or curls in the corners, probably need to be tense again. (see picture...

A stunning oil painting scene depicting figures by the beach in a sunny day at Nice, France done in the 20th Century. The vibrant colors and impressionistic brushwork is done with bo...

Alfred Fontville II De Breanski Jnr. English ( b.1877- d.1957 ). Streatley Mill, River Thames, near Goring, Oxfordshire. Oil on Canvas. Signed lower left. Image size 11.4 inches x 15...

The Riverbank by Elie Anatole Pavil (Ukraine 1873-1944) signed oil on canvas, unframed 19.75 x 25.5 private collection, France the painting is in overall very good and sound condition

French Impressionist watercolour on paper view of a park in a city, probably Paris, by Henri Clamen. The painting is unsigned but was acquired from the artists atelier with other sig...

Signed oil on canvas landscape by American impressionist painter William Samuel Horton. The piece depicts a nighttime view of Pontarlier, a commune in eastern France near the Swiss b...

Enrico Vizzotto Alberti (Oderzo 1880 - Padua 1976) - The 7th regiment of Milan lancers. 25.5 x 35 cm without frame, 51.5 x 57 cm with frame. Ancient...

A masterful oil painting depicting a view of a Venice Canal by Grace Paterson. As an Impressionist and orientalist painter, she was known for her detailed works depicting scenes from...

The Highland Family, in a misty Scottish Highlands Landscape by Henry John Livens (British 1848-1943) signed & dated oil on canvas, framed in an antique "Watts" style gilt frame of v...

Outstanding Scottish landscape from the late 19th to early 20th century oil on canvas. Born in Scone, Frazer would participate in the growth and development of Scottish landscape painting during the late 19th and early 20th centuries. Long desiring to compete with the artistic endeavors of England, Scotland was making sure to make its mark, investing heavily in its artists. Indeed, Frazer would attend the acclaimed Royal Scottish Academy to receive his art education, intended to compete with English schools such as the Royal Academy in London. When his studies were complete, he would then base himself out of Edinburgh as he pursued a professional career. Edinburgh was and remains, the art capital of Scotland, and there was no place better for budding artist to plant their roots. Frazer’s work is a prime example of the growing influence of impressionism on Scottish landscape art...

Louis-Alexandre CABIÉ (Dol-de-Bretagne 1853 - Bordeaux 1939) The Saint Antoine bridge in Clisson Oil on cardboard H. 26 cm; L. 29.5 cm Signed lower left, dated 1907 Provenance: Priv...

Louis-Alexandre CABIÉ (Dol-de-Bretagne 1853 - Bordeaux 1939) Path in a hamlet Oil on panel H. 24.5 cm; L. 31 cm Signed lower left, dated 1929 Provenance: Private collection, Charent...

Louis-Alexandre CABIE (Dol-de-Bretagne 1853 - Bordeaux 1939) The rock of Cayre-Vézère in Les Eyzies in the summer of 1900 Oil on panel H. 52 cm; L. 36 cm Signed lower right, dated 19...

Louis-Alexandre CABIÉ (Dol-de-Bretagne 1853 - Bordeaux 1939) Houses in Tayac in summer Oil on canvas H. 24 cm; L. 35 cm Signed lower left, dated 1919 Provenance: Private collection,...

Meadow RIver by Charles Martin-Sauvaigo (French 1881-1970) * see notes below French Impressionist painter oil painting on wooden panel unframed size: 13 x 18 inches condition: very ...

Winter Tree Study I oil/canvas panel 6 x 8 image unframe, 9.50 x 11.50 I enjoy playing with light in my paintings and creating a mood while trying to push the range of color using su...

Winter Farm II oil/canvas panel 6 x 8 image unframe, 9.63 x 11.63 framed I enjoy playing with light in my paintings and creating a mood while trying to push the range of color using ...

Artist/ School: Suzanne Crochet (French c. 1930), female French Impressionist artist Title: The Stone Cottage Medium: oil on board, unframed Size: board: 9.5 x 13 inches Proven...

French Impressionist watercolour on paper view of a church by Henri Clamen. The painting is unsigned but was acquired from the artists ...

"Fishing Boats, Gloucester, MA" is a 25" x 30" oil on canvas, New England harbor scene by Pennsylvania Impressionist painter and New Hope School member Antonio Martino. It is framed...

Emily Beatrice Bland (1864-1951) British Sailing Boats in a Harbour Oil on board:10 x 9 in. Frame: 15 x 14 in. Inscribed on old gallery label ve...

We are delighted to offer for sale this exquisite painting by the Swedish artist Otto Lindberg, titled "Bränningar vid Utö" (Breakers at Utö). Completed in 1928, this stunning piece ...

Antique post impressionist landscape oil painting on board in a fabulous old frame. This stunning Art Deco painting sits within an equally stunning frame. On a board that is smooth...

French-born artist Georges Cyr lead a very colorful life during his 83 years. Born outside Paris in 1881, by 1910 he was taking art classes and adopted the Roen School style of paint...

Good early 20th century oil painting done in a transitional style - a blend of tonalism, impressionism and traditional Hudson River School. The painting oil on board measuring 14" x 15 1/2". Singed M H Lowell at the lower right and inscribed verso M...

Work on canvas

Signed and dated oil on board landscape by French Post-Impressionist painter Victor Charreton. The piece depicts a view of Lake Chambon, near Mont-Dore - with a view of the blue moun...

Lorenzo Gignous (1862-1958) Bellagio - 1918 Lake Como Oil on canvas in gilded frame Signed and dated lower left: "L.Gignous Bellagio 1918" Size: 75x137 cm (94x156 cm including fram...

Signed and dated figure in landscape oil on panel by French impressionist painter Henri Duhem. The work depicts a woman in a summer dress and bonnet walking beside a tree lined wall ...

Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Size: 20 x 30 Frame: 26 x 36 Medium: Oil Wash? Watercolor? Dated: 1917 "Misty Bayou" Housed in the original magnificent frame. Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Alexander John (A.J.) Drysdale was an early 20th century Louisiana artist who specialized in landscapes using the technique of oil wash, that gave his works a characteristic of a hazy look. Drysdale made use of this technique by diluting the oil paint with kerosene and applying it with cotton balls. Alexander John Drysdale, born in Marietta, Georgia on March 2, 1870, came to New Orleans at the age of fifteen with his parents. His father, Reverend Alexander J. Drysdale, became the rector of Christ Church Cathedral. Alex received private tutoring from a Professor Mehado and art lessons from Ida Hackell at the Southern Art Union. Later in New Orleans (1887) he studied art under Paul Poincy (1833-1909). The exact date of Drysdale's arrival in New York is unknown, but he enrolled in the Art Students League where he received instruction from Charles C. Curran and Frank Vincent DuMond. Apparently, he remained in New York for about five years and did not go to Europe for further study. After some time, Drysdale began specializing in landscapes, executed in a tonalist manner. Back in New Orleans, Drysdale was inspired by local subjects, especially swamp or bayou areas and other desolate wetlands. Over a period of many years Drysdale's landscapes evolved to a unique stylistic maturity. In 1909 he received a gold medal from the New Orleans Art Association. It is easy to see the influence of two artists that he admired: Corot and Inness. Working equally well in oil and watercolor (he also did scenes in charcoal), Drysdale usually divided his scene into halves or thirds, typically, a foreground consisting of tall swamp grasses achieved with broad vertical strokes; a middle ground consisting of a backdrop row of trees at the horizon line executed with staccato, jabbing strokes resulting in textural contrast; and a background devoted totally to a tonalist-like moisture-laden sky often hazy with no clouds or only a slight indication of them. This formulaic compositional format rendered with an economy of technique resulted in imagery with repetitious forms and shapes diffused in a nebulous space. In this regard, Drysdale's works are impressionistic; he also tended to use the violets and blues of the impressionist palette. Yet he lacked a specific interest in color and light. Although his expression of the Louisiana scenery is very personal, even mystical, the artist appears to have been very limited in subject matter. One of his last works was a mural for the Shushan (New York) Airport administration building, and shortly before his death he was employed as an artist by the Civil Works Administration. Drysdale was a member of the Arts and Crafts Club of New Orleans, and his work was in the permanent collection of the Delgado Museum for many years. The artist worked at his studio at 320 Exchange Place in the picturesque Vieux Carré until his death at the age of sixty-three. Stewart (in Painting in the South, 1983), describes how Drysdale was a shrewd businessman. He would solicit new homeowners who might need a canvas to decorate a wall, or a cotton broker who recently made the headlines. Drysdale died in New Orleans, on February 9, 1934. Sources: Louisiana Artists from the Collection of Dr. and Mrs. James W. Nelson. Baton Rouge, LA: Louisiana State University, 1968; Wiesendanger, Martin and Margaret Wiesendanger, Nineteenth Century Louisiana Painters and Paintings from the Collection of W. E. Groves. New Orleans: W. E. Groves Gallery, 1971, pp. 44-45; Painting in the South: 1584-1980, Exh. cat. Richmond, VA: Virginia Museum, 1983, pp. 106-107, 114, 276; Chambers, Bruce W., Art and Artists of the South: The Robert P. Coggins Collection of American Paintings. Exh. cat. Rochester, NY: Memorial Art Gallery of the University of Rochester, 1984, p. 88; Zellman, Michael David, 300 Years of American Art. Seacacus, NJ: Wellfleet Press, 1987, p. 634; Gerdts, William H., Art across America: Two Centuries of Regional Painting, 1710-1920. New York: Abbeville Press, 1990, vol. 2, pp. 110-111. Submitted by Richard H. Love and Michael Preston Worley, Ph.D. Biography from The Johnson Collection ALEXANDER JOHN DRYSDALE (1870–1934) Born in Marietta, Georgia, Alexander John Drysdale was the only son of an ordained Episcopal priest whose ministry required frequent moves to parishes in Georgia, Alabama, and Tennessee. In 1883, he accepted the call to become dean of Christ Church Cathedral, New Orleans, and was later elected a bishop. Alexander, thirteen years old when the family settled in New Orleans, began his art studies under the instruction of Ida C. Haskell, a California-born artist who was on the faculty of the recently established Southern Art Union. The local academy had been founded by several leading artists, including Andres Molinary, William Henry Buck...

French Impressionist watercolour on paper view of a colourful village, spanning a river and mountain landscape by Henri Clamen. The painting is unsigned but was acquired from the art...

The Coastline by Charles Martin-Sauvaigo (French 1881-1970) * see notes below French Impressionist painter oil painting on wooden panel unframed size: 8.25 x 10.5 inches condition: v...

House overlooking the Sea by Charles Martin-Sauvaigo (French 1881-1970) * see notes below French Impressionist painter oil painting on wooden panel unframed size: 9.5 x 6.25 inches c...

Winter Farm oil/canvas panel 8 x 10 image unframed, 14.38 x 16.38 framed I enjoy playing with light in my paintings and creating a mood while trying to push the range of color using ...

Winter Farm oil/canvas panel 9 x 12 image unframed. 15.38 x 18.38 framed I enjoy playing with light in my paintings and creating a mood while trying to push the range of color using ...

The Old French Town by Charles Martin-Sauvaigo (French 1881-1970) * see notes below French Impressionist painter signed oil painting on wooden panel unframed size: 6.5 x 11 inches co...

Full Moon Over Point Lobos, Carmel Early 20th Century Nocturnal Oil on Linen Seascape Painting Rich and moody nocturnal seascape of iconic Carmel's Point Lobos by Charles Henry Harm...