Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 4

Fatima El Hajj
Le pavillon rose

About the Item

Fatima El-Hajj, born in Lebanon in 1953, graduated from the Lebanese University’s Fine Arts Institution, the completed a second degree at the Leningrad Fine Arts Academy, and finally finished her schooling with a degree from the Ecole Nationale Supérieure des Arts Décoratifs in Paris. She then taught at the Beirut Fine Arts institute from 1985 (the year she was awarded the Picasso Prize in Madrid) until 2017. Since 1986, she has shown regular exhibitions in Lebanon, Spain, and France, as well as in other Arab countries where she is often recognized, such as Kuwait, the United Arab Emirates, Bahrain, Syria, Marrocco, and Qatar. Her work is present in the IMA’s permanent collections, among others. Her paintings show an absence of concession, a search for a personal world, for a harmony that is born from contradictory sentiments, between tranquillity and revolt, dreams and doubt. She paints most often in a large scale, on canvas or panels, as comfortable working with oils as with acrylics. As a colorist, she does not ignore the effects of her materials. Movement, light, and suggestions of form work together in her pieces, sometimes to the point of taunting abstraction. The exhibition “The Gardens of the Soul” offers a faithful summary of the work of Fatima El-Hajj, who is seen in her country as the fruits of her French schooling.It is, however, important to note that, having been born and raised in the East, and as she lives there now, she has naturally known to stray from the “orientalist stereotypes” that are ultimately nothing more than a superficial glimpse of one culture upon another, with its inevitable distorted prism, and its received ideas. However, such a classification would be insufficient by far. We must instead find within her art a bridge between two worlds, the East and the West, the visible and the invisible, a style of painting that aligns itself with the universal goal of art." Thierry Savatier, Blog le Monde
  • Creator:
    Fatima El Hajj (1953, Lebanese)
  • Dimensions:
    Height: 59.06 in (150 cm)Width: 59.06 in (150 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    PARIS, FR
  • Reference Number:
    1stDibs: LU2506214174562
More From This SellerView All
  • Chevauche Printanière
    Located in PARIS, FR
    Unique Artwork by Fatima El-Hajj. The artist was born in Lebanon in 1953, graduated from the Lebanese University’s Fine Arts Institution, the completed a second degree at the Lening...
    Category

    2010s Contemporary Figurative Paintings

    Materials

    Oil, Acrylic

  • Hanna El Sekran
    Located in PARIS, FR
    Fatima El-Hajj, born in Lebanon in 1953, graduated from the Lebanese University’s Fine Arts Institution, the completed a second degree at the Leningrad Fine Arts Academy, and finally...
    Category

    2010s Figurative Paintings

    Materials

    Oil, Acrylic

  • Adam
    Located in PARIS, FR
    Early Life and Education: Ghazi Baker, a proponent of Neo-expressionism, was born in 1967 in the vibrant city of Beirut, Lebanon. Raised amidst the rich cultural tapestry of Lebanon,...
    Category

    2010s Figurative Paintings

    Materials

    Oil, Acrylic

  • Eve
    Located in PARIS, FR
    Early Life and Education: Ghazi Baker, a proponent of Neo-expressionism, was born in 1967 in the vibrant city of Beirut, Lebanon. Raised amidst the rich cultural tapestry of Lebanon,...
    Category

    2010s Figurative Paintings

    Materials

    Oil, Acrylic

  • Le pavillon vert tourquoise
    Located in PARIS, FR
    Fatima El-Hajj, born in Lebanon in 1953, graduated from the Lebanese University’s Fine Arts Institution, the completed a second degree at the Leningrad Fine Arts Academy, and finally...
    Category

    2010s Figurative Paintings

    Materials

    Oil, Acrylic

  • Sieste
    Located in PARIS, FR
    Fatima El-Hajj, born in Lebanon in 1953, graduated from the Lebanese University’s Fine Arts Institution, the completed a second degree at the Leningrad Fine Arts Academy, and finally...
    Category

    2010s Figurative Paintings

    Materials

    Oil, Acrylic

You May Also Like
  • Rustics: Winter Hunting Lodge
    By Hannah Barrett
    Located in Boston, MA
    Hannah Barrett’s paintings imagine a colorful, absurdist world inhabited by eccentrics of ambiguous genders and time periods. With tongue-in-cheek nods to the past, Barrett combines...
    Category

    2010s Contemporary Figurative Paintings

    Materials

    Canvas, Oil, Acrylic

  • Rustics: Spring Weekenders
    By Hannah Barrett
    Located in Boston, MA
    Hannah Barrett’s paintings imagine a colorful, absurdist world inhabited by eccentrics of ambiguous genders and time periods. With tongue-in-cheek nods to the past, Barrett combines...
    Category

    2010s Contemporary Figurative Paintings

    Materials

    Canvas, Oil, Acrylic

  • "I Identify As You" (Sensual, Feminine, Romantic, LGBTQ, Figure Painting, Wood)
    By Nicholas Evans
    Located in Paris, IDF
    "I IDENTIFY AS YOU AND I'M OBSESSED WITH MYSELF" 2024 Paris, France A commentary on narcism and vanity, identity and obsession. The viewer is presented with two figures, sexually a...
    Category

    21st Century and Contemporary Abstract Figurative Paintings

    Materials

    Wood, Acrylic, Oil

  • Dream 3
    Located in London, GB
    The work called “Dream 3” is a part of the project titled “Dreams”(2019). The painting has its focus on a character found in a state of self-reflection and is mainly inspired by “The...
    Category

    21st Century and Contemporary Figurative Paintings

    Materials

    Spray Paint, Acrylic, Oil

  • Pink, from the Inevitable Feeling Series, 2016
    By Misha Milovanovich
    Located in New York, NY
    Misha Milovanovich Pink from the Inevitable Feeling Series, 2016 Acrylic & oil pastel, ink, enamel and celulose paint on canvas. 72 x 59 cm Hovering between painting, drawing and watercolour sketches, her new work represents a form of personal expression that is less concerned with the impact and novelty of popular culture and more about the quiet uncovering of emotion. Her trademark organic forms are still present though now they are empathetic rather than explosively joyful. The colours are softer, somewhat washed out and hazy, as if half-perceived or remembered. The colour palette and the energy of the mark making reference to the now buried source material -  abstracted Hentai illustrations, Japanese manga-infused depictions of male dominance, rape and power fantasies. The never-satisfied, always distracted state in which this dislocated field of sexual aggression persists stands in for our instantly redundant, surface only culture- transactional, bullying and ephemeral.   Her paintings are sensorially rich and and yet muted, the masses of fleshy intersections and writhing calligraphy feel like they are moving out of the immediate present and floating up out of time.   They are soaked in the in nuances of early modernism- Klee, Miro and Matta. She explores emotive, expressionistic tender spaces in these lyrically rendered conceptual paintings - densely layered works that operate in the enigmatic gaps between rational structure and spontaneity. Misha also echoes Kandinsky and his sensuality of musical movement, evoking his concerns with the spiritual, all emerging naturally from the rich soil she has carefully laid down in her previous work. The language and texture of her materials are important to Misha who prepares her own pigment- paying great attention to form, surface and the moment-to moment physicality of her practice. Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption. Misha's work is often a symphonic abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production. A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work. Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication. Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Mixed Media, Oil, Acrylic

  • Summer stories. Girl in a green boat.
    Located in Oslo, NO
    In this oil painting, I captured a serene moment of a young girl adrift in her thoughts, gracefully guiding her boat across the gentle waters. The interplay of light on the ripples c...
    Category

    2010s Impressionist Figurative Paintings

    Materials

    Canvas, Oil, Acrylic

Recently Viewed

View All