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Berthe MorisotModele au Chapeau or Child with a Large Hatc. 1884
c. 1884
About the Item
Signed with the estate stamp initials lower right, Lugt 388a (see photo)
Provenance:
Richard Norton Gallery, Chicago (label verso)
Fairweather-Hardin Gallery, Chicago (label verso)
Charles E. Slatkin Galleries, New York (label verso)
References And Exhibitions:
Elizabeth Mongan, Berthe Morrisot: Drawings/Pastels/Watercolors/Paintings (New York: Shorewood Publishing Co., Inc., 1960) reproduced p. 27, plate X. (See photos of illustration and title page)
Sight size: 6 1/4 x 7 3/8"; Frame: 15 1/2 x 14"
Condition: Very good
Housed in 22K gold left frame with gold fillet and linen matting
"The work shows an intimate glimpse of Morisot's close relationship with her daughter, Julie. An integral member of the Impressionist circle, the well-connected Berthe Morisot was the granddaughter of Jean-Honoré Fragonard and married to Édouard Manet's brother, Eugène. Her subjects focused largely on domestic scenes and because of her financial independence, she enjoyed unusual freedom from the demands of dealers and patrons, able instead to develop her own compositional style."
Courtesy Bonhams
- Creator:Berthe Morisot (1841 - 1895, French)
- Creation Year:c. 1884
- Dimensions:Height: 6.25 in (15.88 cm)Width: 7.375 in (18.74 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:
Berthe Morisot was born at Bourges, France on January 14, 1841. She grew up in a bourgeois family which, in a break from usual practice, encouraged Berthe and her sister, Edme, in their painting. She first studied with Guichard, a follower of Ingres, but in 1862 she made the acquaintance of Corot, and went over to his disciple Oudinot. Her next great influence was Manet, and it was under his guidance that she took up figure-painting as well as landscapes, exhibiting both kinds of work at the Salons from 1870 on. As a young woman, she joined the avant-garde and showed works at the impressionist exhibits that challenged the official Salon; her earlier paintings are lovely examples of what might be called mainstream impressionism. In 1874 Morisot married Manet's brother Eugene, about whom very little is known. They had a daughter, Julie. Morisot began to paint remarkably challenging pictures, and her fellow artists began to admire her more and more. Unfortunately she was not thought by everyone to be a painter of the first rank. At first she had more reputation as a hostess than an artist, entertaining such men of talent as Degas, Renoir, Pissaro, Manet and the poet, Mallarme. She often posed for Manet, being his model for some of his well-known works. She died in March of 1895. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Sources include: Mark Stevens in Newsweek, September 28, 1987
Masterpieces of Art: Catalogue of the New York World's Fair 1940
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International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Fairlawn, OH
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