Items Similar to Children Playing with the Baby /// Victorian Watercolor British Flowers Cottage
Want more images or videos?
Request additional images or videos from the seller
1 of 22
Ada L. DennisChildren Playing with the Baby /// Victorian Watercolor British Flowers CottageCirca: 1900
Circa: 1900
About the Item
Artist: Ada L. Dennis (English, Late 19th Century-Early 20th Century)
Title: "Children Playing with the Baby"
*Initial signed by Dennis lower right
Circa: 1900
Medium: Original Watercolor on Illustration Board
Framing: Recently framed in a gold Louis XVI style moulding with cotton rag linen mat and gold filet. All archival
Framed size: 21" x 17"
Image size: 8" x 5.25"
Condition: In excellent condition
Notes:
Provenance: private collection - a South FL estate, acquired from Dibble Gallery, Englewood, NJ in the 1950's retaining their original gallery label on verso.
Biography:
Ada L. Dennis (Late 19th Century-Early 20th Century) was an English artist of oil paintings and watercolors on canvas, board, and even ceramics specializing in figurative children subjects. She was an inducted member of the ROI (Royal Institute of Oil Painters) in London, UK. She was Senior Assistant in the Faience Department from 1882-1904 for Doulton Lambeth and then for Royal Doulton. She was married to Walter Gandy, who also worked there. She was also a notable book illustrator for many children's books.
- Creator:Ada L. Dennis
- Creation Year:Circa: 1900
- Dimensions:Height: 21 in (53.34 cm)Width: 17 in (43.18 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU12126598222
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1978
1stDibs seller since 2015
1,223 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Saint Augustine, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Resting Lady, Roma /// Antique Rome Italian Watercolor Figurative Landscape ArtLocated in Saint Augustine, FLArtist: Filippo Bartolini (Italian, 1861-1908) Title: "Resting Lady, Roma" *Signed by Bartolini lower right Circa: 1900 Medium: Original Watercolor on heavy wove paper Framing: Rece...Category
Early 1900s Victorian Figurative Drawings and Watercolors
MaterialsWatercolor
- The Butterfly /// Antique Victorian Watercolor Girl Lady Landscape Romantic ArtLocated in Saint Augustine, FLArtist: Jan Jacobus Matthijs Damschröder (Dutch, 1825-1905) Title: "The Butterfly" *Signed by Damschröder lower right Circa: 1880 Medium: Original Gouache/Watercolor Painting on paper Framing: Framed in a gold-leafed mat and Victorian gesso frame...Category
1880s Victorian Figurative Drawings and Watercolors
MaterialsWatercolor, Gouache, Gesso
- The Round Pond, Market at Concarneau, Brittany, France /// Female Artist AntiqueBy Beatrice Stella PedderLocated in Saint Augustine, FLArtist: Beatrice Stella Pedder (English, 1875-1965) Title: "The Round Pond, Market at Concarneau, Brittany, France" *Signed by Pedder lower right Circa: 192...Category
1920s Impressionist Figurative Drawings and Watercolors
MaterialsWatercolor
- Children Playing on the Beach /// British Watercolor Figurative Seascape AntiqueBy David Thomas RobertsonLocated in Saint Augustine, FLArtist: David Thomas Robertson (Scottish, 1879-1952) Title: "Children Playing on the Beach" *Signed by Robertson lower left, (the signature is faded) Circa: 1935 Medium: Original Wat...Category
1930s Impressionist Figurative Drawings and Watercolors
MaterialsWatercolor
- Paris Street Scene /// Modern British Watercolor France City Scene ImpressionismBy John Rankine BarclayLocated in Saint Augustine, FLArtist: John Rankine Barclay (Scottish, 1884-1962) Title: "Paris Street Scene" *Signed and dated by Barclay lower left Year: 1921 Medium: Original Watercolor on paper Framing: Framed within its original gold antique period frame and white cotton rag mat from Holland Framed size: 19.25" x 20.75" Image size: 9.5" x 11.5" Condition: Light cosmetic wear to frame. In excellent condition Notes: Provenance: single collection of recently deceased James E. Horigan who lived in England and owned a gallery and later moved to Colorado. Biography: John Rankine Barclay (1884-1962) was born in Edinburgh in 1884. He studied at the Royal Institution where he met A R Sturrock. He was a member of the Edinburgh Group, a group of progressive painters that included J.G Spence Smith, D. M. Sutherland, William Oliphant Hutchison, William Mervyn Glass...Category
1920s Impressionist Figurative Drawings and Watercolors
MaterialsWatercolor
- Manhattan (with Linda Evangelista) /// Contemporary Street Pop Art Fashion ModelBy Jack Graves IIILocated in Saint Augustine, FLArtist: Jack Graves III (American, 1988-) Title: "Manhattan (with Linda Evangelista)" *Signed by Graves in pen lower left Year: 2015 Medium: Original...Category
2010s Contemporary Figurative Drawings and Watercolors
MaterialsGraphite, Pencil, Ink, Pen, Color Pencil
You May Also Like
- Abstract Silhouette Hat Portraits - Female Illustrator of Golden AgeBy Jessie GillespieLocated in Miami, FL115 years after they were created, one can view these silhouettes differently than the artist’s intent. After all, the genesis of this work was an editorial illustration for Life Magazine to showcase elaborate women’s hats. They were done for a commercial assignment with a deadline, and picky editors were overseeing the final work. Today, they have a dual meaning. These charming silhouettes are abstractions as much as they are representations. Moreover, each one is a compact little gem stuffed with observational detail. Golden Age female illustrator Jesse Gillespie's mastery of technical skill, is apparent in minute details and composition. Young women, old women, pendants, necklaces, feathers, and laced vails all contribute to the works understated complexity. The identity of the subjects are revealed by small areas of exposed neck and chin. As the viewers eyes goes from left to right - all six silhouettes read as fashion hieroglyphs in a sentence with a visual rhythm and cadence. . Initialed JG lower right., Matted but not framed. Published: Life Magazine, March 17th, 1910. Provenance: Honey and Wax Bookstore ________________________________ From Wikipedia, the free encyclopedia Jessie Gillespie Willing (March 28, 1888 – August 1, 1972) was an American illustrator during the Golden Age of illustration. She was considered the foremost silhouette illustrator of her time, although she did traditional illustration as well. Willing illustrated for books and magazines including Life, The Ladies' Home Journal, Woman's Home Companion, Mother and Child, McClure's Magazine, Childhood Education, the Sunday Magazine, Association Men (the magazine of the YMCA), Farm and Fireside, Every Week, Children: The Magazine for Parents (which became Parents Magazine), and the American Magazine. She is perhaps most well known for her work for the Girl Scouts. Early life Willing was born in Brooklyn on March 28, 1888 to John Thomson Willing (August 4, 1860 – July 8, 1947)[1][2] and Charlotte Elizabeth Van Der Veer Willing (December 1, 1859 – March 4, 1930).[3] Thomson Willing was a noted illustrator and art editor. He was also well known for finding new artistic talent. Jessie Willing was the eldest of three children. Her brother Van Der Veer (November 30, 1889 – January 14, 1919), who died of pneumonia at the age of 29, was an advertising agent.[4] Her sister Elizabeth Hunnewell Willing (July 26, 1908 – August 15, 1991) was one of the first women to graduate from the Philadelphia Divinity School.[5][6] Elizabeth married the Rev. Orrin Judd, rector of St. Mary's Episcopal Church, on September 22, 1931, and was active in church work.[citation needed] The Willing family moved to the Germantown neighborhood of Philadelphia in 1901 or 1902. Jessie Willing attended the Stevens School, from which she graduated in 1905. She then went on to attend the Philadelphia Academy of Fine Arts from 1906 to 1907.[7][8] Career Willing used her middle name Gillespie as her professional surname. She also often signed her illustrations J.G.[9] The story goes that the art editor of Life magazine was in Thomson Willing's office when he was the art editor of the Associated Sunday Magazine syndicate. Thomson Willing had some of Jessie's artwork on his desk, which the Life editor saw and admired. He asked for the artist's information so that he could give her freelance work. Thomson Willing did not want to be accused of nepotism so he persuaded Jessie to use Jessie Gillespie as her professional name, which she did.[10][11] In addition to her extensive illustration work, Willing was also the editor of Heirlooms and Masterpieces from 1922 to 1931 and the art editor of Jewelers' Circular-Keystone from 1933 to 1939.[12] She specialized in jewelry publicity and advertising. In 1966 she won the Gold medal of the Printing Week Graphic Arts Exhibit in Philadelphia for her Christmas catalog for J.E. Caldwell Co., Philadelphia. Willing was a member of the Plastic Club of Philadelphia,[13] the American Institute of Graphic Arts (AIGA) and the National Arts Club of New York.[14] She was an honorary life member of the National Arts Club[15] and served on its Board of Governors from 1941-1970. In 1963, she received the Gold Medal of the National Arts Club in recognition of 32 years of selfless devotion.[15] Additionally, she was the national director of the American Institute of Graphic Arts (AIGA) from 1943 to 1946.[15] Previous to this she served as the Program Chairman of the AIGA and in that position she put together a travelling exhibit on the "history of narrative art from the first recorded picture story to the comic book of the twentieth century."[16][17] Illustrations in books With Tongue and Pen--Frederick Bair, et al. (MacMillan, 1940) Masoud the Bedouin--Alfred Post Carhart (Missionary Education Movement, 1915) The Path of the Gopatis--Zilpha Carruthers (National Dairy Council, 1926) The Schoolmaster and His Son: A Narrative of the Thirty Years War--Karl Heinrich Caspari (Lutheran Publication Society, 1917) On a Rainy Day--Dorothy Canfield Fisher and Sarah Scott Fisher (A.S. Barnes and Co., 1938) Book of Games for Home, School and Playground--William B. Forbush and Harry R Allen...Category
1910s Victorian Portrait Drawings and Watercolors
MaterialsInk, Illustration Board, Pen
- Margot Glass, Long Glassine Envelope, Watercolor and pencil still life, 2016By Margot GlassLocated in New York, NYMargot Glass explores the fragility of communication, and people’s natural drive to find narrative in even the most ordinary of objects. In her Envelopes series, Glass works in water...Category
2010s Contemporary Figurative Drawings and Watercolors
MaterialsPencil, Illustration Board, Watercolor
- Light Envelope with Tape, realist watercolor and pencil still life, 2016By Margot GlassLocated in New York, NYMargot Glass explores the fragility of communication, and people’s natural drive to find narrative in even the most ordinary of objects. In her Envelopes series, Glass works in water...Category
2010s Contemporary Figurative Drawings and Watercolors
MaterialsIllustration Board, Watercolor
- Rowing Sculling Team Regatta, Life Magazine - African American IllustratorBy E. Simms CampbellLocated in Miami, FLE. Simms Campbell was the first African-American illustrator/ cartoonist published in nationally distributed, slick magazines, he created Esky, the familiar pop-eyed mascot of Esquire. This early work of 1930 was done on assignment for an interior page of Life Magazine. It features two Rowing teams engaged in spirited competition with cheering onlookers. This is a highly stylized black-and-white illustration and is masterfully executed. The work is composed of two illustrations, 6 x 9 inches and 2-3/4 x 2 inches respectively. It is initialed center bottow ESC. unframed Campbell left the University of Chicago and transferred to and received his degree from the Chicago Art Institute.[3] Professional career During a job as a railroad dining-car waiter, Campbell sometimes drew caricatures of the train passengers, and one of those, impressed by Campbell's talent, gave him a job in a St. Louis art studio, Triad Studios. He spent two years at Triad Studios before moving to New York City in 1929. A month afterward, he found work with the small advertising firm, Munig Studios, and began taking classes at the National Academy of Design.During this time, he contributed to various magazines, notably Life, & Judge Following the suggestion of cartoonist Russell Patterson to focus on good girl art, Campbell created his "Harem Girls", a series of watercolor cartoons that attracted attention in the first issue of Esquire, debuting in 1933. Campbell's artwork was in almost every issue of Esquire from 1933 to 1958 and he was the creator of its continuing mascot, the cartoon character in a silk top hat. He also contributed to The Chicagoan, Cosmopolitan, Ebony, The New Yorker, Playboy, Opportunity: A Journal of Negro Life, Pictorial Review, and Redbook. His commercial artwork for advertising included illustrations for Barbasol, Springmaid, and Hart Schaffner...Category
1930s Figurative Drawings and Watercolors
MaterialsGouache, Pencil, Ink, Illustration Board
- Searching the Car - Desaturated Colors Muted Warm Yellows and GreyBy Harry BeckhoffLocated in Miami, FLThis Harry Beckhoff illustration is masterfully rendered and intricately designed in line and wash. It's as abstract as it's representational with its graphic style, clean lines, and flat patterning. Every element in the composition works in harmony without a line out of place. The flat and abstract nature of the work rivals that of the great modernist painters of the 1930s. Perhaps this was done for a major newsstand magazine like Collier's. Although he studied with Dean Cornwell and Harvey Dunn, he didn't pursue the style of painterly brushstrokes and impastos. Instead, he defined his forms with flat shapes, whose internal forms are defined by thin lines. The emphasis is more on silhouette and line than it is on texture and lighting. Beckhoff also described his work as having been influenced by illustrators like Pierre Brissaud...Category
1930s Figurative Drawings and Watercolors
MaterialsWatercolor, Illustration Board
- 'Figural', Carmel, California Post-Impressionist, Ruskin School of Art, MadridBy Robert MoesleLocated in Santa Cruz, CAA large study of several people in action contrasted against a background of saffron yellow and cerulean blue. Signed lower right 'Moesle', painted circa 1975 and titled verso 'On ...Category
1970s Figurative Drawings and Watercolors
MaterialsWatercolor, Illustration Board
Recently Viewed
View AllMore Ways To Browse
L Original Gallery
Children Playing
Victorian Flowers
Antique Gold L
Children Playing Art
1900 L
Childrens Book Art
Children With Books
Children Playing Paintings
Paintings Children Playing
Painting Of Children Playing
Children Illustration
Childrens Illustrations
The Antique Cottage
Antique 17s
Victorian Painters
Flower Illustration
Book Labels