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Victorian Snake Venetian glass serpent pin brooch
About the Item
Wonderful Victorian brooch with double headed snake and bezel set center stone. The Pink Cabochon has gold glass blown into it to create a vine or snake like effect. Two snakes circle this stone. Early C back pin back. Made of gilt heavy brass. Measures 3.58 in x 2.73 in. This is out of a massive collection of Hopi, Zuni, Navajo, Southwestern, sterling silver, (costume jewelry that was not worn) and fine jewelry from one collector. Be sure to check our store front for more fabulous pieces from this collection. We have been selling this collection on 1st dibs since 2013. You can Follow us via storefront as well, ask me a question and I will tell you how to follow us! Thank you, Any questions please call, email or hit contact.
- Metal:Gilt Metal
- Style:Victorian
- Period:Late 19th Century
- Date of Manufacture:1890's
- Condition:Wear consistent with age and use.
- Seller Location:Wallkill, NY
- Reference Number:
About the Seller
4.9
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Established in 2004
1stDibs seller since 2013
722 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Wallkill, NY
- Return PolicyThis item cannot be returned.
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Again there was a lull in interest in carved gemstones, until the Neoclassical revival of the eighteenth century, largely stimulated by the discoveries of the ancient Roman cities of Pompeii and Herculaneum. As with the Renaissance, antique specimens were generally prized over modern cameos, and the worldliest men in Europe held them among their collections of art and antiques. That said, carving centres in Rome and Torre del Greco (near Naples) in Italy were established in response to the demand of the Grand Tourists, who travelled to Italy and Greece to become educated in the wonders of the ancient world. It was at this time that shell cameos, mostly made in Torre del Greco due to its proximity to the sea, became more popular, owing to the relative ease in carving shell over hardstone. In addition to Rome, hardstone cameos also became a specialty of Idar Oberstein, Germany, which had a long history with both the gem mining and cutting trade. In a shift away from the collector’s cases of the previous century, the nineteenth century saw a strengthening in the fashion for wearable cameos. After the Empress Josephine donned a cameo-set suite of jewellery at the coronation of Napoleon in 1804, cameo jewellery became all the rage. Napoleon played a further hand in promoting the art by establishing a gemstone carving school in Paris, inspired by his appreciation for the arts of the ancient world. By the mid-nineteenth century shell cameos, in part due to their lightness compared with hardstone cameos, were the height of fashion. Large shell cameos as well as hardstone cameos were set into contemporary mounts, often as suites of jewellery. Some of the best cameos of the nineteenth century—carved by a select group of recognized carvers—were set into revivalist mounts, corresponding to the subject matter. 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